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The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位,而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思,但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下,个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思,以幽默对抗现代物质主义机械主义对人灵智的异化,重申自我表现的空间,构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力,则使论语派审美主义向隐逸文化靠拢,其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移,在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路,从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

The antiphon poetry is the mirror of friends dealings and differs with imperial official commerce, so they can reflect Beisong penmen's real life and mentality.

第四章:苏轼等人的唱和诗是朋友间交往的实录,不同于冠冕堂皇的官方应酬,因此颇能反映北宋文人的真实生活和心态。

The works of Sushi scholars group are characteristic of intercourse among many antiphon poetry of each denasty in China. Especially in Yuanyou year, Sushi, Suzhe and Sushi's four students gathered in the capital, thus antiphon became one of daily activities and devoted a large number of antiphon poetry.

第一章:在中国历代众多的唱酬诗中,苏轼文人集团作品的交际性最为突出,特别是元祐年间,苏轼、苏辙及"苏门四学士"会集京师,唱和成为他们兄弟、师生、朋友之间最日常的活动之一,从而留下了数量可观的唱和诗。

And so I would arrogate no particular merit to lit-erary men for the possession of this faculty of do-ing good which some of them enjoy.

所以我不会硬说文人之具有行善的能力是什么特别的优点,他们中有些人就是喜爱那样做。

China is so big so many cultures I have been to a place not many would like to learn a friend has spent a possible four-month tour around China, it is too early, but I am trying to develop my new world, perhaps the first map of China to buy a plug inserted in the above flag "asdic this a tour" in the hope that one day I can take it all has completed.

走进多伦路的文化名人街,感觉像走在联合国的大道上,街道的房子每间风格都不一样,心里摸不著头絮,怎麼会有条街上的屋子风格差异会那麼多,听说30年代这边常聚集一群文人雅士所以造就这条「文化名人街」,80年后的我走在这街上,虽然我不是文人雅士,但或许也能让我多加了点文学气息哈。

You can not imagine that this kind of punch line, even the deep attainments are not necessarily scholars .

让你无法想象的是,这样的妙语,就连造诣很深的文人都不一定能想得出来。

Beijing Beerism documents in 68 minutes, without voice-over, a group of distinguished and dissenting literati and their reckless bacchanalia from autumn 2003 to early 2004 in Beijing , a city enthralled in breathless development.

天下就有不散的筵席》片长68分钟,不用旁白,纪录了在2003年秋天,到2004年初,在北京这座飞速发展的城市里,一个由不少知名文人组成的圈子里,一些不愿追随潮流者,夜复一夜地疯狂喝酒游戏的生活。

In ancient times, the baldric and ornament products included pouch, tobacco pouch, perfume bag, waist pouch, fan cover, fan bag, handkerchief bag, glasses box and jewelry box, which were used by high officials and scholars.

佩饰在远古时期从产品类别分有:荷包类、烟荷包、香荷包、腰荷包、杂宝抱肚荷包、扇套、扇袋、帕袋、眼镜盒、饰品盒多为达官贵人之用,文人墨客之用。

Gergory Bateson's awkward classic, Naven, a study of ritual among a New Guinea people.

格雷戈里·贝特森的难读的名著《纳文人》是对新几内亚的一个民族中的礼仪的研究。

First, it is the result of the internal substance of literature's change and development. Furthermore, the construction of the authors' individual personality and the change of their thinking in writing push the Consciousness of literature on. Finally, XIAO Gang's court poetry, which pursuit static emotion in beautiful images, represents the birth of belles-lettres and the Consciousness Ox Literature in China.

文学的自觉首先是文学自身的根本特质逐渐完善和发展壮大的结果;同时,文人自觉人格的树立和创作心态的转变在这一过程中起到重要作用;最后,以萧纲为代表的齐梁文学,追求静态的审美情感在形象中的表现,标志着中国纯文学的真正诞生和文学自觉的实现。

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