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与 戏谑的 相关的网络例句 [注:此内容来源于网络,仅供参考]

How little that which thou denisest me is,Me it sucked first, and now sucks thee,And in this flea our two bloods mingled be;A sin, or shame, or loss of maidenhead,Yet this enjoys before it woo,And pampered swells with one blood made of two,And this, alas, is more than we would do.Oh stay, three lives in one flea spare,Where we almost, nay more than married are.This flea is you and I, and thisOur marriage bed and marriage temple is;Though parents grudge, and you, we are met,Andcloistered in these living walls of jet.Though use make you apt to kill me,Let not to that, self-murder added be,And sacrilege, three sins in killing three.

第一段诗人看见了那只先后叮过两人的跳蚤,便指着它向情人证明两人的鲜血已通过一只先后叮咬了双方的跳蚤溶为一体,而血的交融则意味着生命的交融,诗人因此推断,两人的生命已经在事实上结合在一起了;第二段,诗人发现情人正抬手欲向跳蚤打去,便急忙劝阻,说这样一来,被害的就是三条性命;第三段,对方显然已经下手,掐死了跳蚤,所以诗人戏谑地称对方为"残忍"、"用无辜者的鲜血把自己的指甲染得红紫"。

In June rain sometimes shades her band of daylight as with pencil hatchings. The path grows slippery with mud, and umbrellas collide. Sudden jets of water from spouts overhead splash on her startled pavement. In her dismay, she takes it for the jest of an unmannerly scheme of creation.

六月里,阵雨仿佛在用铅笔画出的影线,时常把她的一线天涂成暗色;这小巷变得泥泞滑溜,雨伞互相碰撞;头顶上那水流管的喷口处雨水奔涌而来,溅泼到她的惊愕的路面上,在惊恐之中,她把这一切当作用欢快的戏谑来进行无拘无束的创造。

At the same time, as a kind of autobiographical novels, parodic autobiographical novel can not only unrestrainedly fabricate some stories to mold an odd hero or heroine but also freely work out some purely fictitious psychology to serve their own aims.

在自我形象方面,虽然戏谑型自传体小说叙述人将自己塑造成与世隔绝的"我"、分裂变幻的"我"、玩世不恭的"我"、自暴自弃的"我"几种反传统的自我形象,但是这些形象或许只是叙述者用来掩饰真实自我的一种姿态而已,在叙述者玩世不恭的面具下读者也可以窥见一个始终与虚无作战的执着的灵魂。

The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一;仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲"Buoyancy",成功的带出Miuccia意欲传递给大家的矛盾和滑稽;更夸张傻眼的紧接而来:儿童使用的围兜(也很像中国古代女人的性感肚兜)配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外,就活像是男性比基尼的外穿,然后转过身来,我们更看到,肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

At the same time, as a kind of autobiographical novels, parodic autobiographical novel can not only unrestrainedly fabricate some stories to mold an odd hero or heroine but also freely work out some purely fictitious psychology to serve their own aims.

在自我形象方面,虽然戏谑型自传体小说叙述人将自己塑造成与世隔绝的&我&、分裂变幻的&我&、玩世不恭的&我&、自暴自弃的&我&几种反传统的自我形象,但是这些形象或许只是叙述者用来掩饰真实自我的一种姿态而已,在叙述者玩世不恭的面具下读者也可以窥见一个始终与虚无作战的执着的灵魂。

The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一;仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲&Buoyancy&,成功的带出Miuccia意欲传递给大家的矛盾和滑稽;更夸张傻眼的紧接而来:儿童使用的围兜(也很像中国古代女人的性感肚兜)配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外,就活像是男性比基尼的外穿,然后转过身来,我们更看到,肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

He is a highly cultured, endearingly ironic man, and he loathes himself about as much as a human being can, but he loves, and can only love, nubile young girls, whom he calls "nymphets."

他是一个非常有文化,有着讨人喜欢的戏谑腔调的男人,而且他以一个人类所能达到的最大的厌恶来憎恨自己,但他还是无可救药的爱,而且只能爱,那些&初长成&的年轻女孩。

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