全身地

From time to time, I felt my companion's arm tremble convulsively, as though a series of shudders had suddenly coursed through him.

我觉得我同伴的胳膊在不停地抽搐，像是有一股寒流突然穿过他的全身。

He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way.

他怀着一种创造性的情感将自己全身心地投入到它的中间，不断地为它增添内容，用飘浮到他路上的每一根漂亮羽毛去装扮它。

On a bank lounged the trapper, he was drest mostly in skins, his luxuriant

这个猎人慢悠悠地走在河岸上，差不多全身穿着皮衣，他的蓬松的胡子

I flushed with blood and color; the warmth was stinging and unpleasant, and then as the blood danced back away from the surface of my face, I felt cooler and strangely enervated that I felt any sensations at all.

热血涌上我的面容，所带来的温暖却令我刺痛与不快，当血液从我面容上渐渐退去时，我感到更加冰冷，全身也奇怪地虚弱起来，我感觉不到任何的情感所在了。

But during that time, you'll be able to enjoy the effects of the consumed appetizer, with a full-bodied saline drip.

在那段时间里，我会为你全身打满点滴好让你能清醒地感觉到被生吃的痛楚。

Stand in front of a full-length mirror and be honest with yourself about what you see.

站到一个全身镜子面前，坦诚地对待你所见到的自己。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

When Hackberry cause tears of sorrow such as water-line like turning my body into a Chaolu million cells, when melody, in broken bits of the water slowly into my blood, that moment I saw a river, a river called the youth, the tobacco inside sedimentation past, the distressed mother, pure unreasoning passion.

当朴树令人落泪的忧伤声线如水般汩汩流入我全身万千个善感的细胞，当旋律中细碎的流水声缓缓地融入我的血脉，那一刻我看到了一条河，一条叫做青春的河，里面沉淀着如烟的往事，淡淡的忧伤，纯洁的痴情。

Even when we thought we have advanced and retreated from head to food, we could not help thinking of that person in some d j vu places and then burst into tears heartbreakingly as we had been hit by antipersonnel weapons.

甚至是在以为自己早已全身而退的时候，却在一个似曾相识的地方和时刻里不可阻挡地想起那个人，而后觉得像被杀伤性武器击中，弄得泪流满面，心碎难当。

He wanted to seize some heavy object in his hand and grip it with all the strength of his body and in some strange way rise up.

他想要把某种沉重的家伙操在手里，用尽全身之力把它紧紧握住，然后神奇地升起。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。