查询词典 concept art

Painting which is the mainstream of the western art is extremely representational in the aspect of the space concept. But relieves combine the paintings'complanation with sculptures'extensity .so we decide to research the process of the evolvement and the interaction between paintings and sculptures. We expect to discuss the space and art expression in the western art and relieve ,so I can have a further comprehension about the space of optical art. The comprehension can not only help us understand the traditional western paintings and relieves better, but also make us comprehend the space concept of modern art better, to set the artistic creations of contemporary paintings and relieves into action.

油画，作为西方绘画的主流形式，在空间形态的表现上极富代表性，而浮雕兼具绘画的平面性与雕塑的实体空间性，因此，我选择研究油画与浮雕在空间上的演变过程及其相互影响，以期可以从一个侧面来探讨西方绘画与浮雕中的空间观和艺术形态表现，从而对视觉艺术的"空间"有更深一个层次的了解，这不仅有利于我们理解传统的西方油画和浮雕，也能使我们更好地理解现代艺术的空间观念，进而更好的推动当代的油画和浮雕创作。

The concept of political art is based on the concept of art.

在探讨政治艺术的过程中，准确把握政治艺术的涵义、结构及功能，是十分必要的。

After the antique, Wolfflin had gone through the cover review of the characteristic of classicality art and the Baroco art, come into the research of the whole reappearance art, taken the entire occident art phylogeny, especially the reappearance art of enjoin in the period of Revival of Learning into a uniform concept system. The opposite style drawing of classicality art and the Baroco art is the basic of this concept system.

沃尔夫林在认识到这个问题的基础上，由现代科学思想的发展和现代艺术运动的历史背景为他创造的独特可能性出发，经过对古典艺术、巴洛克艺术特征的全面考察，进而进入整个再现艺术历史的研究，将整个西方艺术发展史，尤其是文艺复兴以降的再现艺术发展史，纳入一个统一的概念体系。

Chinese Pop Art in the early 90s, described as Living Pop art, has a clear signification and concept. The Gandy Art (from 1995 and later) however turned into a more formalist art. It lacks an avant-garde approach and has no references to daily life anymore. Also it has a Benthamistic and pragmatistic character: being more business oriented to the Western art market.

中国90年代的波普艺术统属于生活波普。90年代初的生活波普与后来的艳俗艺术有些差异性，前者的意指和观念都很明确，后者却是一种形式主义的东西，缺乏现实生活的参照系，有功利主义和实用主义的倾向。

One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.

有一点可以肯定，那就是他们不赞成甚至反对以观念代替艺术，与此相关联的是他们承认甚至看重技术对於艺术的价值，他们都不是唯美主义者，但坚信审美是艺术必须具备的品质，在他们眼里一切所谓观念，即使是最有价值的观念在艺术中都必须经由审美的中介加以实现，虽然他们反对观念至上，反对当代艺术中蔑视以至讨伐技术的倾向，但他们并不标榜技术至上；他们承认并接受观念对於艺术的意义，但他们同时看重传达观念的方式，他们试图选择的是一条相对中庸的道路，不偏不倚，不左不右，亦中亦西，有古有今，前卫亦无不可，极端则须避免，能够做到这些，已经是作为教师的角色选择的极限，超越这些范畴的期待已经不很现实了，而远离这些范畴的选择又似乎有违於教师的身份。

The pathway of course of Wolfflin's theory research had begun with the research to classicality art and the spiritual of civil, and gradually it belongs to a concept of the multiple cultures. This concept is the two sides of understanding which advocated by the ripeness applicability value of the style and the historic creed in every nation, every individual'creating and understanding. The unification of the two sides responded the dispute about the connection between the fact and the value. it had taken the view of creating perfection into a course of invariable, can be seen in the practice of art activity. Not only had his research provided a excisions illumination with the development of the emersion art, but also provided the integrated theory and a important visual angle to represent the development of modern occident art and China tradition art.

沃尔夫林理论研究的心路历程由对古典艺术和人文精神的研究开始，渐渐归于一种多元文化的观念，这种观念是人文主义普适价值观和历史主义所倡导的对每个民族、每个时代、每一个体的独特创造的理解两个方面，两个方面的统一以独特的方式回应了现代思想中关于事实和价值关系问题的争论，将对审美创造的完美性的永恒的观看，纳入一个永恒的、见之于具体艺术实践的流动过程之中，其研究不但对再现艺术的历史发展做出了卓越的说明，也为系统地表征西方现代艺术、中国传统艺术的发展，以及理解现代科学作为一个文化过程的发展，提供了重要的视角和完整的理论。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The concept art of Wookiee architecture described them as the "Frank Lloyd Wrights of the galaxy."

伍基人的建筑被形容成&银河系中的弗兰克-劳埃德-赖特式的作品*&。

To my surprise, it was a thick, three-ring binded book filled with concept art for the movie, and some pictures of the final products.

让我惊讶的是，这本厚厚的，三环装订的书里全是电影的概念图，还有一些完成品的图。

This episode is filled with numerous new starship models, including the Separatist destroyer (based on a ship design seen in Episode III), a Republic light cruiser and a Jedi ambassadorial shuttle (based on Joe Johnston concept art for the Imperial shuttle seen in Episode VI).

这一集中出现了许多新战舰，包括分离主义驱逐舰（取材于EP3的一艘舰船设计）、共和国轻型巡洋舰以及绝地使节穿梭机（取材于Joe Johnston为EP4所绘的帝国穿梭机概念艺术图）。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。