寓言

Chen Wei The Fabulist's Path 2008.6.14 － 2008.7.20 Opening Party: june 14, 2008, 4:00PM Venue:Platform China Contemporary Art Institute Main Space B After his solo exhibition Unnamed Room at 798 Project Space of Platform China Contemporary Art Institute in July, 2007, Chen Wei will have a new solo show The Fabulist's Path at Platform China Main Space B.

陈维寓言家的小径2008.6.14 － 2008.7.20开幕酒会：2008年6月14日4：00PM 展览地点：站台中国当代艺术机构草场地主空间 B 继2007年7月陈维在站台中国当代艺术机构项目空间完成的《没有命名的房间》个展之后，又将于6、7月在站台中国主展厅B空间举办一次全新个展《寓言家的小径》。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

It has been seen that the literal school of exegesis had its home at Antioch, while the allegorical school was Alexandrian, and the entire West, on the whole, followed the allegorical method, mingling literalism with it in various degrees.

人们看到，学校的字面的注释有其回家安提阿，而寓言学校是亚历山大，整个西部，总体上来说，遵循了寓言的方法，混合拘泥於字句与它在不同程度。

It should not be taught that these three chapters do not contain true narrations of facts, but only fables derived from the mythologies and cosmogonies of earlier peoples, purged of the polytheistic errors and accommodated to monotheism; or allegories and symbols, with no objective reality, set forth in the guise of history to inculcate religious and philosophical truths; or, finally, legends partly historical and partly fictitious put together for instruction and edification.

它不应该告诉我们，这三个章节，不包含真实的叙述事实，但只有寓言来自神话和cosmogonies以前的人民，整肃的polytheistic错误和安置到一神教；或寓言和符号，没有客观现实，在所列的幌子历史灌输宗教和哲学的真理；或，最后，传说中的部分历史和虚构的部分放在一起，为指导和启迪。

The literary implication contained by the parabolical images has long time been richly exploited whereas the philosophical meanings has not.

作为寓言的文学形象，《庄子》已经被后人充分地阐发了；但它的寓言形象中的哲理，于今却没有得到充分地阐发。

The historical course is expressed up and down of chieftain system in fable fashion,which either conceals or reproduces history again,and it also gives somebody deeply enlinghtment,it has displayed that Alai cares to the human desting.

内容摘要：阿来的长篇力作《尘埃落定》采用了寓言化的写作方式，以寓言的形式讲述了土司制度由兴而衰的历史过程，或隐或显地再现了历史，给人以深刻的启示，表现了阿来对人类命运的终极关怀。

This faith, said he, is but a borrowed plagiarism from one of the many allegories invented by our

这种信仰，他说，只不过是从一个寓言中抄袭来的，我们过去的祭司们曾编造过许多这样的寓言。

In this exhibition artists present the metaphorical aftermath that traditional and personal allegories have left for 21st century man.

在本次展览中，艺术家呈现了寓言式的后遗症，是传统和个人的寓言留给21世纪的。

This faith, said he, is but a borrowed plagiarism from one of the many allegories invented by our priests of old

这种信仰，他说，只不过是从一个寓言中抄袭来的，我们过去的祭司们曾编造过许多这样的寓言。

From their birth ages, existence situation, meanings and intensions we could find out that on one hand, these allegories have close ties with their religious thoughts, and on the other, they are the pearls and flowers of their nati...

从三大宗教寓言的生成年代、存在概貌及意义内涵等方面可以看出，这些寓言一方面与其宗教思想有着极其密切的联系，一方面又是它那个国家和民族文学的智慧花朵，对后世产生了巨大的影响。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。