查询词典 in course of time

As at Bethlehem and Gethsemane, the capitals of the pillars were Corinthian-classical in form, with acanthus leaves standing out fairly prominently. Above these were spiral scrolls centring an emblem of some kind, probably a cross, which has unfortunately disappeared in the course of time.

在白冷城和革责玛尼，柱子的字母是用格林多文字写成的，且有莨苕叶形的装饰十分突出，盘绕其上的是十字象徵的纸卷，不幸的是，这些文字随著时间流逝已慢慢消逝。

Bestowing a word of promise here and a smile there, a whisper on one happy slave and a wave of the hand on another, Monseigneur affably passed through his rooms to the remote region of the Circumference of Truth. There, Monseigneur turned, and came back again, and so in due course of time got himself shut up in his sanctuary by the chocolate sprites, and was seen no more.

大人对这边作出个承诺，对那边绽出个微笑，对这一个幸福的奴才耳语一句，对那一个奴才摆一摆手，和蔼可亲地穿过了几道房间来到"真理边缘"的遥远地带，又转过身来，过了一会儿又让他的巧克力精灵们把他关闭在内殿里。

Hence, while on the one hand the other so-called virtues of the soul seem to resemble those of the body, inasmuch as they really do not pre-exist in the soul, but are formed in it in the course of time by habit and exercise, the virtue of wisdom, on the other hand, does most certainly appertain, as it would appear, to a more divine substance which never loses its energy, but by change of position becomes useful and serviceable, or else remains useless and injurious.

所以说，人的灵魂之美德好像贴近于身体的优点，但身体的优点并不是身体本来就固有的，而是通过后天的努力训练或者习惯的养成而移植过去的。但是，心灵上的美德与智慧却具有一种永恒存在的神圣的东西。因为眼睛视力的取向不同，它会产生出两种各异的结果：一是变得有益而无害；一是变得有害而无益。

She thereby not only underscores time's duration; her implementations in installations, drawings, poetry, and music are especially focused on the repetition and endlessness inherent in the course of time.

因此，她不仅强调了时间的持续时间，她实现了装置，绘画，诗歌和音乐的，尤其是在重复和无穷的过程中所固有的时间集中。

But humans are always most interested in what is forbidden, and in the due course of time, MacCulloch grew up to be interested in the multiple ways in which Christianity has morphed, clashed, invented and re-invented itself.

但人总是最关心什么是禁止的，并在稍后的时间，麦卡洛赫长大后在其中基督教已经演变多种方式感兴趣，发生冲突，发明并重新发明本身。

This set of unplugged time, although the house like the two men into their world, but this is the music he most truly side, each musician is not necessarily bright luster present in front of you, perhaps re - This course of time the state, the audience unknowingly became the music of the burden, perhaps to herself, could not see so clearly is not absolutely not what we want, than generous to show the real side of it, there is no burden exists, in the milli - No binding of the state, are more likely to inspire boundless creativity, imagination in the music.

这集的不插电时间虽然像是两个宅男陷入他们的世界里，不过这就是音乐人他最真的那一面，每个音乐人不见得都是光彩亮丽的在你面前呈现，或许再这种久而久之的状态下，观众不知不觉成为了音乐人的包袱，或许到最后自己也看不清自己，这绝对不是大家所要的，不如大方的展现真实的一面吧，没有包袱存在，在毫无束缚的状态下，更可能激发出无限的创作、想像力在音乐上。

Taking the Chinese films development course of time as the longitudinal axle, this essay discuss the characteristics and varieties of the photoplay view and its creation practice of Chinese Films in different age. The discussion focused on the characteristics and development countermeasure of photoplay view and its creation practice of Chinese films in new age by analyzing the classic cases. This essay used such methors like historical materials arrangement, induction and comparison during the discussion. Thus conclusions are drawn as follows: In order to guide the Chinese films towards the world, we must carry forward national films vigorously. So the traditional photoplay views, which pay attention to audiences and meeting the aesthetic habits and appreciating ways, should not be abandoned.

本文运用史料整理、归纳、比较等方法，以时间上的电影发展历程为纵轴，探讨不同时期中国电影影戏观及其创作实践的特点及变化，重点通过经典案例探讨新时期中国电影影戏观创作实践的特点与发展对策，从而得出以下结论：要让中国电影走向世界，必须弘扬民族电影，因而重视观众、适应中国观众审美习惯与欣赏方式的传统影戏观在电影实践中仍不能丢弃。

Li Qi studies with single-hearted devotion and works, the bow ruler in a dining room hiring out for working, evening in bets on the table to wear down the time, although he will excite the emotions in the course of time to Li Qi, but on own initiative cannot be joined to her, in addition he is also not good at expressing the sentiment.

李琪专心读书和工作，船头尺则在一家餐厅打工，晚上在赌桌上消磨时光，他虽然对李琪日久生情，但自觉配不上她，再加上他也并不善于表达感情。

Xia Xin is the favorite with mobile phone rare line of business, had been in what cast off original VCD and DVD not easily to keep quantity market after manacling, xia Xin is in course of study of domestic mobile phone of like a rising wind and scudding clouds " pan time ", rushed sortie mobile phone course of study.

夏新是手机业少有的幸运儿，在好不容易摆脱了原有的 VCD 和 DVD 的存量市场的束缚之后，夏新在国内手机业风起云涌的&淘金年代&，贸然涉足了手机业。

Think that the agency-- has gossip to say at the meeting Strauss has plagiarized Joseph's manuscript left unpublished by the author at his death in light opera "bat", Edward has agreed with lavishly unexpectedly. Be 50 anniversaries celebrating John · Strauss learning performance in 1894 , somebody is experienced "the first waltz of him" according to his growing up having compiled a one-act play, front day performing Edward places obstacles in the way in the evening, coming jumping out of , does not ought to appear in saying drama his parents, compel getting a sponsor for stopping inviting trouble, before one final minute his parents's drama middle first name has been changed completely. In the testament that John · Strauss stands on in 1895, any does not present a gift to Edward, after Strauss passes away in 1899, Edward neither has the funeral ceremony joining him, at that time, he Germany performs in course of.

当社--会上有流言说，施特劳斯在轻歌剧《蝙蝠》中剽窃了约瑟夫的遗稿，爱德华居然大加赞同。1894年为庆祝约翰·施特劳斯从艺50周年，有人根据他的成长经历编了一个独幕剧《他的第一首圆舞曲》，演出的前一天晚上，爱德华又跳出来作梗，说剧中不应该出现他的父母，逼得主办人为了少惹麻烦，在最后一分钟把剧中他父母的名字全改了。1895年约翰·施特劳斯立的遗嘱中，没有给爱德华任何馈赠，1899年施特劳斯去世后，爱德华也没有参加他的葬礼，那时，他正在德国演出。

I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援，我们正徵召国家所有各种的力量：我们的外交及发展，我们的经济力量与道德劝说，所以你们与其他军人不须要孤独地负起国家安全的责任。