查询词典 poem

The GongBuCi have to describe according to the poem of DuFu behind with the structure and form of Ming Dynasty" grass shed view area" of recovering the reconstruction, re-appearing the pastoral appearance that poet so reside, constructing the thick thick poetry atmosphere;Have to set up in 1999 in flower arrangement park of" DuFu poem calligraphy wood-carved", display more than 100 DuFu's poem calligraphy wood-carved work, choose from the building hides several thousand in the pasts a hand book poem genuine calligraphy, engrave with the wood but, have to appreciate the value rather, its verse, calligraphy, have with the material, craft" four unique" it call;" big the hall" inside that locate the important male in a the third in building in thou in peaceful temple in original treasure , display the up to the present the large colored enamel of the local and biggest area(64 square meter) insets to whet to paint the mural with 12 in the pasts anthologist the person carves, image a development for displaying Du Fu usually with Chinese classic verse history;Building inside of basic display the 《 poem saint a thousand years 》, have the honor of acquiring the fifth" whole country ten big display the exhibition exquisite article" the best creativity prize.

工部祠后有依据杜诗描写和明代格局恢复重建的"茅屋景区"，重现了诗人故居的田园风貌，营造出浓厚的诗意氛围；在盆景园内有1999年建成的"杜诗书法木刻廊"，陈列着百余件杜诗书法木刻作品，是从馆藏数千件历代名人手书杜诗真迹中挑选出，用楠木镌刻而成，颇具观赏价值，其诗歌、书法、用材、工艺有"四绝"之称；位于原梵安寺古建筑群第三重大雄宝殿的"大雅堂"内，陈列着迄今为止国内最大面积（64平方米）的大型彩釉镶嵌磨漆壁画和12尊历代著名诗人雕塑，形象地展示了杜甫生平和中国古典诗歌的发展史；馆内的基本陈列《诗圣著千秋》，荣获了第五届"全国十大陈列展览精品"最佳创意奖。

In recent years, with the growing concern on the antiphony of Tang dynasty, researchs began to pay attention to joint sentences poem. To my point of view, the reason of low achievement of poem-joint sentences is the insufficience of further study and the limitation of reserch range, particularly the joint sentence poem of Tang Dynasty lacks further reserch and integrate reserch system. So I determined to make the joint sentences poem of Tang Dynasty ( the 1st year of Gaozu Wude-the 4th year of Xuandi Tianyou ,year 618–year 907) to be the study subject of my thesis.

近年来随着对唐代唱和诗越来越多的关注，研究者们也开始留意唱和诗中一种特殊的形式——联句诗，但笔者所见之文章多因联句诗总体创作成就不高的原因，或笔墨过于节省，或泛泛而谈、不够深入，或者囿于点的探讨和积累，对联句诗特别是联句诗发展黄金期的唐代尚缺乏进一步详细地整理和系统研究，这一现状使我确定了以唐代(高祖武德元年618年——宣帝天佑四年907年)联句诗为本文的研究对象。

Such as Su's broad minded, it si Su's nature character, in all his life, he always be quiet, the characteristic reflect in his poem, Su's broad minded had infect on Xin's poem, in xin's poem, we can see broad minded, but think about itwe can find that Xin's poem can't do broad minded thoroughly, we can only find the reason in their living circumstance.

除了在用典时可以体现苏轼对辛弃疾的影响，此外苏轼的诗文在其他方面也对辛弃疾产生了重要的影响，如苏轼诗文中的旷达，旷达是东坡性格的一大特点，苏轼为人开朗豁达，一生始终以平和的心态对待宠辱，这种特点完全的反映在了他的诗文当中，苏轼的旷达对辛词是有影响的，在辛词中，我们同样看到了放任达观，但细加体会就可以发现，辛词是旷而不放，其原因恐怕只有在两人所处的环境中才能找到。

The poem phrase painting participate the formation of the park thing elephant view;Poem phrase painting to the body of park artistic conception now;The poem phrase painting openned widely content and outside of park artistic conception to postpone;Manifestation the region the scenery can't mean of person, thing or cordiality;The poem phrase, horizontal tablet, scrolls...etc. in the park literature delineate to exaggerate artistic conception;Poem phrase, horizontal tablet, scrolls, painting in the timespace idea the top the park art of artistic conception and park literature of mutually and dissimilitude;The park art establish the material entity of material painting to compare with poem phrase, on the form view more elephant,on the establish of artistic conception more of thorough;The expression of artistic conception of the park art painting to compare with poem phrase, on the timespace more direct, thorough.

诗词绘画参与园林物象景观的形成；诗词绘画对园林意境的体现；诗词绘画拓宽了园林意境的内涵和外延；显示当地景物所不能表示的人、物或情意；园林文学中的诗词、匾额、对联等勾勒渲染意境；在时空观念上园林艺术的意境和园林文学中诗词、匾额、对联、绘画的相通和相异；园林艺术的创设素材的物质实体性较诗词绘画在表观上更具象、在意境的创设上更加的深入；在时空上园林艺术意境的表达较诗词绘画更直接、深入。

The writer chose representative poets' works to launch the treatise, owing to the popularity and influences of poems.The full text was divided into five parts, the first part reviewed the achievements of minority Chinese language poem; the second part analyzed the imago of the poem and explained the deep artistic connotation; the third part emphasized to analyze Jidi Maja's poems, which represented the Yi's poem at Cold Mountain and Liemei Pingcuo's poems, which represented the Tibetan poem. The fourth part discussed the innovation of minority poet about the poem pattern and artistic personality, commented on pioneer poets' conception and practice, and the attention to soul of the minority female poets. The fifth part pointed out the limitations of the new period national minority poem.

本文具体分为五个部分：第一部分从民族意识的自觉和自审，诗美建构的探索与实践等方面综论少数民族汉诗的创作成就；第二部分为精神原型的诗意体现——意象系统分析，分别从原型意识的现代演绎和宗教神性家园的守望等角度分析诗歌意象，阐释深层的艺术内涵；第三部分着重分析以吉的马加为代表的凉山彝族诗歌，以列美平措为代表的藏族诗歌，****其作品对民族灵魂的传承和文化内涵的重构；第四部分探讨少数民族诗人关于诗歌范式与艺术个性的创新，评论先锋诗人的诗歌理念与实践，少数民族女性诗人对心灵的观照；第五部分通过整合得出新时期少数民族汉语诗歌创作存在的局限，指出汉化和西化倾向导致本民族文化特色的缺失。

Wang-ji"s reclusion poem is haggard and wild, and his poem-writing style appears virgin and caseful. Chen zi-ang was characterized with a politician,not a poem ,so his art achievement of his poem-writing is not as high as that of wang-ji"s.

王绩的隐逸风格旷逸，造语疏野，善用比兴，在初唐绮婉柔媚的主流诗坛上，犹如山野清风，宜人舒爽；陈子昂是一个政治家，他因为有思想而有文学，因此，他的隐逸诗在艺术上无法取得王绩那样的成就。

What deserves to be mentioned the most is the song "Dao's Poem" by Zeus which combines the poem "Summertime in A Mountain Pavilion" by Gao Pien and the poem "Sunset in Autumn" by Du Mu with the tranquil melody full of environmental music atmosphere and completely responds to the spirit of a new era in Beijing!

最值得一提的是来自 Zeus 的这首&Dao's Poem&，更将高骈的&山亭夏日&与杜牧的&秋夕&融入充满环境音乐氛围的静谧旋律中，更完全与北京的新时代精神相互呼应！

Many people thought that since is the sing, that this should be sing Li the Yang love poem, is in effect it is not so, looking from the entire poem, really has to Li the Yang love sing, but on the other hand through writes Li Yang's love to come the parable Emperor Xuanzong in Tanh dynasty heavy color light country, so that initiates "Anlushan Rebellion", therefore I thought that this first poem is not only a song chants poetry, simultaneously is also a parable poem.

很多人认为既然是歌咏，那这应该是一首歌咏李杨爱情的诗，其实不然，从全诗看，的确有对李杨爱情的歌咏，但是另一方面通过写李杨的爱情来讽喻唐玄宗重色轻国，以致引发&安史之乱&，所以我认为这首诗不仅仅是一首歌咏诗，同时也是一首讽喻诗。

In Bai Jui's near poetry, his jueju poem has a more thorough digging and the performance to the daily human sentiment, five-letter poem seven-letter poem in front of receiving in the poem wind foundation also has the innovation, long pailv then fluctuates unconstrainedly, becomes the view magnificently, and causes the giant echo in the Tang poetic world.

在他的近体诗中，绝句这一体裁对日常的人情有更深入的开掘和表现，五律、七律在秉承前代诗风的基础上又有所创新，排律则跌宕起伏，蔚然成观，在中唐诗坛引起巨大反响。

This paper analyses three tendency of network pioneer poem,"Sensual Composition","Breakage" and "Ant- elevation"."Sensual Composition" give a hard shock on current poem which had a aged character, but it also interflows with the utility of commercial society."Breakage" brings a valiant tidal current in poem composition, also forms a wild style."Ant- elevation" lead poem to the ground, hoist the flag of criticizing social problem, but it can also fall poem into trap of politics.

论文重点分析了先锋诗学中出现的&肉身化&、&破坏性&、&崇低&等三大倾向，认为&肉身化&写作对当下诗歌写作中陈腐的&中老年&特征进行了一次重大冲击，但客观上也迎合了&消费社会&的功利性；&破坏性&力量带来了一股强悍的诗歌写作潮流，解构、反讽、审丑、怪诞等写作手法形成了一种粗暴的美学风格，但也引发了诗歌写作新一轮的戏噱和狂欢；&崇低&将诗歌写作再度引向&地面&，重举批判现实的大旗，拆解虚伪的假面，但其借助网络所强调的&政治性批判&和对写作&政治禁区&的突破正让它面临沦为意识形态工具的危险。

I put some current in side the surface and use two planes to cut the surface, then made two Amperian loops, then do integral on Theta.

里面是电流分布，然后我是用两个面把那一堆电流切开，做两个安培环，然后在THETA角上做积分。

Toucans|for this musical revue in Brazil.

知道吗 我以前去找能唱歌的鸟|为巴西的音乐剧找巨嘴鸟