查询词典 Chinese apple shape

The crown is about 1-2.5m tall and the breadth of the crown is about 1-1.5m. It adapt to grow on high density. 2. The idioplasmic resources of Lonicera fragrantissima are abundant, It can be classified 8 types by the differences of the shape of fruits: cherry shape, drop shape, dumbbell shape, ellipse herringbone shape, inverse egg herringbone shape, chook foot shape, square round herringbone shape, taper herringbone shape; be classified 3 types by the color of fruits: simple red fruit, red fruit and mauve fruit; be classified 4 types by the shape of leaf: roundness, ellipse, egg round, ellipse wrap around leaf.

以果形差异可分为樱桃果型、偏坠状果型、哑铃状果型、椭圆人字状果型、倒卵人字果型、鸡爪状果型和矩圆人字果型、嘲锥人字果型等8个类型；以果色可分为浅红色果类、红色果类和紫红色果类3个类型，以叶形可分为圆形叶类、椭圆形叶类、卵圆形叶类、椭圆披叶形叶类等4个类型，以冠形可分为高于疏枝冠形类、下垂密枝低冠形类和中高干密枝冠形类等3个类型，根据各类型特点选择鲜果食用类、饮料栽培类、露地观赏类、插花观赏类、盆景观赏类和药用栽培类等一批优树。

He deals the cards as a meditationAnd those he plays never suspectHe doesn't play for the money he winsHe doesn't play for the respectHe deals the cards to find the answerThe sacred geometry of chanceThe hidden law of probable outcomeThe numbers lead a danceI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartHe may play the jack of diamondsHe may lay the queen of spadesHe may conceal a king in his handWhile the memory of it fadesI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartThat's not the shape, the shape of my heartAnd if I told you that I loved youYou'd maybe think there's something wrongI'm not a man of too many facesThe mask I wear is oneWell, Those who speak know nothingAnd find out to their costLike those who curse their luck in too many placesAnd those who fear are lostI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartThat's not the shape, the shape of my heartThat's not the shape, the shape of my heart

他出牌前沉思冥想对出的每一张牌都很有把握他不是为了赢钱而玩牌也不是为了获得尊重他出牌是为了找寻答案找寻幸运的神圣机率在胜利后面隐藏着一种规则那些数字在领舞我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状他可以出方块J他可以出黑桃Q他可以使小花招藏起K接着真的忘了自己有张K我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状那不是我心的形状如果我告诉你我爱你你可能会觉得不妥我不是多面派我只有一张面具好吧，那些发言的人其实什么也不知道他们最终会付出代价就像有些人到处说自己不幸还有那些退缩的人，他们都已迷失我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状

When the larvae were fed with Apricot and apple-pear the death rate of the larvae increased,the larval and pupa stages prolonged, the pupa weight decreased, female adult life shortened and the average fecundity.The age-specific life table of codling moth indicated that the trend index of codling moth population fed on Jonathan apple, Red Delicious apple, Zhangye number two apple, Chinese pear-leaved crab-apple and Crisp pear were more than one. Experiment population quantity was at the growth condition. The trend index of codling moth population fed on Apple-pear and Apricot were less than one.

通过不同寄主植物饲养条件下苹果蠹蛾特定年龄生命表的分析可知，取食沙果、早酥梨、红玉苹果、红元帅苹果和张掖2号苹果的苹果蠹蛾实验种群的种群趋势指数均大于1，实验种群数量处于增长状态，而当苹果蠹蛾取食苹果梨和杏时，其种群趋势指数小于1，下代种群(来源：Ab9b9BC论文网www.abclunwen.com)数量不断减少。

Apple processing in a deep way is studied,which include: the production of cider and apple lactate beverage from apple juice; the production of citric acid, dietary fiber and pectin from apple pomace; the production of edible alcohol and apple wine from bumped apple and premature drop.

同时 ，阐述了利用碰果、落果等不宜作为鲜果食用的苹果生产食用酒精和苹果白酒。

The types of latent virus pathogens in five principal apple culti- vats such as Starking/Golden Delicious/Qin Crown Apple/ Rails/Red Fujica in Shaanxi and Gansu Province were identified during 1984— 1985,whose results were as follows:these principal apple cultivars usually carried Apple Chlorotic Leaf Spot Virus,Apple Stem Pitting Virusand Apple Stem Grooving Virus.

1984—1985年对陕西、甘肃的红星、黄元帅、秦冠、国光和红富士五个苹果主要栽培品种，进行潜隐病毒毒源种类鉴定，其结果是：这些主要栽培品种都普遍带有苹果褪绿叶斑病毒、苹果茎痘病毒和苹果茎沟槽病毒。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Apple scab is one of most important apple diseases in apple growing areas in China. Through screening a pair of specific PCR primers for pathogen of apple scab, the method of early and rapid detection of pathogen of apple scab was developed in the study.

苹果黑星病是中国苹果产区的重要病害之一，为了建立该病原菌的早期快速检测技术，筛选出了对苹果黑星病菌具有特异性的FCR引物。

In recent years, apple scab threatens apple production in China. Hence this paper summarizes and discusses the occurrence, distribution, primary infection source, symptom characteristics and control measures of apple scab in China. The paper expounds on the problems and research directions of apple scab in China. It also provides guidelines for future research and control of apple scab.

本文对我国苹果黑星病的发生、分布、初侵染来源、病害发展过程、症状特点、主要防治措施及研究历史等进行了概括和总结，并提出了我国苹果黑星病研究中存在的问题和未来的研究方向，以期为我国苹果黑星病的防治、深入开展相关研究等提供参考。

People have paid attention to the pollution of soil and water quality caused by using organic arsenic chemistry reagent to prevent and cure apple-tree canker in our apple area, so it has an important purpose to seek a harm-free way for sustaining development of apple. The tests studied the effect of prevention and cure on apple-tree canker with EM mud, EM liquid, 40%'Fumeishen powder' and contrast. The results showed that the EM mud was superior to the EM liquid, 40% 'Fumeishen powder' and contrast. The prevention and cure effects of EM in 2006 and 2007 were 92.7% and 93.5%, while the recurrence rates of canker scars 1.8% and 2.8% respectively. And the healing effect of scar is 50.4%. So, it was considered as a new way to prevent and cure apple-tree canker with EM mud.

中国各苹果主产区果农长期使用有机砷等化学制剂防治腐烂病，对土壤、水质等环境造成的污染已引起人们的关注，寻求无公害的方法防治腐烂病，对苹果业可持续发展具有重要意义；本试验设EM活性菌泥涂抹、EM活性菌液涂抹、40%福美砷可湿性粉剂50倍液刮涂和对照（只刮除腐烂病疤，不涂药）4个处理，三次重复，进行了苹果树腐烂病的防治研究；结果表明，EM活性菌泥在防治效果、病疤复发率和促进病疤愈合效果方面均优于其它处理，其当年和第二年4月的防治效果分别为92.7%、93.5%，病疤复发率分别为1.8%、2.8%，促进病疤愈合效果也最好（50.4%）；因此，作者提出，将EM活性菌融入粘泥载体中制成菌泥，涂抹在腐烂病疤上，以菌治菌，是防治苹果树腐烂病的新途径。

I was just taking her hand, to help her out of a car, and I knew it.

我只是握着她的手，扶她下车，但我知道这一切。

China and South Korea have excoriated Japan over its approval of new school books which they say whitewash the atrocities committed during Japanese occupation, and anti-Japanese protests have been held in Chinese cities. The lingering bitterness over Japan's past imperialism still threatens to mar relations between the big East Asian powers

中国和韩国强烈谴责日本通过新的中学历史教科书，他们认为这一教科书掩盖了日本在其占领期间所犯下的残酷暴行，反日抗议活动在中国数座城市发生，历史上日本帝国主义制造的痛楚无法被忘却，这有可能破坏东亚强国间的关系。