查询词典 abstract painting

The 1960's that he had a dream of painting as a young art student, was an experimental period of passionate, challenging contemporary art (such as Abstract Expressionism, Art Informel, Action Painting).

在积极接受这样不同的艺术趋势下，年轻的艺术学生感同身受地加入了其中。

The order works including portraiture, true-life oil painting, abstract oil painting , decorative oil painting ,flower,animal,sea scenery,garden scenery,street scenery and storefront oil painting, classical character,classical scenery,classical still life, impressional character,scenery,still life,garden,inside scene oil painting, etc.

订单产品涵盖人物的肖像画、写实或抽象油画、花、装饰油画、动物、海景、花园景、街景店面油画、古典人物油画、古典风景、古典静物油画、印象人物、风景、静物、花园、室内景等油画，同时公司也重视原创作品的创作和推广。

He insisted that artist analyze object in principle, orderly and abstract way, and proposed that artist deal with objects by view of cylinder, ball and circular cone. These theories have promoted the prevalent of pure painting and the development of formalism painting in Europe.

他还要求把客观物象条理化﹑秩序化和抽象化，提出要用圆柱体﹑球体和圆锥体来处理物象等创新理论，推动了欧洲的纯绘画观念的流行和形式主义绘画的发展。

Cloisonne Product Has facial makeup of Beijing Opera, traditional Chinese painting, a variety of abstract art painting, colored sand painting, and other funeral supplies.

景泰蓝产品有京剧脸谱、国画，各种抽象艺术画，彩沙画，殡葬等用品。

When the painting developed to extreme simplism of abstract art, seemingly there are not any roads in front; when artistic style developed to actions, equipments, the painting seem to be insignificant.

架上绘画发展到抽象艺术的极简主义的时候，看上去似乎已经无路可走；艺术形式发展到行为、装置的时候，架上绘画似乎已经无足轻重。

The works exhibited this time is the production under this thinking. I will not limit myself in such an abstract or traditional label. The direct or indirect calligraphy, Taiji, sculpture, poem and philosophy, aesthetic thoughts absorbed from paintings allow me to realize that the form of paintings is not just a key problem, no one shall find the freedom exit as when Duchamp's works were completely destroyed. And there is no one who is as frank and smart as Picasso to change the form game into the local snack. In some history phases, a kind of thinking ways and a kind of language styles may gain the upper hand. But comparing to stable accumulation of the history of culture and aesthetic, the pure quality of painting spirant will forever be an important premise of painting criticism.

这次展览的作品，便是这样的思考前提下的产物，我不会把自己定身在抽象或者传统这样的标签之下，我在绘画过程中所吸收的书法、太极、雕塑、诗歌和哲学、美学思想的直接和间接的营养，让我体会到，绘画作品的形式远不是一个最关键问题，没有人可以在杜桑完全彻底的破坏面前找到自由的出口，也没有人可以像毕加索那样把形式游戏变成地方小吃一般的率性和机灵，在某一个历史阶段，一种思想方式，一种语言风格或许会占上风，但相对于文化史、美学史坚实的积淀，绘画精神性的纯粹质量将永远是绘画批判的一个重要前提。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

I Shippo company specialized in producing handicrafts painting, figure painting, landscape painting abstract art and craft fine, finished painting good effect, to welcome you visit our new and old customers....

我公司专业从事景泰蓝工艺品画制作，有人物画，抽象画山水画，工艺精细，成品画效果好，欢迎各位新老客户光临指导。。。。

Li-lei get the understanding of the mysteries of the "Tao", the profundities of the "Dhyana", and knew well the mystery of the theory of One painting. By the spirit of being above worldly considerations, he upgraded his artistic conception, looked the "painting trace" as the record of the "heart trace", integrated the painting meaning with the poet meaning, as well as improved the rational "Tao" and the Dhyana to the stage of poet. All these could be regard as the "mixture of emotion and rationality" in Li-lei's abstract art creation.

李磊参悟了&道&的玄妙、&禅&的高深，也读懂了石涛&一画经&物我两忘、离形取智的奥秘，以超然物外的&本我&抒写寄兴的精神，提升自我境界，把&画迹&只是作为&心迹&的记录，并且把画境与诗境融为一体，所营造的形而上达到是一种境界形态的形而上，也即是将理性的&道&和&禅&上升到诗的境界，这也可视作是李磊抽象艺术创作中的另一种&情理交汇&。

It perfectly integrates line drawing and ink color of traditional painting style with the Western abstract oil painting art.

把传统的绘画风格与西方抽象艺术完美结合

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。