典型人物

"About 700 species are typically elongated , sometimes scaleless fishes found along shores and among reefs in tropical and temperate seas."

有700种以上体型为典型的长形，有些无鳞，见于热带和温带沿海和岩礁间。那些人物都被离奇地拉长了。

The main tone of the tangka is blue and green except the clothes and hats in red colour.

画面中的自然景色具有卫藏地区的典型风貌，其色彩表现以蓝、绿色调为主，人物衣冠多施红色。

In this process, I focus on refuting the arguments which believe social laws are either impossible, impractical, or ungainable. Finally, I aim to find a way to mitigate those a rguments: to weaken the concept of laws to unify laws and rules, and by this way do I want to support the coexistence of different methodologies.

本文以这三个问题为中心，挑选自然主义、反自然主义及多元论的几位典型代表人物的观点来展开论述，重点在于反驳坚持社会科学规律不存在、不实际或不可获得的观点，为化解关键争论找到一个途径：弱化&规律&概念，融规律与规则于一体，以期将此作为支持不同方法论的存在的突破口。

On the achievement foundation in the domestic and foreign technological innovation diffusion research, this thesis elaborates representative personages typical viewpoint, points out the characteristic and limitation of some; afterwards it construes some concepts of technical innovation diffusion.

本文在国内外技术创新扩散研究的已有成果基础上，阐述代表人物的典型观点，指出其中一些观点的特点和局限性；随后界定了关于技术创新扩散的一些概念。

The archetype is a stable, typical, appeared again and again imago, emblem, character, parent theme, idea or narrative pattern, namely episode, and it is a independently intercommunicated unit which is established by popular usage. It is outcome of social psychology and historical culture.

原型是具有一定稳定性的、典型的、反复出现的意象、象征、人物、母题、思想或叙述模式即情节，是约定俗成的、可以独立交际的单位，其根源既是社会心理的，又是历史文化的。

Cao Cao is the most complex history of Chinese literature, one of the most typical characters.

曹操是中国文学史上最复杂、最典型的人物形象之一。

Here were two representatives with Zhang Lidao being the first to mention and Saiyid Ajall Shams al-Din the second.

这里最为典型的人物，首先是张立道，其次才是赛典赤赡思丁。

The American novelist Herman Melville's soliloquies owe much to Shakespeare; his Captain Ahab in Moby-Dick is a classic tragic hero, inspired by King Lear.

美国小说家赫尔曼·梅尔维尔的独白很大程度上得益于莎士比亚。他著作《白鲸记》中的亚哈船长是一个典型的悲剧英雄形象，这个人物是受到了《李尔王》的启发。

There were also real herotic comedies and extolled comedies,the sad in the happy,and the happy in the sad,there was aesthetics style in the tragicomedies,it was a group of people with the aid of characters from the plays to give vent to their sad feelings,it was a art shape of dramatists who were at the bottom of the society at that time,those were the impacted sparks of the dassic.

从戏剧美学的角度观照，元杂剧三国戏中有典型的英雄悲剧，也有真正的英雄喜剧与歌颂喜剧，并且能悲中寓喜，喜中有悲，具有悲喜交集的美学风格，这是那个时代士人群体沉郁苦闷的人生悲剧借助历史人物的心理宣泄，是元剧家们在沉入社会下层的人生境遇中所吸取的民间三国故事中孕含的富有理想色彩的乐观主义精神的艺术投影，是经典文化与大众文化相碰撞的火花在元代文化土壤结出的艺术果实，这种美学风格大大扩展了元代三国戏的审美张力，也增加了其文化意蕴与审美价值。

The theatrical blue-red color harmony of this work and its juxtaposition of normally unrelated figures, floating and dreamlike, are typical of Chagall.

在这幅画中，蓝色与红色戏剧性的调和以及把漂浮的、梦幻般的、从常规看来无关联的人物并列在一起，都是夏加尔风格的典型代表。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。