抒情的

Schopenhauer, who was fully aware of the difficulties the lyrical poet creates for the speculative aesthetician, thought that he had found a solution, which, however, I cannot endorse.

叔本华并不隐瞒抒情诗人的审美静观是哲学上一个难题，但是他自以为找到了答案，但我并不完全同意这个答案。

In particular, I make the case that the love poems in McKay's Harlem Shadows (1922), the most influential early book of black poetic modernism, cannot communicate without being heard as meta-lyrics of the "lyrical left," the political edge of Village bohemianism that aimed to break down the barriers between contemplation and action, sexual and economic liberation, the artist's studio and the revolutionary barricades.

如若不将它作为"抒情左翼"的元抒情诗来听，难以得其要旨。所谓"抒情左翼"，是指格林威治村波希米亚主义的政治之锋，旨在打破凝思与行动之间的屏障、性解放与经济解放之间的屏障、艺术家工作室与革命者街垒之间的屏障。

The dramatist and musical characters and the perfect combine between music and drama are the purports. The thesis is divided into three parts: the preface, four chapters and the conclusion. In the preface it is explained that what in this thesis is expounded and what kinds of study about the opera there are in Chinese and in the other area of the world. The first chapter is a summary about Gounod and his"Faust", which is the typical work in lyric operas. In the second chapter analysis on drama, the character and figures of the roles in the opera is made, and the characteristic of the plot ,the creation of opera and framework is put together. In the third chapter the music in the opera is studied, and the characteristics are put together on the base of particular analysis on typical passage of aria chorus ensemble. In the last chapter, perfect combine between drama and music is presented by study on Faust's character and psychology,and it is discussed that music implied the plot. And the conclusion is a whole comment of the opera and it's musical characteristics

更多论述。全文由引言、四个章节、结论等几个部分组成：引言是关于论文的选题、国内外研究现状的陈述，指明笔者选题的意义以及国内外学者对此课题的研究程度；第一章是对抒情歌剧作曲家古诺以及抒情歌剧的典范之作《浮士德》的一个总体上的概述；第二章从人物性格与戏剧情节、戏剧结构、戏剧创作等方面对歌剧《浮士德》进行分析，归纳其戏剧特点；第三章是对歌剧《浮士德》音乐特点的研究，通过对咏叹调类、重唱类、合唱类唱段中有代表性唱段的具体分析，总结其在音乐创作方面的主要特点；第四章从音乐刻画人物的性格与心理、音乐暗示戏剧情节的发展等方面，论述了歌剧《浮士德》在戏剧与音乐方面的完美结合；结论是对歌剧《浮士德》的整体论析。

And the fifth part, with the result of analysis,his music creation has concluded and summarized the effect of Grieg and his piano stetch.

最后在第五部分中将根据分析结果，从《钢琴抒情小品》(作品12号)的艺术价值，格里格的音乐创作在20世纪音乐中的地位与影响两个方面归纳并总结格里格与其钢琴抒情小品的影响。

Besides, for Cao Xueqin and other scholars, their creative motivation is closely linked to lyrical literary tradition, this tradition started from Qu Yuan, he"expresses his emotions to vex his anger", and this self-expressive creation attaches mostly to personal success and failure, and causes new and some foundamental changes in the narrative vernacular fiction, one of the marks is the marks in the autobiographical tone.

此外，曹雪芹等文人小说的创作动因与中国抒情文学传统有着密切关系，他们继承了屈原开始的"发愤以抒情"这种"以一己的穷通出处为主"的自我抒解创作精神，使叙事文学的通俗小说产生了新的深刻变化，其标志之一就是"自况"的创作特征。

The chapter on lyrical art mainly analyses lyrical tone of pathos and sentimentality and lyrical modes of gentleness and soulfulness.

在抒情艺术这一章里，主要分析了韦应物哀婉伤感的抒情基调和平淡中见深意的诗情。

Yles of Lyric Pieces have traits of multiplicity, which use "natural beauty" as major ride through out. The second chapter will give a cultural interpretation from the aspects of social and history background (including his own background, life environment and social situation) and social ideology including Romantism concept going deep into, Norway folk music edifying, opening and enlightening of impressionist precursor and the influence by other artistic thought.

第二章从社会历史背景(个人背景、生活环境、社会形势)和社会意识形态(浪漫主义观念的深入、挪威民间音乐的熏陶、印象派先驱的启迪、其它艺术思想的渗透)方面论述了钢琴抒情小品的文化成因，阐明了复杂的文化环境对格里格创作的影响以及抒情小品包涵的深厚的文化底蕴。

If we enlarge on this, taking into account the most important phenomenon of ancient poetry, by which I mean that union-- nay identity--everywhere considered natural, between musician and poet (alongside which our modern poetry appears as the statue of a god without a head), then we may, on the basis of the aesthetics adumbrated earlier, explain the lyrical poet in the following manner.

此外，让我再指出一切古代抒情诗最主要的一种现象——往往抒情诗人与音乐家自然而然结合于一身甚且同是一人。就这点来说，现代抒情诗，在相形之下，就好象没有头颅的神象了。所以，根据上述的审美形而上学，我们可以说明抒情诗人如下。

Yi Yu Ti prose present the intensely subject lyric consciousness, and it is good at utilizing pomes as the significant lyric means. Its language also presents the emotional aesthetic.

指出&忆语体&散文具有强烈的主体抒情意识，并善于运用诗词作为有意味的抒情方式，语言也颇具情感美。

Nor is it at all necessary for the poet to see only the phenomenon of the man Archilochus before him as a reflection of Eternal Being: the world of tragedy shows us to what extent the vision of the poet can remove itself from the urgent, immediate phenomenon.

然而，这位抒情诗人也不一定只能见到通过阿奇洛科斯其人反映永恒存在的这一现象；希腊悲剧就证明了：抒情诗人的幻想世界，同这种当然与它有密切关系的现象，相去甚远。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。