查询词典 concept art

My paper firstly turns on the time of Kaogongji, puts it in axes-age and sums up the characters from our ancient art design which it starts from the analyzing of "Qi" and "Wu".So we can draw our research clue and orientation: manufacture whose core is "Li";And then we will make particularly aesthetic analyse about the text.We will make it clear about the realations between " Li" and "Qi", concept and res, taste and res , and my paper will tell of three part:conceptual design—age idea" s effect on Kaogongji" s taste;human design—human spirit in Kaogongji" s art design;imitate design—accouterment" s taste of Kaogongji. In the text ,I will also tell of the following problems:Li and Kaogongji" s design idea, like-six idea and Kaogongji" s taste ideal, nature-human and Kaogongji s zoology idea.

本论文首先切入《考工记》的时间定位问题，把它放在轴心时代的大背景下，之后从"器"和"物"二字的文字学分析出发，对我国古代艺术设计的总体特征进行了概括，进而以此背景审视《考工记》一书的工艺美学思想，确定本文对该书的研究思路和定位，即以"礼"为核心的器物制造；然后具体进入文本进行细致的美学视角的分析，为廓清"礼"与"器"、观念与器物、审美风尚与器物等关系理顺思路，论文分别从观念化设计——时代观念对《考工记》审美取向的影响、人机化设计——《考工记》艺术设计的人文精神、仿生设计——《考工记》中装饰物的审美追求这三个大方面进行研究，涉及到礼制文化与《考工记》的审美设计理念、"尚六意识"与《考工记》的审美理想、"天人合一"与《考工记》的审美生态观等诸多问题。

This feature in traditional Chinese poetry and Imagist Poetry was perfectly expressed but less used in the painting, until a new concept of contemporary art, especially the concept of post-modernism proliferation, appeared in paintings.

这种特性在中国传统诗词歌赋和意象派诗歌中得到完美的表达，但较少在绘画中运用，直到当代艺术新观念，尤其是后现代主义观念的扩散，才在绘画中出现。

First, based on the research of vocality art and vocalization, I discuss how to set up reasonable aesthetics concept on tenor"s voice, then expatiate on the characteristics,of the tenor"s voice in bel canto and the theoretic significance of setting up reasonable sound aesthetics concept. This essay is mainly on the way and key point of constructing tenor" s voice, especially solving the core problem of alt skill. The essay argues that the construction of tenor" s voice is based on the mediant and undertone sections; finding the phonate source, practice step by step, surrounding the point , string and side of the voice; train the students using suitable vowels according to the students with different characteristics ; emphasizing that ten essential words are the golden key to solution of the core problem in the "closing " method.

首先从研究声乐艺术和发声方法的指导思想和出发点着手，探讨了如何建立科学的男高音声音审美观；进而阐述了美声唱法中男高音的声音特点及建立科学审美观的理论指导意义；本文着重提出了构建男高音声音的方法与要领(特别是解决高音技术这一核心问题)，本文认为男高音声音构建先以中、低声区为基础，从找发声点开始，围绕声音的点、线、面逐一训练，同时根据不同特点的学生选择合适的母音进行训练，强调了"关闭"唱法中十字要领是解决核心难点的金钥匙。

" Traditional Chinese painting together with contemporary human body " series is one series of concept photographs of human body, main by means of later stage the computer compounding, by the contemporary human body takes a photograph unite together against the China classic painting, the measure with breaking concept means and the vision of clashing thaws into distinct culture backdrop and the consciousness rooms, thereby make a breakthrough the conduct limitations that the human body was take a photograph , and open up before one's eyes deep step of the contemporary human body art conduct charms.

"解构经典——中国名画与现代人体"系列是林路的一组观念性的人体摄影作品，主要通过后期的电脑合成，将现代人体摄影与中国古典名画结合在一起，以观念解构的方式和视觉冲突的手段，融入不同的文化背景和意识空间，从而突破人体摄影的表现局限，展示现代人体艺术的深层次的表现魅力。

Meanwhile, the shopworn epithet "beautiful", which we can safely identify as a European concept, describing certain qualities in Western art, may yet be applied informally, and objectively, to characterise a piece of Buddhist sculpture, for example, which exhibits the same or similar qualities; but it should be acknowledged that in using it we may be extending the meaning of the concept, and possibly creating further confusion about it.

而同时，如果我们用老掉牙的"美"，这个我们可以安全地甄别为欧洲概念，用来描述西方艺术的某些特点的概念，来描述似乎显示了相似的特点的菩萨雕塑，我们不得不承认，我们可能会制造混乱，延伸了这个概念的外延（对比前面我们关于种族的讨论）。

When concept turns into visual text, it will not just exist in the cultural meanings. So the complicated relationship among visual technique, cultural concept and textuary analysis should also be handled. Thus, artists' ability to control the noumenon of art is in great need.

当观念转化为视觉读本的时候，观念不仅仅存在于文化的含义之中，它同样应处理好视觉技术-文化观念-读本分析三者之间的复杂关系，这就需要艺术家对艺术本体语言的把握能力。

Since the prehistoric period ,complanate painting and three-dimensional sculpture have shown their abundance on the expression of the space concept. A art history equals a phylogeny of space concept .

从史前到现代，平面的绘画与三维的浮雕，在空间形态的认识和表现上都呈现出越来越多的丰富性，可以说，一部美术史就是一部空间形态发展史。

But far more important than the preceding "official" uses of the concept of art is the role the concept plays in our personal, ongoing commerce with artworks, since how we respond to an object - interpretively, appreciatively, emotively, and evaluatively - depends decisively upon whether or not we categorize it as an artwork.

但是，比此前对艺术概念的那些&官方&用法更重要得多的，是这个概念在我们个人与艺术品不断打交道过程中的作用，因为我们如何对一个物件起反应（解释、欣赏、动感情、评价）决定性地依赖于我们是否把这个物件在范畴上算作一个艺术品。

First, based on the research of vocality art and vocalization, I discuss how to set up reasonable aesthetics concept on tenor"s voice, then expatiate on the characteristics,of the tenor"s voice in bel canto and the theoretic significance of setting up reasonable sound aesthetics concept. This essay is mainly on the way and key point of constructing tenor" s voice, especially solving the core problem of alt skill. The essay argues that the construction of tenor" s voice is based on the mediant and undertone sections; finding the phonate source, practice step by step, surrounding the point , string and side of the voice; train the students using suitable vowels according to the students with different characteristics ; emphasizing that ten essential words are the golden key to solution of the core problem in the "closing " method.

首先从研究声乐艺术和发声方法的指导思想和出发点着手，探讨了如何建立科学的男高音声音审美观；进而阐述了美声唱法中男高音的声音特点及建立科学审美观的理论指导意义；本文着重提出了构建男高音声音的方法与要领(特别是解决高音技术这一核心问题)，本文认为男高音声音构建先以中、低声区为基础，从找发声点开始，围绕声音的点、线、面逐一训练，同时根据不同特点的学生选择合适的母音进行训练，强调了&关闭&唱法中十字要领是解决核心难点的金钥匙。

In my opinion, it is the difference of the Oriental and the Occidental philosophical concepts. The western culture is basically "reason". In their concept, there is only reasonability or unreasonability. But the eastern culture is basically affection. In our concept, there is only beauty or non-beauty. Their attitude towards nature is conquest and possession. Out attitude towards nature is understanding and mediation. Their attitude towards art is by analysis, while ours is by perception. They are like the North and South Poles.

个人以为主要是东西方两种哲学观念有分别；西方文化基本是&智&，他们观念堨u有合&理&与不合&理&：东方文化基本是&情&；我们观念堨u有美与不美；他们对自然的态度是采取&征服&与'占有&；我们对自然的态度，是采取&了解&与&调和&；他们对艺术的态度是靠&分析&，而我们对艺术的态度是用&感觉；这完全是南北极。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。