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concept art相关的网络例句

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与 concept art 相关的网络例句 [注:此内容来源于网络,仅供参考]

Fortunately for those who believe that films should have something to do with art and that art is more than the sum of its parts, Wyatt concludes that the high-concept era is on the wane.

在激烈的电影市场竞争中,一个单独的画面形象,或者一首主题歌曲或许就能立即唤起这部电影的潜在观众人群,并且电影相关产品还能产生几百万美元的附加收入。

Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.

真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义:前者主张以审美和艺术作为政治斗争或道德说教的工具,要求审美和艺术直接"服务于"政治或道德目的;后者主张为人生的美学,或者是人生论美学,反对审美和艺术直接充当政治或道德的工具,而是要求审美和艺术内在地作用于人生境界的提升;前者在19世纪的直接思想源头在梁启超,而后者的开创者是王国维。

Colorful. People walked through the beginning period of radical modernism last century, entering into the classic、 romantic、rebelling、 self-contradicting late_industry period. From the icy cold mold、 concept、 regulation, starting the humanization、 characterization、 aiming at the individual work. From shock of the new art, rapidly arrived to the period of making people the center thoroughly , the realm of a little crazy modernism style, developped the person's individuality to extreme achievement, in the aspect of culture or art or architecture neither do not display the notional value in individuality.

人们走过了上世纪初现代主义的激进,进入了带有古典、浪漫、反叛、矛盾的后工业时期;从冰冷的模数,概念、规律,开始了人性化、个性化,针对个体的创作;从新艺术给人们心灵带来的震撼,急进到了彻底的以人为本的,带有点疯狂的后现代主义风格领域,将人的个体性质发挥到了极致,在文化、艺术、建筑的创作上无一不显示出个体观念的价值。

Inherited with the spirit of extension from the Slav people, the cultural toleration and art concept of the Russian contemporary art is absolutely no inferior to other European countries.

继承了斯拉夫人特有的开拓和融合精神,俄罗斯当代艺术的文化包容性和艺术理念丝毫不逊于欧洲其他国家。

"Up to the limit" is an art work about time. On the surface, this art work tests people's tolerance of extreme tedium of endless routine labor and unbearably apathic physical space where one can hardly stay long. But the concept of time emerges during the process of close references with the formation of the work; moreover, a hidden craziness opposite to the apathy of the work sharply stabs into the viewers' eyes and further thrusts into their hearts; and it is exactly during the process of watching, that time settles down and achieves its existence.

极限》则是一组以时间为题的作品,表面看作品是在考验一种无穷尽的忍受,一种冷漠无比的枯燥,一种不能存留的短暂的物理空间,一种样式化的不断重复的工作,时间之概念恰在这一系列与作品形成密切相关的制作当中浮现出来,并以一种与作品的冷漠完全相反的隐藏起来的疯狂,尖锐地插进观看者的双眸,并延伸到其内心,时间恰好在这观赏的过程中得以落实,而成为一种实存。

Both "Arte Povera" and "Mono-ha" schools cover a wider range of areas in expression including the ready-made concept out of Dadaism and Pop Art, in the meanwhile, they engaged in the meaninglessness against Dadaism, that is, a search for the meaning of essence out of the infinity of concepts; and for their consumerism against Pop Art.

贫穷艺术&和&物派涵盖了比较广泛的领域,除了它们具有达达主义的现成品观念、波普艺术因素,同时,它们又蕴涵反达达的无意义,即在观念穷尽之后寻找物质材料的本质意义,它们反波普艺术的消费性。

Schiller explains that it is play instinct which pushes people to create and enjoy art.Herbert Spencer and Karl Groose analyze play and art in a biological and psychological way.Gadamer gives the concept of "play"an on to logical meaning,which is totally different from the former thinkers.

在《真理与方法》一书中,他对游戏概念做了一番分析并以之作为其美学理论的切入点,他指出:我们选取曾在美学中起过重大作用的概念即游戏这一概念作为首要的出发点。

Through traditional Chinese painting study in the period of University and oil painting art study in the period of graduate student for 3 years, I seriously compared and studied the colouration between traditional Chinese painting and oil painting, I think, no matter what tradition Chinese painting is or oil painting, colouration as an art form in Chinese-the West culture systems has many difference in different history stages, their painting concept is different.

通过在大学时的中国画学习和三年研究生阶段对油画技法及创作艺术的研习,对中西绘画的色彩观进行了认真的比较研究,我认为在色彩上无论是中国画还是油画,作为中西两种不同文化体系中的艺术形式,其色彩观念上有许多不同之处,在不同的绘画历史阶段,他们的绘画色彩观念也并不一样。

The text will mainly discourse upon the sensitivity of beauty inheres in art from the five aspects of "artistic concept"、"artistic expression"、"artistic situation" and "the art of poesy".

本文主要是从&艺术意境&、&艺术表现&、&艺术情境&、&诗歌艺术&这五个方面来论述艺术的审美本质。

As already indicated, the concept of art is not the only one that preoccupies analytic philosophers of art, though for the reasons just stated, it is a central one.

如已经表明的那样,艺术这个概念并非研究艺术的分析哲学家唯一的心事,尽管出于刚才说过的理由,那是重要的心事。

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