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lyric相关的网络例句

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与 lyric 相关的网络例句 [注:此内容来源于网络,仅供参考]

Trichotomy of epopee, drama and lyric is not created by Plato, this theory is formed in modern times. The concepts of lyric are different with each other in different times.

将文学体裁分为史诗、戏剧、抒情诗三种形式并非由柏拉图开创,而是在近代形成的诗学体裁理论。

Lyricism to lyric means of literature are diverse: one is willing to speak one's mind's made, the hero is the author's own, works directly express the hero's thoughts and feelings, showing the hero's personality characteristics; One is the care of things for Yan Zhi, the work is not that the author's own hero, but the author's thoughts and feelings of the sustenance of the objects, including figures, there are things, as well as by the negative objects; one is made by the King of the lyric, that is landscape features poetry, on the surface, written by the author saw and heard was not the hero tone of voice to express thoughts and feelings, but in fact the author is described by the mountain scenery to send Italian lyric, its hero is actually author.

抒情文学借以抒情的手段是多种多样的:一种是直抒胸臆之作,主人公就是作者自己,作品直接抒发主人公的思想感情,显示主人公的性格特点;一种是托物言志之作,作品的主人公并不就是作者自己,而是作者的思想感情所寄托的对象,其中有人物、有事物,还有作者否定的对象;一种是借景抒情之作,即山水景物诗文,表面上看,所写作者所见所闻并不是作者以主人公口吻来抒发的思想感情,但实际上作者是借山林景色的描写来寄意抒情,其主人公实际上就是作者。

In ancient times, lyric is poesy accompanied with lyre heptachord. In modern times, lyric means versicle used to express ideology and emotion, but not to describe circumstance.

在古代,抒情诗指有七弦琴伴奏演唱的诗歌,而到了近代则用来表示任何旨在抒写思想和情感却不作情节叙述的短诗。

Based on the analysis of Shelley s life and his lyric "Ode to the West Wind", this essay emphatically focuses on the discussion of the whole lyric and its betokening of the triumphant, hopeful and convincing conclusion:"If winter comes, can spring be far behind?"

本文在分析雪莱的生涯及其抒情诗《西风颂》的基础上,着重对整个诗篇和予示着最后的成功、希望且令人信服的结论:&如果冬天已经来临,春天还会遥远吗?&

His concluding reading of Li Yü's famous lyric to the tune "Yü mei-jen" demonstrates how the arrangement of words in tz'u , and in particular the framing or "quotation" of diction typical of shih by language from the vernacular, self-reflectively comments on the received images of the tradition and not only reanimates them, but also thereby makes that conventional language—and the lyric as the whole—resonate with an apparent truth of genuine emotion.

他总结到,李煜著名的《虞美人》显示了&词中&词语的排序,特别是取景或以往诗句的引用、对于可视的传统映象的自我沉思的注解,不仅鼓舞了它们,而且因此制造了惯例的语言——词作为一个整体——显然与真实的情感发生共鸣。

His concluding reading of Li Y 's famous lyric to the tune "Y mei-jen" demonstrates how the arrangement of words in tz'u , and in particular the framing or "quotation" of diction typical of shih by language from the vernacular, self-reflectively comments on the received images of the tradition and not only reanimates them, but also thereby makes that conventional language—and the lyric as the whole—resonate with an apparent truth of genuine emotion.

在仔细阅读一系列词之后,宇文所安从标准化和类型传统到可像诗一样可读来回溯词的变化。

Of lyric singing or a lyric singer marked by florid virtuoso trills and runs.

花腔的歌声或抒情的花腔歌手)具有华丽的装饰性的声音颤动和滑声特征的。

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上,对40年代叙事长诗的叙事艺术与策略进行深入剖析,主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开,以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合,抒情形态表现在抒情结构与抒情语言方面;其抒情策略大体有两种方式:一是诗中人物的自我抒情,一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

Japanese pressings will nearly always include a lyric booklet or fold-out lyric sheet.

日本版几乎都会包含一份印有歌词的册子或者折叠起来的歌词纸。

Yi Yu Ti prose present the intensely subject lyric consciousness, and it is good at utilizing pomes as the significant lyric means. Its language also presents the emotional aesthetic.

指出&忆语体&散文具有强烈的主体抒情意识,并善于运用诗词作为有意味的抒情方式,语言也颇具情感美。

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