查询词典 rhythm

It focuses on examining the subjects' abilities to find tonality and mode, perceive tendency of melodic pitches and harmonic functional progression, and recognize meter and segment the groups of rhythm. We can thus consider whether or not receiving harmonic training has an influence on recognizing meter and segment groups of rhythm.

它包含调式调性的确定、旋律音高的倾向、和声的功能解决、拍号的识别以及节奏组合的划分等测验项目，实验结果表明，师范类音乐专业大学生对调性音乐音高层面基本组合规则的感知能力不存在统计意义上的差异；是否学过和声对个体把握音乐在时间层面的基本组合规则具有影响作用。

In the study of the performance of the song, the paper makes a review of the pronunciation of vowels and consonants in German, introduces some frequent problems in singing the song and proposes my own opinions on how to deal with them. In the exactness and rhythm of the divertimento, based on my experience of performance, I sum up what should be paid more attention to in the work, emphasizing the creative rhythm and the value of notes in each stanza. It also analyzes the syntax and breath, the control and performance of shade, the pace and tempo. From different perspectives, the importance of the emotion in the divertimento Frauenlieb und leben op.42 is exactly explained. There is a detailed explanation of the eight sections in the paper.

更多己的处理方法；在声乐套曲演唱中音准与节奏的分析方面，结合自己的演唱体会，总结出演唱这部作品时音准方面要注意的地方，突出了舒曼作品最具独创性的节奏，强调了音符在每小节中的价值；并从乐句与呼吸、音色的控制与表现、速度与力度等方面分析了本声乐套曲演唱的音色与力度；从多个方面阐述声乐套曲《妇女的爱情与生活》中情感的重要性，以及怎样把握、运用和表现作品的情感；着重对本套曲八首分曲的演唱处理进行了系统分析；通过听赏不同大师对此套曲的演唱版本，以期在声音的运用、乐句的划分、速度的安排、旋律的演唱、歌曲的处理方法等方面得到有益的借鉴，扩大我们的艺术视野，在演唱实践中给予启发和熏陶。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

Regarding to different successful ablation monitoring indicatives, patients were divided into ablation group in traditional methodand ablation group with atria pacemaking showing slow pathway conduction block as successful ablation indicative.86of groupⅰ presented junction rhythm in dischargeing 15s or early pacemade then consecutively discharged 60～90 seconds; in groupⅱ 67 patients after dischargeing 15s showed junction rhythm or after early pacemaking delayed dischargeing to 20s then stopped dischargeing.

按不同的有效消融判断指标分为传统方法消融组和以心房起搏显示慢径前传导阻滞作为有效消融指标消融组。i组86例在放电后15 s内以出现交界心律或早搏后继续放电60~90 s；ii组67例放电15 s内出现交界心律或早搏后延迟放电至20 s停止放电，以术前av1﹕1最短间期心房刺激（s1s1）显示慢径前传阻滞后停止起搏继续放电至60 s。

Results As the results, there was 6 patients with the ILVT cycle length of (286±38)ms. The indicaed site of EA by noncontact mapping was at the middle septum in 4 patients, and at the inferior septum in 2 patients. Mean time of EA was (48.6±32.8)ms before onset of the surface QRS. The length of conduction pathway was (2.6±0.9)cm. The ablation catheter mapping showed perfect match in at least 11 of 12 leads at the EX (≥11/12), but not at the EA (≤10/12) with pace mapping during sinus rhythm. Purkinje potentials were mapped at EA and CP in all cases, but only one case at EX, and diastolic potentials were mapped at EA in 2 cases during ILVT. All cases were successfully ablated by area ablation at EA or/and line ablation at CP during sinus rhythm. None suffered a recurrence during (12±6) months follow-up.

6例ILVT周长为(286±38)ms，非接触标测显示4例激动起源位于中间隔，2例位于下间隔，EA较体表QRS波提前约(48.6±32.8)ms，传导径路长约(2.6±0.9)ms.6例病人在窦性心律下消融导管起搏标测12导联QRS形态与ILVT相匹配(≥11/12)处位于EX，而非EA(≤10/12)见正文。6例病人在室性心动过速期间消融导管于EA和CP处标测到PP，2例于EA标测到DP，1例于EX标测到PP.6例病人在窦性心律下于ILVT起源部位行片状或／和传导径路作线性消融均获成功，随访(12±6)月，未见复发。

Mean time of EA was (48.6±32.8)ms before onset of the surface QRS. The length of conduction pathway was (2.6±0.9)cm. The ablation catheter mapping showed perfect match in at least 11 of 12 leads at the EX (≥11/12), but not at the EA (≤10/12) with pace mapping during sinus rhythm. Purkinje potentials were mapped at EA and CP in all cases, but only one case at EX, and diastolic potentials were mapped at EA in 2 cases during ILVT. All cases were successfully ablated by area ablation at EA or/and line ablation at CP during sinus rhythm. None suffered a recurrence during (12±6) months follow-up.

6例ILVT周长为（286±38）ms，非接触标测显示4例激动起源位于中间隔，2例位于下间隔，EA较体表QRS波提前约（48.6±32.8）ms，传导径路长约（2.6±0.9）ms.6例病人在窦性心律下消融导管起搏标测12导联QRS形态与ILVT相匹配（≥11/12）处位于EX，而非EA（≤10/12）见正文。6例病人在室性心动过速期间消融导管于EA和CP处标测到PP， 2例于EA标测到DP， 1例于EX标测到PP.6例病人在窦性心律下于ILVT起源部位行片状或/和传导径路作线性消融均获成功，随访（12±6）月，未见复发。

Based on the latest achievements of the mechanism of peradaptation to myocardium ischemia and pharmacodic preadaptation up to date, observations were made on 80 patients of acute myocardial infarction to assess the enzymatic dynamics of myocardium, symptoms after myocardial infarction occurred like cardiac rhythm abnormality, anginapectoris, heart failure, cardiogenic shock, reinfarct and the mortality in the hospital. The results indicated that peradaptation to myocardium ischemia is of significance in protecting myocardium, reducing the areas of infarction, abating the cardiac insufficiency after infarction and reducing the abnormality of heart rhythm and significantly ameliorating the prognosis.

本研究结合现代医学对心肌缺血预适应机制及药理性预适应作用的最新研究成果和动向，通过临床观察80例急性心肌梗死患者的心肌酶学变化，心律失常、梗死后心绞痛、心力衰竭、心源性休克、再次梗死等心肌梗死后并发症和住院病死率，证实缺血预适应具有保护心肌，缩小梗死范围，减轻梗死后心功能不全及减少心律失常的作用，可明显改善心肌梗死病人的预后。

"It's all about rhythm and timing," Rondo said. We're getting our rhythm back.

就是节奏与时间的问题，」Rondo说：「我们会试著把节奏找回来。

The result shows that in the more accurate, smoothed and coordinated late 20th century performance tempo rubato and rhythm flexibility is more restrained, although the flexibility of tempo and rhythm is also an important method to communicate structural information of music.

结果表明20世纪末的演奏在避免速度与力度的自然关联性的同时，很多具有结构意义的速度弹性被逐渐节制，微观速度和节奏也越来越规整、平滑而精确，并越来越讲究整体协调性和统一性等。

As for the explorations on the rhythm of Rubato, the writer concludes seven kinds of factors contributing to the rhythm of Rubato, and based on this, writer goes further to make combination , classification and sum-up to these factors, in hope of setting certain tone for the vocal works and further explaining the repeated musical part or intensifying some kind of expressive effect. All these aim at serving to the musical structure and expressive force, at displaying the individual's singing style better,and at bringing out the charm of the performing art

对于自由节奏Rubato的探索，本文主要归纳出造成自由节奏的七种因素，并在此基础上对其进行合并分类、总结，以期奠定声乐作品的某种基调，并进一步阐释被重复的音乐段落，或者加强某种表情效果，进而为乐曲的结构与表现力服务，更好的展现个人演唱风格，展示出表演艺术的创作魅力。

But GST= 0.156, Nm=1. 588. As a result, the foundation of Youyongchi Avicennia marina population was the result of the migration of hypocotyles and human factors.

这项工作可以为海岸防护林中新引进种类的判定以及为研究种群建立者效应方法的确定提供科学依据。

The two-dimensional CDRC-ADI-FDTD update equations for collision unmagnetized plasma are induced. The unconditional stability of the CDRC-ADI-FDTD formulation for collision unmagnetized plasma is obtained by the examples.

推导了碰撞非磁化等离子体中的二维CDRC-ADI-FDTD迭代公式，并用算例验证了碰撞非磁化等离子体CDRC-ADI-FDTD算法也是无条件稳定的。