叙述

It is noticeable that the canonizing critical narrative on Ba Jin's Capriccio on My Past consists of three levels: 1.the author's self-narrative; 2.the narrative of the public; 3.the narrative of the academia.

对《随想录》的经典化叙述包含三个层次：一是巴金的自我叙述；二是公众的期待性叙述；三是学院派的知识分子叙述。

This article asserts that classicalization narrative on Ba Jin's Capriccio on My Past includes three aspects: 1.the author's self-narrative; 2.the public's narrative in expectancy; 3.scholastic intellectuals'narrative.

对《随想录》的经典化叙述包含三个层次：一是巴金的自我叙述；二是公众的期待性叙述；三是学院派的知识分子叙述。

In the narration strategy, through the choice of the narrators, the esta...

在叙述策略上，作者通过叙述者的选择、叙述层次的设置、叙述声音的安排和叙述可信度的质疑，使阅读者陷入了叙事的迷宫之中；同时，作品在叙述层面和批评层面展开，成为一部"小说的小说"。

Donna kotoba narabete mite mo katarikirenai omoi kono ai ga sasayaku yo itoshisa no imi o I can't stop my love for you futari ayumu SUPIIDO wa kitto onaji hazu ja nai kara ne moshi mo kimi no tonari kono te ga hanareta toki wa miushinawanai you ni kitto mukae ni kite ne "daikirai" nante USO demo iwanai kedo "daisuki" datte USO nanka ja iwanai kara ne aenai toki sae kimi wa nani mo kangaeru yoyuu mo nai kurai kono kokoro o hitorijime ni surun dakara I can't stop my love for you futatsu no ai ga hanarete shimawanai you ni hitotsu ni daitete sore demo fuan na yoru wa otozureru mono dakara ne sonna toki wa GYUTto oogesa ni dakishimete ite kakegae no nai mono kimi ga takusan koko ni kureta dakedo nani yori mo ichiban kakegae no nai mono wa kimi nan da I can't stop my love for you futari katatta mirai ni kimi to no ibasho ga aru you ni Oh baby I can't stop my love for you kimi no subete ni natte ne tsunaida te shinjite aruite yuku to chikau yo I can't stop my love for you 在我俩叙述的未来中似乎有和你一起居住的地方在 Oh baby I can't stop my love for you

I can't stop my love for you 因为我俩行走的速度一定是完全不同的假使在你身旁的这双手离去的时候为了不会迷惘我一定会迎接你而来的"讨厌你"之类的话就算是谎言也不会说的那是因为"喜欢你"这句话不会是说谎的就连在没有见面的时间中你大概都没有多余时间去想任何事情因为整个心已被人独占了 I can't stop my love for you 为了不让两份爱分离就把它们拥抱在一起即使因为令人不安的夜晚还是会来临的到时候要紧紧用力地抱著我不能替代的你在此处给我太多太多但是比起任何物品我最不能替代的就是你 I can't stop my love for you 在我俩叙述的未来中似乎有和你一起居住的地方在 Oh baby I can't stop my love for you 请将我当成是你的所有相信你所牵著的手我发誓会陪你继续走的

Starting with the earlier studies on point of view, this paper elaborates on the studies of and the debates about focalization in the context of classical narratology and explores the current state of focalization studies in the context of postclassical narratology with cases like feminist narratology and cognitive narratology.

从早期的叙述视角研究谈起，详细评析经典叙事学视阈下叙述聚焦理论的建构与论争。同时，以女性主义叙事学和认知叙事学为例，着力探究后经典叙事学视阈下叙述聚焦研究的新态势，希图从全局上考察和把握叙述聚焦研究在西方学界的嬗变。

Accordingly , the relater has accomplished the transformation from conformity to abruption . The united authoritative narration gesture has been broken , and becomes complex and compound .

20世纪家族小说的叙述方式经历了一个从全知叙述到限制叙述的转换，相应地，叙述者完成了从整合到分裂的转变，统一的权威的叙述姿态被打破并逐渐走向复合多元。

Seen from the perspective of narration theory the transformation of the narration distance and perspective adjusts the narration information.

从叙述学角度来看，叙述距离的远近和叙述视角的转换起着调节叙述信息的作用。

Second, using traditional texturing method, the author pointed out application of texturing method in Wanganyi" s novels, transferred it to narrate level , analysed changes in distance, narrating stop, rhythm speed that texturing method brings in novels, analyse the strong points and weak points further, especially the weak point, namely narrow, close space of novel, the poverty of the inner world of character , and bias of author" s values and ideology.,Third, from novel language and way of narrating , the author point out characteristic of authority narrates in Wanganyi s novels, analysed individualized inclination of authority narrate, compared with Chenran, Linbai and Hainai and point out that the essence of its authority narrates is the fictitious authority

二、借用绘画传统技法&皴&，指出王安忆小说中皴法的运用，并将之引申到叙述学的层面，分析皴法的使用对小说在时空距离、动静结合、叙述停顿、节奏速度等方面带来的变化，进一步分析皴法的优缺点，重点分析不足之处，即小说相对空间的狭窄、封闭，人物精神世界的贫乏，以及作者价值观念、意识形态的偏颇。三、从小说语言和叙述方式入手指出王安忆小说权威叙述的特点，分析权威叙述体现出的女性个人化创作倾向，将之与陈染、林白、海男等女性个人化创作比较，并指出其权威叙述的实质是虚构的权威。

The narration idiosyncrasies of Chinese classical poesy differing from the West poesies are mostly behave in pay ing attention to express in indicate based on Fu,Bi,X ing ;giv ing prominence to sensibilities and life thoughts by emphasiz ing speech ideal and affection as narration motivation;form ing the narration style of blend ing the affection,opinion and affair by unionizing the space-time,the actual condition and the words-intention.

中国古典诗歌具有不同于西方诗歌的叙述特质，主要表现在：以赋、比、兴作为叙述基础，注重主观表达与客观效应统一；强调言志和缘情的叙述动机，突出作者情感体验和人生思考在叙述中的地位；追求时空、虚实、言意的统一，形成了情、理、事交融的叙述风格。

In the narration strategy, through the choice of the narrators, the esta...

在叙述策略上，作者通过叙述者的选择、叙述层次的设置、叙述声音的安排和叙述可信度的质疑，使阅读者陷入了叙事的迷宫之中；同时，作品在叙述层面和批评层面展开，成为一部&小说的小说&。

Graf, without question, is the greatest women's player in history.

格拉芙，现在，毫无疑问是女子网坛历史上最伟大的选手。

If not, you will have to look around at all your important data.

如果没有，您将需要检查所有的重要数据。