抒情的

Tibet has very complex topography and falls into three geographic parts: the northern part of Tibet known as the North-Tibet Plateau, lies between Kunlun Mountain, Tonglha Mountain and Kangdese Mountain, and Nyainqentanglha Mountain;between Kangdese Mountains and Himalayas;the river valleys which the the Yarlung Tsangpo and its anabranch flow by in the southern part of Tibet and lie between the Gangdise and the Himalaya ranges; the eastern part of Tibet belongs to an area of deep gorges where a series of mountain ranges from east to west criss-crossing mountain ranges running from south to north,and is some parts of the Hengduan mountain range.

在西藏的边远山谷中，一辆老式的苏联卡车翻滚到坡底的河边，车里一个已经怀孕了几个月的女人尽然不死，而她腹中的孩子也没死，那个孩子尽然就是我。"——莫毅，这为神交已久而未谋面的艺术家，其作品在许多展览上令我印象深刻，在筹备此展的过程中认识，相聊甚欢。多年藏区生活塑造了一个率直敏锐的性情汉子，这组拍摄于20年前、却完成于今年的作品以严肃的记实性和抒情的叙事片段，融会艺术家近年的实验手段，呈现了对诸如"脆弱"、"意外"、"真实"和"理想"的记忆。因此20年后的莫毅仍然"想念西藏。

In the slow movement again Brain is a degree more expressive in his lyrical playing, but in both performances the glory of the horn's final tune is richly brought out; an echo here of the entry of the staircase motif in the final pages of Arabella.

在缓慢动作中再次大脑是一在他的抒情的演奏方面更表现但是在在两方面同样地表现中的光荣角的决赛的调试的度被完全带来；一楼梯中心思想的在最后的页的阿拉贝拉中的入口的这里回声。

Your article in the lyrical, while the lyrics must be a true nature, to move in the concerted effort of love, only the depths of his heart touching true feeling is possible.

文章贵在抒情，而抒情一定要真实自然，要情动于衷，只有发自内心深处的真情实感才可能动人。

Pindar, Greek lyric poet, 5th century bc.

希腊抒情诗人，希腊的抒情诗人，第 5 世纪 bc。

"Antonella" theme series injected Modern, Latin Dance of the fashion world gorgeous pop elements with classical elegant "Waltz Series", natural and unrestrained Haofang's "Tango Series", the luxurious beauty " Foxtrot Series ", soft lyric of" Rumba Series ", the joy of youth's personality style" cowboy series ", combines classical and modern features, are highly representative of the classic.

&Antonella&的主题系列注入了摩登舞、拉丁舞这一时尚华丽的世界流行元素，具古典高雅的&华尔兹系列&、潇洒豪放的&探戈系列&、美丽华贵的&狐步系列&、柔媚抒情的&伦巴系列&、青春欢乐的个性风采的&牛仔系列&，融合了古典与现代的特色，是极具代表性的经典之作。

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found

我不知道哪一天它是的是什么时候你进入房间我说哈罗不被注意到的你说再见太快轻易通过纺是非常抒情的纱委托人我确实必须坦白就在这里吸引是体格检查纯正是我发生作用那所有的从一开始是的你的习惯是难以接受你的Beardsly加印的时尚感觉我把记在经验名下有荷兰人口音，其设法改变我的她的任意线是的观点的大bosomed女士被好让排练但是我的心脏迫切需要你你是在我的你是的在我的你将是的精神中心脏中我的呼吸是我应该变得老你我的你是的情人是我的你是的在我的精神中最好友我的对你的爱是无法估量我的尊敬你巨大你是长生不老的，永恒，系带子和纤细你是美和风韵你一狂想曲是一个喜剧你是你是的一交响乐和一玩耍每一个情歌曾经被写作但是加蜜于确实你在中看见我什么使甜你是一在魅力中文章请原谅语法但是你是每一个男生的你是的梦凯尔特人的是联合但是当作婴儿般对待我已经断定你是有史以来最最好的我已经看见的队已经有很多我向有想法的许可但是我咬住嘴唇和把原因往回转的你是有史以来最暖和的我已经找出的东西的多次事件

The Soviet horizontal wooden board on the front carriage body creates not only the composed word quantity surpasses the bold word, in the quality also has many lets the excellent work which the human junction declares approves, his composed word from becomes a standard, since also has inherited the writing technique which the late Tang the composed word has expressed feelings tactfully, breaks through the traditional composed word fragrant soft waste colorful tradition fetter, in the technique has been more dexterous nimbly, tangled up tactful, has poured into the vigor and the vitality for the traditional composed word, shines upon him to take the literary intelligentsia writer's esthetic interest and his outstanding culture moral character, have the brand-new esthetic sense style.

苏轼创作的婉约词不仅数量超过豪放词，质量上也有许多让人交口称赞的佳作，他的婉约词自成一格，既继承了晚唐以来婉约词委婉抒情的写作技巧，更突破了传统婉约词香软靡艳传统的束缚，手法上更加轻巧灵活、缠绵委婉，给传统的婉约词注入了活力和生气，映照出他作为士大夫文人的审美趣味和他不同凡响的文化品格，具有崭新的美感风格。

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上，对40年代叙事长诗的叙事艺术与策略进行深入剖析，主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开，以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合，抒情形态表现在抒情结构与抒情语言方面；其抒情策略大体有两种方式：一是诗中人物的自我抒情，一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

One of a class of12th-century and13th-century lyric poets in Provence, northern Italy, and northern Spain, who composed songs in langue d'oc often about courtly love.

抒情诗人12至13世纪法国普罗旺斯，意大利北部和西班牙北部的抒情诗人，他们用中世纪法国南部方言创作宫廷爱情歌曲

They exerted great efforts in surpassing the dull and pompous pattern of emotion expression and exploited new patterns featured by the objectivity, rationalization and dramatization in emotion conveyance which enriched the expressive patterns and greatly contributed to the rationalization of modern poetry.

&九叶诗派&是 2 0世纪 40年代崛起的新生代诗人，他们努力超越当时诗坛抒情样式的单调和浮泛，自觉探索新的抒情表达方式，其特点与成就主要体现在三个方面：客观化抒情、智性化抒情、戏剧化抒情，为丰富新诗的表达策略，提高新诗的智性品质作出了贡献。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。