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orchestra shell相关的网络例句

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与 orchestra shell 相关的网络例句 [注:此内容来源于网络,仅供参考]

A closer relationship between the audience and the stage is also on the cards, with an on-stage orchestra enabling production designer David Rockwell to dispense with the usual orchestra pit and create what has been described as "an immersive environment evocative of an intimate club."

观众和舞台的更紧密联系也可能出现;舞台交响乐乐队让制作设计师David Rockwell摒除了通常的交响乐&坑&从而产生出已经被描述为&唤起人们亲密俱乐部感觉的身临其境环境&

With the efforts and endeavor of famous conductor and composer, Mr. Peng Xiuwen, the Former China Broadcasting Chinese Orchestra radicates the framework based on bow and string instrument, plucked instrument, wind instrument and percussion instrument. Mr. Peng Xiuwen almost spent all his life in the development and improvement of the Orchestra.

原中国广播民族乐团在我国著名的指挥家、作曲家彭修文先生的积极倡导和不懈努力下,率先确立和奠定了以弓弦、弹拨、吹管和打击乐为基础的中国民族管弦乐队基本构架,为此彭修文先生几乎倾注了他的毕生心血。

In chapter three, the instructor must have ability of three aspects including individual special characteristic, music knowledge and teaching skill. According to a research of United States, they found that individual special characteristic of the conductor is the most important ability for teaching string orchestra. Furthermore, researcher also found that conductor's individual special characteristic has the decisive influence to the whole performance in string orchestra.

第三章指导者所须具备之能力包含人格特质、音乐知识和教学技巧三方面,根据美国一项研究结果发现,指挥的人格特质为带团最重要能力,笔者亦发现指导者之个人风格特色对乐团的整体表现具有决定性影响,且其所具备的音乐知识及教学技巧是提升乐团程度的重要因素。

When string orchestra instructor finish analyzing music piece as establishing a blueprint, they would confirm it to the instructional quality of string orchestra or students' cognitive level of music piece.

弦乐团指导者在如同建构蓝图一般的乐曲分析工作完成后,便能够应证弦乐团的教学品质或团员对乐曲认知的程度。

Beginning to learn the art of improvisation there, by nine, he had composed a suite for oboe and string orchestra, which was eventually performed by the Buenos Aires Symphony Orchestra.

九岁开始学习即兴创作,创作的一组双簧管与弦乐队乐曲,后由布宜诺斯艾利斯交响乐团演奏。

The whole contents were divided into six chapters. Chapter one is instruction, explains research motive and the purpose of study. In recent years the government vigorously promoted training policy of talented person -"A child has one kind of musical instrument; a school has a music mass organization." The result causes population increase that student play musical instrument in elementary school. Researcher has concentrated the string orchestra teaching in elementary school for many years. Researcher tries to provide the related information of string orchestra training by discussing this paper. That can help the promotion and development of the string education in elementary school.

本论文共分为六章,第一章绪论,说明本论文之研究动机与目的,基於近年来政府大力推广「一人一乐器,一校一艺团」之人才培训政策的结果,使得学习乐器的小学生人数增加,因此,笔者於多年来投注於国小弦乐团教学,拟藉此论文之研究讨论,提供弦乐团训练之相关资讯,以助於国小弦乐团教育之推广与发展。

Dr. Chang is the co-founder and the group leader of Physicians Chamber Orchestra of Taiwan, also the co-founder and concert master of Taipei Civic Symphony Orchestra.

张医师除了是&医声室内乐团&的共同创办人与团长之外也是&市民交响乐团&的共同创办人及乐团首席。

Mr. Kamu's professional career started in the Helsinki Philharmonic Orchestra as a sub-leader of 2nd violin group in 1966 he was elected to become the 1st concert master of the Finnish National Opera's orchestra.

卡姆先生的职业音乐生涯开始于担任赫尔辛基爱乐乐团第二小提琴副首席。1966年,他被选为芬兰国家歌剧院乐团第一首席。

Among the many cultural groups performing during the opening weekend of the Olympic Games, the Cincinnati Pops Orchestra is one with a history of pioneering performances in China. In 2005, its musicians traveled to Asia and performed in the Great Hall of the People, thus becoming the first American Pops orchestra to do so.

在众多参加奥林匹克文化节演出的文化团体中,辛辛那提通俗交响乐团是一支具有在中国举办开创性演出历史的乐团。2005年,乐团的音乐家们来到亚洲并在中国在人民大会堂演出,成为美国第一支在中国演出的通俗交响乐团。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城&2000中国古典音乐系列音乐会&委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

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Behind The Paint
Shell
Love Of An Orchestra
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几年来,坐落于小石城,占地两英亩的邓巴社区菜园树立了一个标杆。

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