查询词典 style of study

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

This thesis will expound this central subject under discussion by the following aspects: The first part of this thesis fully taps the characters of image that shows different schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

This thesis will expound this central subject under discussion by the following aspects:The first part of this thesis fully taps the characters of image that showsdifferent schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

Three nuclei of our partys leaders all emphasize on the style of study very much, especially Mao Zedong is the first man who put forward the theory of the style of study intactly.

党的三代领导核心对学风问题都十分重视，特别是毛泽东同志第一次完整地提出了学风理论。

Material technological basis and spreading style of visual culture are producing visual products, promulgating "virtual reality", dispelling "aesthetic distance", deconstructing people's subjectivity and imagination, gradually depriving existing condition and space of traditional culture, dispelling the aesthetic style of watching quietly, and constructing modern entertaining style.

视觉文化的物质技术根基和传播应用形式在制造视像产品、传播"虚拟现实"、消解"审美距离"、解构人的主体性和想象力的过程中，逐步剥夺了传统文化艺术的生存条件和生存空间，进而消解了静观这种传统的审美方式，建构起消遣这种现代的接受方式。由此，使人类由静观的审美时代进入到了消遣的娱乐时代。

At this time, the music composers of China started to explore the brand-new sense "Chinese music style". Besides of the continuation of the "nationality" style and the "populace" style, some modern compose techniques,such as "dodecaphonic","atonality" and "sound block" have been used into the Chinese composers piano works.

从困惑中走出来的中国作曲家们开始探索全新意义上的"中国音乐风格"，除了延续"民族化"、"群众化"的传统创作风格的作品之外，十二音、无调性、音块等现代创作技法开始出现在中国钢琴音乐作品中，这些有益的尝试与创作实践都为进入新世纪的中国钢琴音乐创作奠定了发展的基础。

The paper pays attention to glass design of Sweden and Finland which have made great contributions to Scandinavian style and discusses the cultural value backset of modernism and its social backset and cultural origin in northern European countries. It is sure of idea and style of modernism design movement and the improvement of modernism glass design style in northern European countries.

文章以对斯堪第纳维亚风格贡献卓著的瑞典、芬兰两国的玻璃设计作为研究的切入点，探讨现代主义的文化价值背景以及现代主义在北欧国家发展的社会背景和文化渊源，肯定了现代主义设计运动在理念和形式两个层面，给予北欧现代主义玻璃设计风格的推动力。

Treating the humanism spirit as the thread, this paper concludes the intension and extension of the humanism spirit by comparing the soul of humanism spirit in the China and foreign countries, and then explains them from three parts: the true, the selflessness and the beauty. First, the content of writings expounds the essence of human nature, human rights and humanism that are the intensions of humanism spirit. Second, the purpose of writings reflects intensively the special and active method of constructing the author's morality by analyzing the connection of humanism and religion in thewritings of Bajin, and obvious religious sensibilities of Bajin. Third, from the viewpoint of artistic style, we can get the conclusion that the buskin style of Bajin's writings has close relations with humanism spirit by the method of inducing the buskin style of his writings.

全文以"人文精神"为根基和线索，首先通过梳理和比较中西人文精神传统及精髓，确定了巴金作品人文精神的内涵和外延，然后以此为统领，从真、善、美三个方面展开论述：从巴金作品的内容上看，它对人性、人权、人道作出的真理性阐释，恰恰就构成其"人文精神"的具体内涵；从创作意图看，通过分析巴金作品人文与宗教的相互关系及其流露的鲜明的宗教情感，从而突显出其特别的、积极的理想道德建构方式；最后从艺术风格看，通过归纳其作品的悲剧范式，亦得出了巴金的悲剧风格与人文精神旨向密切统一的关系。

This paper makes a comprehensive analysis of the current conditions and developing tendency of industrial design and CAID. It also studies produce style design and its disadvantage from the view of process control of produce style design. Visualzation and control method of the process control of produce style design and CAID model of the process control is presented creatively.

本文全面分析了工业设计以及CAID 的现状，以及发展趋势，从产品造型设计的流程控制出发，研究了现有的产品造型设计流程以及不足之处，提出产品造型设计流程控制的思想以及控制方法，创造性的提出基于产品造型设计流程控制的CAID 模型。

Our products breeds not only include Chinese style, Japanese style, but also include Western style, and our mainly products are Melamine Set, tray, plate, bowl, cup, dish, children ware, cookware, ashtray, and Chopping Board, and so on.

我们的产品品种不仅包括中国风格，日本风格，但也包括西方我们的主要产品是三聚氰胺一套，盘，盘，碗，杯，碟，儿童用品，cookware，烟灰缸，案板，等等。

I can not negligent, he should do what?

我不能不在意了，他要做什么呢？

It is very dangerous to swim in the river alone.

一个人到河里游泳是很危险的。