室内乐

In this article, six pieces of typical chamber music are selected, named Trois pieces String Quartet, The Soldier Tale, Ragtime, Octet for wind instruments, Dumbarton Oaks and Septet of three periods, so as to analyze his style and technique character used in harmony.

本文选取了三个不同时期的6首代表性室内乐作品《三首弦乐四重奏小品》、《一个士兵的故事》、《为十一件乐器而作的拉格泰姆》、《管乐八重奏》、《敦巴顿橡树园》和《七重奏》进行和声方面的分析研究，试图探索斯特拉文斯基作品中和声运用的技术特点和风格特征。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Though he later disparaged the sextet as 'written to please the Germans' among whom he was living, the idiomatic handling of the six instruments reveals his experience of playing chamber music.

尽管后来他将这个六重奏贬低为"为了讨好与他同住的德国人"而作的，对于六种乐器的习惯性的处理方式体现了他演奏室内乐的经验。

Sabine Meyer is a committed chamber music player and, in addition to her work with the Trio di Clarone which she founded in 1983, she has performed with Barbara Hendricks, Bruno Canino, Aloys Kontarsky, Heinrich Schiff, Gidon Kremer, Sandor Vegh, the Alban Berg Quartett, the Cleveland Quartet, the Hagen Quartet and the Vienna String Sextet. In 1988 she formed the Bl serensemble Sabine Meyer which performs regularly in Europe and Japan.

萨宾娜·迈耶是一位忠诚的室内乐演奏家，除了她与1983年创建的克拉罗内三重奏一起工作之外，她与芭芭拉·亨德里克、布鲁诺·卡尼诺、阿罗伊斯·康塔斯基、海因里希·席夫、吉顿·克莱默、桑多尔·维、阿尔班·贝尔格四重奏、克利夫兰四重奏、哈根四重奏、维也纳弦乐六重奏合作演出。1988年她成立了定期在欧洲和日本演出的萨宾娜·迈耶吹奏乐团。

The able of a clarinet to blend and contrast with other instruments makes it popular for chamber music and as a solo instrument.

参考译文：黑管混合和对照其他乐器的能力，使得它在室内乐里很受，并成为一个独奏乐器。

The able of a clarinet to blend contrast with other instruments makes it popular for chamber music as a solo instrument.

参考译文：黑管混合和对照其他乐器的能力，使得它在室内乐里很受欢迎，并成为一个独奏乐器。

Key Concepts: rise of piano, standardisation of the orchestra, sonata form

主要音乐概念：钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐

Among them, big theatre has altogether 1276 seats, used for Ballet, opera, symphony, large-scale entertainment evening party, traditional opera, etc; small theatre consists of 300 seats, used for performance of stage play in small theatre, song and dance drama, and chamber music.

其中大剧场共设1276座，用于上演芭蕾、歌剧、交响乐、大型综艺晚会及戏曲等各种艺术门类演出；小剧场共设300座位，可以进行小剧场话剧、歌舞剧和室内乐的演出。

The trio-Soldier's Story is that Stravinsky adapts a chamber music with far –reaching influence finished.

内容提要：三重奏《士兵的故事》是斯特拉文斯基改编完成的一部具有深远影响的室内乐作品。

The string quartet is that chamber music once grows the mainest form in the field.

摘要弦乐四重奏是室内乐领域中一种最主要的形式。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。