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In the dissertation, the researcher started from quantitative and qualitative methods, as well as counted the number of tunes, sorted by the rules of chis of and 838 tunes of chis. It was concluded that the authors of chis in Tang Dynasty, Five-Dynasty and Ten-Kindom period and Song Dynasty often used traditional culture and folk tales as metaphor and construct the principles of chis.

本文以定性、定量的方法论出发,视词为「倚声制词之曲子词」,并统计词调的数量,以〔清〕万树《词律》及补遗共八百三十九词牌为序,得知唐、五代、宋之词家多是以传统文化、典故为喻体,互相因袭、模拟、激荡、生发并建构出其词艺系统。

Therefore, this study has begun with the origin of lacquer-ware in Han Dynasty, and then proceeding with the exploration of epigraphs, craftsmanship, and vessel shapes of lacquer-ware in Han Dynasty, so as to understand the production process of veined decoration of lacquer-ware in Han Dynasty.

因此,本文由汉代漆器的渊源探究起,再进行汉代漆器铭文、工艺制作、器形的探讨,以了解汉代漆器纹饰制作过程。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分:&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念,并对其研究现状作一全面回顾;第一章&送别诗溯源&,在全面整理先秦两汉送别诗的基础上,对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说,辨明其源流;第二章&魏晋南北朝送别诗研究&,从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变,并探讨两晋时期四言送别诗的繁盛原因及其特点;第三章&对唐代送别诗影响&,从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响;&附录&部分列出魏晋南北朝送别诗系年一览表,分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处,以备查考。

After Western Jin Dynasty collapsed, many gentries headed for south and founded four dynasties: Song, Qi, Liang, Chen, which are called Southern Dynasty historically, and together with Northern Dynasty in the north they are called Southern and Northern Dynasties.

许多门阀士族渡江南下,先后建立了宋、齐、梁、陈四个朝代,史称&南朝&,与同时代北方的北朝统称&南北朝&。

The Cheng Communal Family stands for the Cheng's who had lived in Pujiang county of Jinhua in Zhejiang Province generation to generation from South-song Dynasty and Yuan Dynasty to early Ming Dynasty. This family had been honored many times by the imperators and was called Number One in the south of the lower reaches of the Changjiang River.

义门郑氏&是指自南宋年间起,经元至明代初期,累世同居于浙江金华浦江县的郑氏家族,曾多次获最高统治者嘉奖与旌表,被称为&江南第一家。

Their diversity was that Song dynasty's Ancient Prose Movement had the reference of Tang dynasty's, therefor, it didn't take more winding way, and it won splendid accomplishment in its invention with the fundament of Tang dynasty.

其相异之处在于,宋代古文运动有唐代古文运动作为借鉴,从而使宋人少走了许多弯路,使宋代古文创作在唐代的基础上取得了更加辉煌的成果。

The main matter is divided into nine chapters: the background of Siling poetry school, textual research on their lives, their relationship with Ye Shi, contemporary poets, textual research on their poetry anthologies, their poetry theories, their poetry works, review on style of late Tang Dynasty in early times of the Song Dynasty and its spread after Southern Song Dynasty.

全文本着从作品出发的原则,尽可能地从四灵所处时代环境出发,再现其生平经历,注重四灵与同时代诗人交往,考察四灵诗集版本流传情况,对于其理论及创作进行精细化研究,并将在四灵前后诗歌史上不同时期出现的&晚唐体&加以分析比较,凸显出四灵诗派的文学史意义。

The Central Plains area began to show transcendental advantages and power after the accumulation and integration of social strength for several thousand years, heroes and clannish grand seigneurs from all directions competed for the central plains of China, established the state administration of Xia Dynasty, Shang Dynasty and Zhou Dynasty in succession and realized dynastic changes one after another in hot battles.

但一代又一代的国王天子们始终忙于征战、祭祀和享乐,无暇顾及甚至闻所未闻遥远的江南曾经发生或正在发生的一切。

Six-character pomes that derived form Saoya formed in the Weijin Dynasty, became mature in the Tang Dynasty and peaked in the Song Dynasty. It has great influence on the other forms of songs.

六言诗起源于骚雅,在汉魏六朝成型,在唐代成熟,在宋代发展到高峰,并对其他诗歌样式产生了很大的影响。

The paper through reorganizing the works and papers of the Tang dynasty's poetess from 1900 to now, review these poetess study states briefly of the four different history times during the hundred of years, and take the Tang Dynasty's poetess Li Ye, Xue Tao and Yu Xuanji, the three poetess for center study, through studying their life experiences, poem creation, and female consciousness, analyzing and summarizing the characteristic of the three Tang Dynasty poetesses and the Taoist Priestess Poet research conditions which take the three as the representative, and also to explores Gender Perspective application in the Ancient Poetess Research.

本文通过整理1900年至今百多年来,有关古代女诗人研究的论著论文,简要回顾了百多年来四个不同历史时期古代女诗人的研究状况,并以唐代李冶、薛涛、鱼玄机三位女诗人为中心,从生平身世、诗歌创作、女性意识等三个方面,着重分析总结了唐三女诗人以及以她们为代表的唐&女冠诗人&群体研究的研究状况与成果,以此探寻性别视角在古代女诗人研究中的运用。

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This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明:这可不是一个一般的对话框,它是用图片作为背景的对话框,非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

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