室内乐

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Though written under Balakirev's supervision and manifestly not a chamber work, Borodin's E Symphony nonetheless may be seen as a companion piece to the Piano Quintet, marking the end of his apprenticeship.

鲍罗丁的 E 大调交响曲尽管是在巴拉列基夫的指导下完成的并且显然不是室内乐作品，但是其可以视为钢琴五重奏的姐妹篇，标志着他学徒期的结束。

In their music, the tentet fuses numerous musical inspirations, such as swing, bebop and punk, chamber music and bossa nova.

在他们的音乐中，融合了swing， bebop and punk，室内乐，巴西音乐等诸多元素。

Borodin's earliest works were all chamber and salon pieces, written for use within his circle of friends.

在这里，我们可以找寻到他一生喜爱室内乐的根基，这种体裁是&强力集团&的其他人几乎没有兴趣和成就的。

Ralph Vaughan Williams (1872-1958) is one of the most important English composers from late 19th century to early 20th century, whose works include art songs, choral music, chamber music, symphonies and movie music.

冯威廉斯（Ralph Vaughan Williams， 1872 - 1958）是十九世纪末至二十世纪中期英国作曲家，作品数量及种类繁多，从歌曲、合唱音乐、室内乐、交响乐到电影音乐都有涉略，是英国最重要的作曲家之一。

The other pianist friend Gloria Saarinen has a proud discography of 20 CDs or so, from solo works, vocal accompanist to chamber music. Recently she came to my place to test-run her new recordings. I was amazed by how well she was able to tell the subtleties between different mixes.

我的朋友 Gloria Saarinen，她非常了得，录制了大概20种以上的CD唱片了，包含独奏、人声伴奏和室内乐，有一次她来我这里试听她的新录音，我惊讶于她如何能够分辨非常细微的不同的混音效果。

Scholars were invited to participate in the 31th International Summer Academy and Festival of Chamber Music Niedersachsen (Nordhorn, September 2007) where they had lessons with renowned teachers as Ilan Gronich, who invited them to visit him in Berlin to perfect their repertoire.

作为擅长不同类型音乐演奏的艺术者，他十分致力于自身多元化的发展，在乐队，室内乐和独奏方面都有其不凡建树，曾作为西班牙国家青年交响乐团成员，图兰根青年爱乐成员，马勒青年交响乐团成员，荷兰弦乐四重奏组成员等随访在西班牙，德国，奥地利，意大利等欧洲各主要音乐都市进行演出，在小提琴作为第一乐器的同时，他还擅长于中提琴演奏，并在室内乐团中学习演奏技巧，跟随过如同世界著名ALBANBERG四重奏进行大师班学习，而小提琴方面则在Shirly Laub， Maighread McCrann， Olga Martinova， Hagai Shaham等享有盛名的教授的指导下，艺术造诣得到深入发展。

As one of the established pianist in Russia, Mr. Egorov has performed all over the world in all major music concert halls. He has given master classes in Korea, Taiwan, Italy, Sweden, The Netherlands, and has published over 100 recordings worldwide. His repertoires including solo performance, chamber music, and orchestral concertos, consisting works of Bach, Chopin, Hayden, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Handel, Brahms, Mussorgsky, Rachmaninoff, Skriabin, Prokofiev.

Pavel Egorov 作为俄罗斯当代最优秀的钢琴演奏家，他的演奏会遍及整个欧洲，以及加拿大、美国、中国、日本，其中多数举行在世界上最优秀的音乐厅当中，他应邀到韩国、台湾、意大利、瑞士、荷兰举行过大师班讲座，在全世界范围内出版超过100张 CD ，所演奏曲目囊括了独奏、室内乐以及交响乐协奏，包含了巴赫、海顿、莫扎特、贝多芬、舒伯特、肖邦、舒曼、门得尔松、亨得尔、勃拉姆斯、穆索尔斯基、柴科夫斯基、拉赫玛尼诺夫、斯克里亚宾、普罗科菲耶夫等几乎所有时代最优秀作曲家的作品。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。