有必要

This is a reminder that Chartism was more than just a political movement, and that the recent tendency to reduce it to a set of political goals, and to analyse its language in political terms, is therefore reductive and distorting.

有必要提醒的是：宪章运动不仅是一场政治运动。最近有一种对它进行简单化和歪曲的趋势，说它有一套政治目标，并用政治术语来分析它的语言。

Generally speaking, can consult with oneself content is mixed the website with about the same dimensions, treat the condition of others, in if you think to be necessary to do the website of the link in those websites,appearing in oneself friendship to link list, and still place of a few others is done not have, but it is valuable cooperative website, should consider as the job to have effect very much so.

一般来说，可以参考一下和自己内容和规模都差不多的网站，看看别人的情况，如果那些网站中你认为有必要做链接的网站都已经出现在自己的友情链接名单中，而且还有一些别人所没有的，但又是有价值的合作网站，那么就应该认为是工作很有成效了。

You want to have the necessary policies and procedures to ensure a safe, organized, convivial, empowering, nondiscriminatory workplace.

你想有必要的政策和程序，以确保安全，有组织，有欢乐，授权，非歧视性的工作场所。

No matter where = wherever do whatever you want stay where there is water 语法:语法被动语态 Unit 10 know of/ about in danger lead to act as take turns doing sth get started keep…from……… take sb on a tour of…… die out live a better life take measures for different reasons be used to the environment use…for… be used to do used to do adapt to the change learn more about create more space for make a big difference make no difference devote…to……… at present set free live in the wild

依赖/靠……相信…………与……不同生活方式使得赚钱有可能不仅仅是电话把……用作……上网花时间或金钱做某事有必要做某事不论哪里做任何你想做的事呆在有水的地方第十单元听说过，知道有在危险中，病危通向，导致充当，担任轮流做某事开始阻止/不使…做…带领某人参观…灭绝生活得更好采取措施由于不同的原因习惯于这种环境用……来…………被用来做……过去常常适应变化对…了解得更多为…开辟更多的空间有很大影响/关系没有区别，没关系献身于…专论于…现在，目前释放生活在自然环境下 1。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Financing at different stages of financial institutions must ensure the safety of their investments to recover, it is necessary to keep the lower reaches of the refinancing; developers to ensure that the project development, construction and pre-sales of capital adequacy, it must maintain its credibility, then is necessary to guarantee the high quality of the project itself; the public real estate funds and bonds to buy, they must ensure that their investment is not devalued, it will strengthen the developer community supervision, and select the item truly trustworthy, finally, to left behind are the essence of the benefit the consumer; At the same time, real estate financing, construction, sales of the various sectors of society as a whole will also be placed under the line of sight, an increase of transparency and credibility.

在不同阶段融资的金融机构必须确保安全的投资收回，有必要保持下游的再融资；开发，以确保该项目的开发，建设和预售的资本充足率，它必须保持其信誉，则是必要的，以保证高质量的项目本身；公共房地产基金和债券的购买，但他们必须确保他们的投资不贬值，这将加强发展社区监督，并选择了这个项目真正值得信赖的，最后，留下的是精华，造福消费者；与此同时，房地产融资，建设，销售的各个部门的社会作为一个整体也将置于视线，增加了透明度和信誉。

This way, you can always make the electrodes bigger, if necessary without undue hardship.

这样，您可以随时作出更大的电极，如有必要，没有不必要的困难。

There are many serious misleading in how to apply the principle of "fraud exception", whereas, it is necessary to make a legal research on the principle of "fraud exception" in light of former researches. The article consists of two parts. In the first part, the author put emphasis on the principle of abstract independence, the definition, the establishment and development of the principle of fraud exception, the analysis of the fraud, the theory, the prerequisite and the procedure of apply the principle of "fraud exception" in order to establish the general principle and necessary procedure. In the second part, the author analysis the existing backward conditions oflegislation and judicial practice in China, and courts" attitude to the judicial remedy for the principle of " fraud exception", further, the author puts forward some suggestions on how to make the legislation on the principle of "fraud exception" perfect, and how to apply the procedure of judicial remedy for the principle of "fraud exception". Lastly, the author hopes that these suggestions could benefit to the judicial practice and the future legislation on the principle of "fraud exception.

我国在加入世界贸易组织后，按照国际惯例和国际公约处理国际贸易中的纠纷己成为一种必然趋势，鉴于我国法院对如何准确适用信用证欺诈例外原则存在着严重误区，使得在先前学者研究的基础上再一次研究欺诈例外原则很有必要，本文分两个部分，第一部分对信用证独立抽象原则、信用证欺诈例外原则的定义、确立与发展、对例外原则下欺诈的分析、理论基础、适用条件以及程序等六方面展开论述，从而确立信用证欺诈例外原则的一般原则和必要的程序：第二部分主要分析我国司法实践中信用证欺诈例外原则司法救济的立法以及司法现状，及法院对欺诈例外原则的态度，从而对如何完善我国法院欺诈例外原则的法律依据以及如何正确适用欺诈例外原则的司法救济程序提出一些构思，希望为欺诈例外原则在我国的司法实践以及为以后的相应立法提供有益的参考。

Surely architects flock in such numbers to live in these lovely old houses – many from the eighteenth century, often in the last remaining conservation areas of our towns and cities that haven't yet been destroyed – because, deep down, they do respond to the natural patterns and rhythms I have been talking about, and feel more comfortable in such harmonious surroundings – even though, presumably, they don't all feel the need to wear togas to do so?!

自然有大批的建筑师选择居住在这些可爱的老旧住宅里，其中有不少住宅是十八世纪流传下来的，多半这些住宅是在城镇的保护区里面所以才没有被推倒。他们选择住在这种旧房子里，这是因为在内心深处，他们还是对我们在前面说过的那些自然规律和节奏还是很有感觉的，在那种和谐的周边环境中还是感觉很舒服的，当然，大家也都知道，他们并没有觉得有必要非得穿上十八世纪那种大袍子才适合住在那里，是不是？

Your second question proves that you are totally fooled by the Priest who organised the Church and created some stories and take advantages on all human beings by the name of God that is monopolised by their exclusive rights to interpert the natures and characteristics of so called God.

但相信我的出生、就证明了我对母亲的信任、事实上，有必要在这里大费周章的解释吗？提出「上帝」的是发帖人 passbyhk。若不是他先提出这、我也不会回应。我虽然有将圣经内容写出来、但我有说过我有去过教会教堂吗？别说你不能证明、面对一个教徒、我自己也不能证明我有去过。因此、你「怀疑」的这些、可以免去了。我可没有兴趣讨论神是否存在。

He and Nina moved to California and lived at 2005 Ivar Street, Apt.

他和Nina搬到加州，并在2005年伊瓦尔街，公寓生活。

Droperidol （ potently inhibits transfected HERGchannels and this is the probable mechanism for QT prolongation.

氟哌利多有效地抑制了转染的 HERG 钾通道，可能是 QT 间期延长的机制。