查询词典 be regarded as

Aesthetic features should be grasped properly and as a aesthete, text should be regarded as one of the main bodies and the center of the whole talk as well as the core factor to measure the interpretation of text.

要恰切把握文本的审美特性，以审美者的态度对待文本，把文本作为阅读对话的主体之一和整个对话的中心，作为控制文本解读的"度"的核心因素。

As a character, Benjy"s existence proves that Caddy represents the most loving virtue of human nature. Benjy should also be regarded as the first narrator of the text, rather than an"idiotwhom most critics hold him to be as they respect the implication of the author.

班吉作为人物，他的存在正证明了凯蒂代表人性最美好的一面，而班吉也应被看作是文本的第一位叙述者，并非学界所尊重的作者的暗示是一位"愚人"。

ConclusionWhen the facial recess is opened, distance from the chordal eminence to the pyramid segment and the pyramidal eminence can be regarded as the width of the facial recess. The pyramidal eminence and the facial canal are regarded as the basis for searching for each other.

结论经后鼓室进路手术开放面神经隐窝时，鼓索隆起至面神经管锥曲和至锥隆起的距离可作为开放面神经隐窝的宽度，面神经管与锥隆起可作为手术中互为寻找的依据。

There are, in particular, certain great truths, to which he constantly reverts in his Gospel and which may be regarded as his governing ideas, special mention should be made of such expressions as the Light of the World, the Truth, the Life, the Resurrection, etc. Not infrequently these or other phrases are found in pithy, gnomic form at the beginning of a colloquy or discourse of the Saviour, and frequently recur, as a leitmotif, at intervals during the discourse eg vi, 35, 48, 51, 58; x, 7, 9; xv, 1, 5; xvii, 1, 5; etc.

有，特别是一些伟大的真理，因为他不断归还在他的福音，并可能被视为他的执政理念，特别值得一提的作出这样的表现是世界的光，真理，生命，复活，等不不常这些或其他的词组被发现在口诀， gnomic形式，在进入了一个座谈会或话语的救世主，经常复发，作为一个中心思想，在间隔期间的话语（例如六， 35 ， 48 ， 51 ， 58 ； X的七，九；十五， 1 ， 5 ；十七， 1 ， 5等）。

First, For the coronary artery stent, two kinds of loads, including the pressure named 〓 derivatively from the balloon and the counterforce named 〓 on the wall edge of the stent, have been taken into account in the analysis of the stent.〓 and 〓 were changing as the stent expanding. So, the expansion process of the stent could be considered as the process composing of many extremely short equilibrium processes, where 〓 and 〓 could be regarded as constants and the stresses, the strains and the displacements were obtained using NFEA in every processes. Then, the stresses, the strains and the displacements obtained in every processes or steps were added up to get the final structure of the coronary stent.

首先，解决了支架有限元分析的载荷非线性问题，认为医用心血管支架受到两种载荷的作用：球囊直接传递的压力〓和球囊对不锈钢支架丝壁边缘的反作用力〓，这两种载荷在支架分析中必须都考虑进去；〓为非线性载荷，随着支架扩张不断变化，处理时将支架扩张的整个过程看成由37个很短的平衡过程组成，在每个过程中取〓为常量，采用有限元法获得应力、应变、位移，最后将各过程的应力、应变、位移迭加起来就获得了不锈钢支架总的应力、应变和位移；本研究用变分法和有限元法模拟杆件拉伸证明了上述方法是合理的。

Hence the following conclusion can be made:①Although an inflection point occrus on the cooling curve, it cannot be regarded as secondary recalescence, but might be called as pseudo-recalescence.

据此认为：①实验中所获得的冷却曲线，尽管再辉阶段出现温度变化拐点，但不能认为是"二次再辉"，姑且称作"伪再辉"。

The author would further argue for the theses listed below:(1) Wittgenstein's"phenomenological period"could be regarded as the beginning of his lasting interest in"the philosophy of psychology"into the end of his life, whereas the interest of this kind didn't appear obviously in Tractatus;(2) By interpreting the"atomic propositions"as the simplest description of the data instead of avoiding illustrating what it is as Tractatus did, Wittgenstein's "phenomenological period"does show us an amazing affinity between his own standpoint at that time and that of the Russellian logical atomism, which is surely under the influence of the empiricist tradition;(3) Wittgenstein's critique of his phenomenology, however, revives the celebrated Tractarian dichotomy between"unspeakablity"and"speakablity"in a new context by denying any attempt to employ any linguistic tool to designate or describe the absoluteness of the data which could be only"shown".

本文所试图论证的要点可以被概括为：(1)维氏的"现象学阶段"可以被视为他关于"心理学的哲学"的长期学术兴趣的发端点——这一兴趣一直延续到他生命的终点，却并未体现于其早年作品《逻辑哲学论》之中；(2)通过将"原子命题"解释为对于感觉予料的最简单的描述（而不是像《逻辑哲学论》那样回避对于"原子命题"之所是的正面解说），维氏的"现象学阶段"乃是向我们展现了他该时期的哲学立场与罗素的经验论版本的"逻辑原子主义"之间的令人惊讶的亲缘关系；(3)通过否认任何试图用语言手段来标示或描述予料的企图，并通过对于予料自身的绝对性的展示，维氏对于他自己的"现象学"观念的批判实际上乃是复活了他在《逻辑哲学论》时代就已作出的对于"不可说性"与"可说性"的二分法。

Based on them, this paper proposes evaluation indexof fund performance from the aspect of finance, investor and interiormanagement. Considering the limitation of data envelopment analysis approach usedto evaluate fund performance, such as conventional DEA models can not considerinputs and outputs of evaluation units simultaneously, and an input-oriented DEAmodel and output-oriented DEA model often produce different evaluation results,this paper proposes a general form of DEA model which is input- andoutput-oriented by using multi-objective optimization and fuzzy set theory. Sincethe general form of DEA model can be transformed into a conventional input oroutput oriented DEA model by using special membership functions, it can beseemed as a nature extense of conventional DEA models, and a conventionalmodel can be regarded as a special case of DEA mdoel with general form.

针对现有基金绩效评价方法中较具优越性的数据包络分析方法的不足，如传统DEA模型不能同时综合考虑评价单元的输入和输出，以及分别采用面向输入和面向输出DEA模型评价基金绩效时，常常出现不一致的评价结果等，本文以多目标优化与模糊集合理论为工具，提出了一种能够同时面向输入和输出的DEA一般形式模型，并通过选择一些特殊的模糊集合隶属函数，使得这种DEA一般形式模型成为传统DEA模型的自然推广，而传统DEA模型是该模型的特殊形式。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Our interpretation of the results from parsimony, distance and maximum likelihood based phylogenetic analyses suggest:(1) African colobines and Asian colobines have been independent evolutionary entities for a long time; the divergent time is estimated to occur 10 million years ago based on a molecular clock of 2% substitution per site per million years;(2) both Rhinopithecus and Trachypithecus could be regarded as separate genus;(3) Pygathrix and Rhinopithecus are sister groups while Presbytis and Trachypithecus are closely related;(4) both the Sichuan and Yunnan snub-nosed monkey represent valid species respectively;(5) within genus Trachypithecus, T. phayrei is closely related to T. cristatus and T. auratus, while T. francoisi is distinct from them; the white-headed leaf monkey, however, should be a subspecies of T. francoisi;(6) within genus Presbytis, P. thomasi should be separated as a valid species from P. melalophos, but the genetically divergent degree between P. comata and P. melalophos implies that P. comata may just be a subspecies of P. melalophos.

结果表明：（1）非洲疣猴与亚洲疣猴的分歧已非常明显，按分子钟推算的分歧时间约在1，000万年前；（2）Rhinopithecus和Trachypithecus均应成为独立的属；（3）白臀叶猴属与金丝猴属关系较近，Presbytis属和Trachypithecus属关系也较近；（4）我国的川、滇金丝猴应分别被视为独立的物种；（5）在Trachypithecus属中，菲氏叶猴与银叶猴(T.cristatus)和乌木叶猴亲缘关系较近，黑叶猴(T.francoisi)则与它们的关系较远，曾被怀疑为一个种的白头叶猴(T.f.leucocephalus)应只是黑叶猴的一个亚种；（6）在Presbytis属内，托氏叶猴应从僧帽叶猴(P.melalophos)中独立出来成为一个有效种，但我们的结果倾向于将灰发叶猴置为僧帽叶猴的一个亚种。

I am sure after a few weeks of adaptation and familiarization I will have no difficulty in functioning on a daily basis in an English speaking society or in participating fully in graduate studies.

在大学的三年的学习生活不仅给予我自身的充实，更重要的是磨练和培养了我较强的自觉能力和严谨，踏实的作风以及不怕困难的精神，对未来充满了信心！

As the first volcanoes erupted, one of the gases that bellowed out was steam.

在第一批火山喷发时，喷出的气体之一就是水蒸汽。