colonial slave

colonial slave的基本解释

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亡国奴

与colonial slave相关的网络例句 [注：此内容来源于网络，仅供参考]

The sycophancy of a colonial slave is all she has.

她所有的，只是殖民地奴才的一副奴颜媚骨。

It not only is a vivid narrative story about the surprising and adventuring life of Robinson, but also has the theme of colonism is represented on a series of binary oppositional colonial discourses: the colonial country and the colony, master and slave, the white and the colored, central culture and marginal culture, civilization and savageness, Christianity and cannibals and all that.

它不仅生动地讲述了小说主人公鲁滨逊开拓荒岛的详细过程，也描绘了他驯服改造原始部族人"星期五"的手段和策略。

This issue in order to focus on "post-colonial criticism"(Yi Xiao-bin ,2004:64-68) for perspective, from a historical and cultural background to be, as well as the characterization of discourse analysis,"Robinson Crusoe" set up by the The sovereign state / colony, his master / slave, white / color, cultural center / edge of culture, civilization / barbarity, Christian / tribal people, such as food dualistic system of colonial discourse deconstruction, revealing the implication of colonialism in the works Awareness and to explain how the guns Robinson backed in a planned way from the language of religious belief and two of the "Friday" naked colonial culture, it lost its original cultural identity, resulting in self-identity Loss of the dilemma.

本课题着重以"后殖民主义批评"（易小斌，2004：64-68）为视角，拟从历史文化背景、人物刻画以及话语分析入手，对《鲁滨逊漂流记》中所建立起的宗主国/殖民地，奴隶主/奴隶，白种人/有色人，中心文化/边缘文化，文明/野蛮，基督教/食人部族等二元对立的殖民话语体系进行解构，揭示蕴涵在作品中的殖民主义意识，并阐释鲁滨逊如何以枪炮为后盾，有计划地从语言和宗教信仰两方面对"星期五"进行赤裸裸的文化殖民，使其丧失了原有的民族文化身份，从而造成自我身份丧失的窘境。