主人公

First as a self-effacing student at a Southern Negro College, next as a naive laborer in a Northern paint factory, then as a radical agitator on the streets of Harlem, finally as a man forced to flee the insane nether world of the ghetto in the midst of a race riot by literally going into the bowels of the city, the protagonist of Invisible Man is frustrated on his existential voyage by the absurdities of racism, hypocrisy, and physical and spiritual poverty.

最初主人公是一个几乎没有自我意识的南方黑人大学的学生；接着在北方的一家油漆厂里成了一名性格天真的工人；再后来，他成了哈莱姆区的一位街头煽动者；最后，在一次种族暴动中他被迫逃离那个疯狂的世界，一个人躲进了城市的中心。《看不见的人》中的主人公感觉到了种族主义和伪善的荒诞，也感觉到了精神和物质上的贫困，因此他对自己的生存状态很是沮丧。

In the painstaking process of childbearing and rearing, Rosamund finds another world, in which she discovers her true self and the essence of maternity, and finally realizes her self-fulfillment.

本文以女性主义批评为理论基础，扣住主人公罗莎蒙德如何从一个略带叛逆精神的不谙世故的女博士最后终于成为一个成熟母亲的精神历程，分析体现在主人公身上的女性意识及其变化，进而探讨作者女性主义的写作特点。

The thesis attempts to interpret the phases of these women"s awakening,as are shown in three novels of hers:The Third Life of Grange Copeland,the heroines of which are merely victims of racial and gender discrimination;The Color Purple,whose heroine originally a "lamb" under the double pressure,achieves,upon awakening,a fairly "purple" life of variegation and fullness;and By the Light of My Father"s Smile,her latest works,in which a perfect image is presented of confident black American women with good educational background and leading independent life.

本文通过对艾利斯·沃克三部小说的分析来解读这一主题：第一部作品《格兰奇·科普兰的第三次生命》的女主人公还仅仅是种族和性别歧视的牺牲品；第二部作品《紫色》的女主人公原来也是这种双重压迫下的羔羊，但后来有了觉醒，经过一番反抗和奋斗，过上了精神和物质上都比较丰富充实的"紫色"生活；其近作《在父亲微笑的沐浴下》所展示的则是充满自信，受过良好教育，过着独立生活的黑人女性的完美形象。

In this final book Swift seems to despair: for Gulliver, overwhelmed, as perhaps Swift himself was, by a black, misanthropic, despairing vision of reality, the only middle ground left between the dreamy utopia, the ironically "ideal" society of the Houhynhynms, and the abyss of Yahooism seems to be a stable in England

在最后一部书中，作者似乎变得绝望﹕主人公格列弗的现实观﹐黑暗绝望﹐充满对人的憎恨﹔主人公﹐也许作者也是一样，深深为这现实观所困扰﹐不能自拔。

For readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achill es,whose otivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

The writer focuses on the construction of unconventional, multidimensional time and space and their function on the characters. The several important scenes in the text evidence Greeya's ability in describing objects, and also show the narrator's impersonalized judgments on the relationship between the scenes and the story.

作品中的女主人公A是一个貌美而富有的少妇，她在丈夫的陪同下来到一疗养胜地休闲，这时男主人公X闯进了她的生活，X自称是A的老朋友，去年在马里安巴曾与A相约一年后来此相会，并一同私奔。A深感诧异，她不记得曾与X相识，也不记得曾去过马里安巴。

However, we should always bear in mind that the terse-realistic presentation of the absurdities of war in The Hurt Locker obfuscates and thus renders acceptable the fact that its heroes are doing exactly the same job as the heroes of Green Berets .

无论如何，我们必须一直记得，《拆弹部队》对战争之荒谬的简明—现实主义描述混淆了如是事实并因而使之得以被接受——《拆弹部队》中的主人公所做的正是《绿色贝雷帽》主人公早已在做的工作。

London describers the chief part as extreme lonely superman. Although the leading character maintain the strong power, but he was isolate in mental. At last he is apt to separate himself from civilized society to an extreme boundary easily.

伦敦把主人公描绘成极其孤独的超人，虽然主人公拥有强大的力量，但他在精神上却十分空虚孤寂，最终很容易远离文明社会而走向极端。

Its subject(to use Maynard Macks categories)is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Its subject（to use Maynard Macks categories）is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

In her eyes, because that is the doorway toher heart * the place where love resides.

女人的漂亮必須從她的眼睛中去看，因為那是她心靈的窗戶和愛居住的地方

I will send some postcards to you.

我会向你发送一些明信片。