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in nature相关的网络例句

查询词典 in nature

与 in nature 相关的网络例句 [注:此内容来源于网络,仅供参考]

The detailed and thorough analyses of the four images of protagonists are carried out in the second section. They are respectivelyCarol in Main Street, a brave young bride who faces the cultural conflicts with enthusiasm of reformation, and whose dream is still alive waving despite the final return to the parochial Gopher Prairie; Babbitt in Babbitt, the typical "TBM", who is in nature a conformist and doomed to be bounded but tries to escape and finds only failure; Arrowsmith in Arrowsmith, a young medical scientist with grand dream and determination in truth-seeking; and Dodsworth in Dodsworth, a rich, generous, considerate, diligent and down-to-earth car producer.

然后详尽阐述各个人物形象的特点,依次是《大街》中的卡络,一个面对文化冲突勇敢应对,力求革新,虽重新回到狭隘闭塞的小镇,但仍怀有梦想的年轻女性;《巴壁德》中的巴壁德,一个虚伪固执,注定无法摆脱自身局限,却一定要尝试并以彻底的失败告终的房地产掮客;《亚罗史密斯》中的亚罗史密斯,一个怀有梦想并为之终身追求的最具英雄气质的年轻医生;及《道茨沃斯》中的道茨沃斯,一个富有,宽容,体贴,勤奋,脚踏实地,热爱生活的汽车生产商。

For example, H, atomic weight of 100,794 hydrogen, carbon FC atomic weight of 1201, the atomic weight of oxygen O for 1594, Copper Cu for F63546 and so on. F history, had also used the other two kinds of "benchmarks", and there have been two kinds of scales used in parallel .1803 years, J Dalton published the first atomic table, the hydrogen-quality of the original F son as a "benchmark "requiring H, atomic weight is 1. In 1826, JJ Berzelius Tony F are presented to the quality of 116 oxygen atoms O as a" baseline "(scheduled for O, E atomic weight 16), which is has been in use to 1961 "Oxygen unit." 1929, found that the oxygen in nature, in addition to the greatest abundance of 16O, there are a small amount of slightly heavier 17O and 18O two kinds of isotopes, and the different sources of oxygen, its composition is slightly different.

例如氢H的原子量为100794,碳FC的原子量为1201,氧O的原子量为1594,铜Cu为F63546等。F历史上,还曾用过另外两种"基准",并且有过两种标度并行使用。1803年,J道尔顿发表的第一张原子量表,把氢原F子的质量作为"基准",规定H的原子量为1.1826年,JJ贝F采利乌斯提出,以氧原子O质量的116作为"基准"(定O的E原子量为16),这就是一直沿用到1961年的"氧单位"。1929年发现,自然界中的氧,除丰度最大的16O以外,还有少量稍重的17O和18O两种同位素,并且不同来源的氧,其组成也稍有不同。

Patterns in Nature: Snow and Ice Air pockets are frozen in place in Lake Bonney in Victoria Land, Antarctica.

意译:雪和冰在自然界的模式。空气的口袋,被冻结的地方,于威廉邦尼湖在维多利亚的土地,南极洲。

In wood, three distinct types of fungal decay can be distinguished: white rot, brown rot, and soft rot (Eriksson et al., 1990). White rot fungi are the most abundant degraders of wood in nature. Their strategy is to decompose the lignin in wood so that they can gain access to the cellulose and hemicelluloses that are embedded in the lignin matrix.

在木材,三清楚的类型真菌的衰退可能是区别:白色的腐烂,褐色腐烂,和软的腐烂白色的腐烂真菌是最丰富的自然的木材他们的策略要分解木材的木质素以便他们能得到对纤维素的通路而且正在埋入的在木质素点阵式。

Laboratory experiments suggest that capillary rise and evaporation play an important part in determining the position of emplacement of ions in the soil profile: in nature, root-zone transpiration also plays a part in solute deposition/adsorption within the evapo-transpiration zone.

实验室的实验表明,毛细管上升和蒸发在决定进驻的离子在土壤剖面位置的一个重要组成部分:性质,根区蒸腾也起着溶质沉积在部分/吸附在土壤水分蒸发,蒸腾区。

SB Babbage, Man in Nature and Grace; E Brunner, Man in Revolt; G Carey, I Believe in Man; S Cave, The Christian Estimate of Man; D Cairns, The Image of God in Man; W Eichrodt, Man in the OT ; WG Kummel, Man in the NT ; J Laidlaw, The Bible Doctrine of Man; JG Machen, The Christian View of Man; HD McDonald, The Christian View of Man; J Moltmann, Man; J Orr, God's Image in Man; HW Robinson, The Christian Doctrine of Man; RF Shedd, Man in Community; CR Smith, The Bible Doctrine of Man; WD Stacey, The Pauline View of Man; TF Torrance, Calvin's Doctrine of Man; CA vanPeursen, Body, Soul, Spirit; JS Wright, What Is Man?

锑巴贝奇,人在自然和恩典;电子邮件布,人在起义; G凯里,我相信人;山洞,基督教估计人; D凯恩斯,图像在上帝的人; W Eichrodt ,人在加时赛;工作组Kummel ,人在新台币; J莱德劳,圣经学说的人; JG麦,基督教观的人;高清麦当劳,基督教观的人; J莫尔特曼,男; J奥尔,上帝的形象在人;老罗宾逊,基督教学说的人;射频谢德,人在共同体;责任史密斯,圣经学说的人;的WD斯泰西,波利娜观的人;因子托兰斯,加尔文的学说的人;加利福尼亚州vanPeursen ,身体,灵魂,精神;江苏赖特,什麼是人?

She who is ever returning to God his own outflowing of sweetness; she is the ever fresh beauty and youth in nature; she dances in the bubbling streams and sings in the morning light; she with heaving waves suckles the thirsty earth; in her the Eternal One breaks in two in a joy that no longer may contain itself, and overflows in the pain of love.

她不断地送还上帝给予她的漫溢的甜蜜;她是自然界永远清新的美丽与青春;她在汩汩的溪流里翩翩起舞,在清晨的阳光中展开歌喉;她用滚滚的波涛哺育干渴的大地;在她身上,造物主一分为二:无法遏制的欢乐和泛滥的爱情之痛。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

A worldwide decline in the number of wild salmonids calls for strategies to restore endangered populations.

关于《Nature》:精子移植的新应用的原因,关于《Nature》:精子移植的新应用的相关知识。

The results of the study indicate:(1) the stress, strain and velocity fields as well as the uplift rates of the model are consistent essentially with those of the prototype in nature;(2) the major driving force for intraplate tectonic deformation in central-eastern Asia results mainly from the compression of the Indian plate;(3) the existence of the RSBs, such as those of Tarim, Alxa, Ordos and Sichuan basin, is one of the basic origins for the development of large-scale compressional basins and the table-like uplift of the Qinghai-Tibet plateau;(4) The netlike plastic-flow in the lower lithosphere is faster than the displacement in the upper layer, controlling the tectonic stress and deformation fields in the upper crust;(5) the weakness layer distributed discontinuously in the middle crust influences the level of difference between the stress directions in the lower lithosphere and those in the seismogenic layer.

研究结果表明:(1)模型中的应力场、应变场、位移速度场和地表隆升速率,与自然条件下的实际状况基本相符;(2)中东亚板内构造变形的驱动力源主要来自印度板块的推挤作用;(3)塔里木、阿拉善、鄂尔多斯、四川盆地等相对稳定块体的存在是促成大型压性盆地形成和青藏高原平台式隆升的基本原因之一;(4)岩石圈下层的网状塑性流动超前于上层,控制上层的构造应力场和变形场;(5)中部地壳的非连续分布软弱层影响上、下层之间应力方向的差异程度。

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相关中文对照歌词
In My Nature
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I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援,我们正徵召国家所有各种的力量:我们的外交及发展,我们的经济力量与道德劝说,所以你们与其他军人不须要孤独地负起国家安全的责任。

Imagine yourself to be an actor in a play on the stage.

设想你自己是一个演员在舞台上表演。