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hide and seek相关的网络例句

查询词典 hide and seek

与 hide and seek 相关的网络例句 [注:此内容来源于网络,仅供参考]

For, said they, the buds are the children of the flowers, and the little playful streams that gambol down the hillsides are the children of the water; and the smallest bright specks playing at hide-and-seek in the sky all night, must surely be the children of the stars; and they would all be heart-broken to see their playmates, the children of men, no more.

因为他们说,花蕾是花的孩子;山间欢快流淌的小溪是水的孩子;至于那整晚在夜空中玩捉迷藏的闪闪微光,毫无疑问,肯定是星星的孩子;如果再也看不到自己的玩伴——人类的孩子,它们一定都会心碎的。

For, said they, the buds are the children of the flowers; and the little playful streams that gambol down the hill-sides are the children of the water; and the smallest bright specks playing at hide and seek in the sky all night, must surely be the children of the stars; and they would all be grieved to see their playmates, the children of men, no more.

因为,他们说,蓓蕾就是花儿的孩子;从山腰上嬉戏着流淌下来的欢快小溪就是河流的孩子;整晚都在天空中玩捉迷藏的那些渺小至极的亮点,肯定就是星星的孩子;而它们会为再也看不到它们的玩伴——人类的孩子,而感到伤心的。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态,尽管他不断地用细节去强调时间概念,像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气,但他讲述的这些故事并没有特别的时间背景,它们可能每天都会发生在这个城市的角落里,它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》,你就会发现两个故事的某些细节其实是互相交错的,王家卫用这种捉迷藏式的游戏来造成一种共时性的效果,既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序,从而形成了一种存在主义式的精神意蕴,而王家卫在空间上的运用更是与其时间相得益彰,如果你看了王家卫的作品而感动的话,那绝不是由于整体世界的印象所引发的,而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

The game Hide and Seek refers to a cat and mouse strategy that shifts power back and forth between the hider and the seeker as each of the players takes a turn.

"躲猫猫"游戏原意指的是一个猫和老鼠的策略,也就是躲藏者和寻找者角色之间权力的相互转移。

Day after day, year again answer compound duplicate resume turn over a year, numerous spring summer autumnal equinox,paosa jackstone husband and wife tears of innumerable two with worry, and the darling child in the belly is like at play hide-and-seek with father, mother, with 2 years, return to not be born, and the you carry the you to carry the

日复一日,年复一年,无数个春夏秋冬,抛洒着夫妻俩无数的眼泪和担忧,肚中的小宝宝好像在和爸爸、妈妈捉迷藏,以近2年了,还不出世,悠载悠载

Next time if you want to play hide-and-seek,don't hide in the letterbox.

下次你再玩捉迷藏时,别躲在邮筒里。

When did the Golden Lion last serve populist fare such as the George Clooney thriller Michael Clayton (murder, skulduggery and Tilda Swinton glammed up as an evil corporate lawyer), the army-base thriller In the Valley of Elah (a bread-and-jam whodunit in spite of Haggis's thick spreading of Iraq war allusions) or Branagh's loop-the-loopy attempt to refashion Sleuth with a Pinter script and Michael Caine and Jude Law playing hide-and-seek amid the arty camera angles.

金狮奖上次专门为民粹主义作品设立是什么时候来着?比如乔治?克鲁尼令人毛骨悚然的影片《迈克尔?克莱顿》(谋杀、使诈,还有蒂尔达?斯文顿扮演的衣着光鲜的企业律师),根据军队拍摄的令人毛骨悚然的影片《决战以拉谷》(尽管哈吉斯散布了大量伊拉克战争的暗示,它还是一部像"面包加果酱"一样平常的推理影片),还有布莱纳兜着圈子地努力翻拍《足迹》,用平特的剧本与迈克尔?凯恩和裘德?洛,在富有艺术家气派的各种拍摄视角中玩捉迷藏的游戏。

At the same time, it produced a series of imaginings that became deeper and deeper – it was like a hypothetical point that allowed me to be completely immersed in the actual cultural background. Various human weaknesses have certain solemn and stirringly dramatic elements. In order to adapt to the basic visual experience, in order to allow the audience to easily accept and enjoy the underlying elements of the work, I intentionally left white spaces, they looked like hints in a guessing game. The viewer who understands would have a good laugh after becoming suddenly enlightened. This enables the viewer and me to have a sort of conspiratorial relationship, its meaning does not reside in the painting itself, but in the shared cultural background of myself and the audience as well as the shared attitude of such a cultural background. This makes it believable, a hidden bridge, often in a somewhat clear yet somewhat mysterious moment, two strangers who have never met are able to achieve a profound understanding, like that happiness of suddenly catching someone when playing hide and seek as a child ...

同时,阐发了一系列的联想,并使之不断地深入,它就像一个假设的点,将我置身于整个现实文化背景之中,这里人的种种缺陷带有某种悲壮成分的戏剧性,为了适应基本的视觉经验,为了使观众一目了然地接受并乐于体味作品中的潜在因素提供某种线索,我留有一些空白,它类似猜谜游戏中的启示,能使会心的观众茅塞顿开后一场哑然失笑,能使我和观众之间形成一种合谋关系,其意义不在画面本身,而在于我和观众之间存有共同的现实文化背景,以及对这种文化背景所持有的共同态度,它也就是有了可信性,就像冥冥中桥梁,常常在时而明晰时而神秘的一瞬,两个素昧平生的陌生人之间突然达到了心领神会的境地,如同儿时捉迷藏游戏中突然捉到对方时的开心……。

Ch'i-ch'iao bowed her head, basking in glory, in the soft music of his voice and the delicate pleasure of this occasion. So many years now, she had been playing hide-and-seek with him and never could get close, and there had still been a day like this in store for her.

七巧低著头,沐浴在光辉里,细细的音乐,细细的喜悦……这些年了,她跟他捉迷藏似的,只是近不得身,原来还有今天!

Presently the hide-and-seek frolicking began, and Tom and Becky engaged in it with zeal until the exertion began to grow a trifle wearisome; then they wandered down a sinuous avenue holding their candles aloft and reading the tangled webwork of names, dates, postoffice addresses, and mottoes with which the rocky walls had been frescoed (in candle-smoke).

在这之后,他们开始玩捉迷藏游戏,玩得极其投入,一直玩到都有点厌烦了为止;然后他俩高举蜡烛,顺着一条弯曲的小路往前逛,边走边念着用蜡烛烟油刻写在石壁上面的名字、年月、通讯地址和格言之类的东西。

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