悲剧地

From Trip, an embittered runaway slave in Glory, to South African freedom fighter Steven Biko in Cry Freedom and from Shakespeare's tragic historical figure Richard III to the womanizing trumpet player Bleek Gilliam in Spike Lee's Mo' Better Blues, Washington has amazed and entertained us with a rich array of characters distinctly his own.

从《光荣战役》中的逃跑的奴隶，到《自由万岁》中的非洲自由运动战士史蒂文·比科；从莎士比亚的历史悲剧《理查德三世》，到斯派克·李执导的《爵士风情》中那花心的爵士喇叭手。丹泽尔·华盛顿把一个个个性鲜明的人物形象深深地印在了观众的脑海里。

I still remember how I toddled in front of an aged man's cane chair, reciting the verse "the sing girls, with no regrets for the perishing country, gaily echoed across Changjiang 'A Song of Courtyard Flowers". Having lived through the dynasty Qing, he shed tears at my innocence.

我还记得摇摇摆摆地立在一个满清遗老的藤椅前朗吟"商女不知亡国恨，隔江犹唱后庭花"，眼看着他的泪珠滚下来。7岁时我写了第一部小说，一个家庭悲剧。

It is because of its chemical purity that tragedy so effectively performs functions of catharsis.

正是由于悲剧的这种化学纯度，它才非常有效地完成着它那净化感情的作用。

In the third part, Xiaohong proceeded profound excavation in the tragic consciousness of life. This took on the absurdity of life though the desolation, disillusionment and the chanciness of the fortune; the forth chapter is the female existent predicament in life. Xiaohong presented the existent consideration and the apperception of life by her sex, figure, and by the traditional culture, mankind as well as women of angle.

第三层次，萧红对生命悲剧意识进行了深刻地挖掘，这是通过人生的荒凉感、幻灭感和命运的偶然性来表现人生的荒诞性；第四章，"女性生命存在的困境"，作家从自身的性别、身份出发，从文化、男性及女性自身的角度来表现作家对生存的考虑及对生命的感悟。

Given the terraced structure of the Greek theater, rising in concentric arcs, each spectator could quite literally survey the entire cultural world about him and imagine himself, in the fullness of seeing, as a chorist. Thus we are enabled to view the chorus of primitive proto-tragedy as the projected image of Dionysian man.

那末，照这一意义来说，我们不妨把原始悲剧最早阶段的歌队称为醉境中人的自我反映；这一现象最明显的例证莫如演员的体验：一个演员，如果真是有才能，总能见到他所扮演的人物栩栩如生地幌动在眼前。

Research of the contradictories and theirevolvement is the emphasis and nodus in this paper. Contradictories includesauthorities and institution, multi-value and moral risk, harmony and competition, theyare represented as unbalanced transformation among authorities, capital and benefits;deviation between institutional rule and living logic; individual rationality andcollective choice; commonland tragedy; inside controlling and power renting.

系统中的矛盾及其演化分析是研究的重点和难点，主要从权力与制度、多维价值与道德风险、和谐与竞争三个角度展开，其中，权力与制度层面的矛盾包括权力、资本与利益的非均衡转化以及制度规则与生活逻辑的背离；多维价值与道德风险中包括个人理性与集体选择、公地悲剧、内部人控制与权力寻租。

Only so, can we put an end to this aspect of the tragedy of the commons.

只有这样，我们才可以终结这方面的公地悲剧。

The tragedy of the commons develops in this way.

公地悲剧是如此发展的。

Just because that we adopted the attitude of pragmatism while absorbing the western culture and thoughts, so shielded the redemption consciousness of western culture and sacrifice spirit; shielded the loftiness of tragedy and Bacchus spirit of Dionysos; shielded the western wise man's criticism spirit of self-subversion against metaphysics; shielded the artists 'courage of confronting reality and fearless art experimentation spirit.

正是由于我们在吸纳西方文化思想过程中急切地采用了实用主义的态度，因而屏蔽了西方文脉中的救赎意识、牺牲精神；屏蔽了悲剧崇高及狄奥尼索斯的酒神精神；屏蔽了西方哲人对"形而上学"自我拆解、自我颠覆的批判精神；屏蔽了艺术家勇于对抗现实以及大无畏的艺术实验精神。

Apparently,Nietzsche enunciates the essence of tragedy in accordance with the inner changes and enunciation of his thoughts.

但是显然地，尼采对悲剧之本质的澄清，是与其思想的内在变化和澄清相对应的。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。