查询词典 abstract painting

VI Reviewing the status quo for abstract art creation assiduously, we can find out that there are two tendencies which differ from each other, one is the transformation of the expressionism painting into the individual diagrammatical symbol; the other is one which embodies the features of the post-modernism through rational cultural design.

如果刻意梳理一下多向杂陈的抽象艺术创作状态，大致可以看出有两种互不相同的倾向：一种是以表现主义的绘画性转变为图式化的个人符号；另一种则是以理性化的文化意义的设计，体现出一种后现代注意的特征。

A genre of French painting characterized by bright flat shapes and symbolic treatments of abstract ideas.

以鲜明单一的形象和对抽象的思想的象征处理为特色的一个法国绘画流派。

We are specializing in the production of oil suppliers, with modern decorative paintings, mainly abstract art can also be requested in accordance with your picture and quality genre painting!

我们是专业生产油画供应商，以现代装饰画，抽象画为主，也可以按照您所要求图片体裁与质量来绘画！

Morphologically, painting can be divided into two kinds of figurative and abstract forms.

就形态而言，绘画可以分为具像与抽象两大形态。

The free tour takes the visitor through several centuries of painting, from the Victorian aesthetic movement, through the Pre-Raphaelite school, to modern abstract art.

这个免费的"旅行"带领观众穿越几个世纪的油画时空，从维多利亚时期的审美运动，到先拉斐尔派风格，到现代的抽象艺术。

The second part is the key of this paper. The author focuses on making an induction of expressive skills, cognitive process and beauty appreciation changes on color language in western painting in different periods, from primitive society to the ancient Greece, from Middle Ages to Renaissance, from the 17~ and 19~ century to the 20~ century. At the same time, the author makes a comparison between the typical works of typical artists and analyses the typical color language and its expressive approach. In addition, the author brushes the evolution relationship contained in color, such as symbolism, decoration, mitation, abstract and expressiveness of language, with the purpose of displaying the main features of color language in different periods and discovering the evolution relationship , its necessity and sequence.

其次，本文重点归纳总结了西方美术史各阶段，包括原始社会、古希腊到中世纪、文艺复兴、十七至十九世纪直至二十世纪绘画色彩语言的表现技巧和认知过程及审美嬗变，在此基础上纵向比较了以上各阶段典型画家的典型作品中的色彩语言和表现方法，并对西方绘画中具有象征性、装饰性、模仿性、抽象性和表现性的色彩语言及其演进关系也进行了纵向逻辑梳理，从而归纳出各个时期绘画色彩语言的基本特点及其历史演进的必然性和秩序性。

While they belong to different categories of art, the abstract music and concrete visual art---- painting do share something in common. Hence, the question of how to integrate the two, making the "invisible" music picturesque and "silent" paintings pleasant to the ear has been long under discussion.

抽象的听觉艺术音乐和具象的视觉艺术绘画既属于不同表现形式的艺术，又存在着共性关系，两者之间如何融合和渗透，如何使"无形"的音乐作品可具有绘画性、"无声"的绘画作品同样可具有音乐性，长久以来就是众多艺术家和理论家所探讨的话题。

Yet Wang Guangle has his own approach to painting. In his works like the Terrazzo series, Wang did not offer any definitive meaning or even content to the viewers, instead, the objects in these paintings are represented as the form itself, making it hard to define the works as "abstract" or "figurative".

但是王光乐的绘画却从另一个角度出发，像"水磨石"系列并没有明确的意义、内容的指向，而是仅仅将对象赋予一种形式，很难从具象或是抽象的角度来定义。

Although ,this approach, inherits the traditional Chinese painting techniques: hook, wrinkle, dyeing, thick, pale, dry, wet, yin, yang, forward, back, true, real, sparse, dense and remain, etc. Ultimately ,the results are very different ------the grass on the canvas is not only a simple fragrant thoroughwort which just has three or five leaves, but also a shape of the abstract and real, a cluster of weed which interweave death and life, fresh and new, warm and brilliant, unrestrained and tenderness------ grasses, weeds, absolute weeds.

这种手法，虽然传承了传统国画的技法：钩、皴、点、染，浓、淡、干、湿，阴、阳、向、背、虚、实、疏、密和留白等表现手法，结果却大相径庭，最终在画布或宣纸上形成的，不是简单的三五根摆拍的兰草，而是抽象又真实的形，一蓬纠缠着干枯与死亡，鲜嫩与新生的，热情与烂漫，奔放与温柔的草，野草，绝对的野草。

With this painting the conventional pictorial language of realism became unglued; the human form deconstructed into in an "abstract" conceptual form.

在这幅作品中传统的现实主义的视觉语言被打破了，人的形体被解构成抽象的概念体。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。