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This "Invocation to Milarepa," in verses written by Nankha Gyaltsen, the Great Yogin of Lachi, summarizes the main features of both the Life and the Songs.

由拉齐伟大的瑜伽师郎嘎坚赞以韵文形式写下的"召唤米拉热巴",概述了《米拉热巴传》和《米拉热巴道歌》的主要特征。

To the accolade of local yokel fans, the following year, I followed up with Imperfections, Verse by Russ Miles, songs and thoughts reflecting who, where, and what I was-at that time in my life.

向accolade当地yokel风扇,次年,我跟进不完善,韵文由人Russ英里,歌曲和思想反映,他们那里的,以及我-在那个时候,在我的生活。

Nor did he follow strictly the laws of poetic rhythm in the use of the Knah, or elegiac, verse, which had, moreover, an anacoluthic measure of its own.

他也没有严格遵守法律的诗意节奏,在使用该knah ,或挽歌,韵文,其中,此外,一anacoluthic衡量其自己的。

I've seen some good men get blown over G-packs In the Bronx where it's known to hear the heat clap And live niggaz get it on with the D-techs, SHIT, my life's legendary If I wrote down all in a book it would be very scary What you know 16 be missin' Benzes Rope chain down to my dick, the beef looks tremendous Me and my niggaz flip holes in bitches Back then, when I wouldn't even pose for bitches A-YO, you can ask dapadan who was the man Back in 88, every other week tricked 30 grand Even my bitches wore Gucci and Louie My peeps already in the crowd looking for groupies to screw me Exit the club, about to cruise up the block now with the taj, stay frontin' with top down See me in that new thing with my fiancee Ass so fat, making you say "Muchos GRANDE" Don't blame me, blame them, the white folk for giving me ten mil, for possessin' the tight flow WHOA [Chorus: repeat 2X] Ya'll wanna live my lifestyle Never seen a brick, never seen a crackhouse Wanna a war with the Don have your techs out Bring it on, and I'm show you gangsta [Verse 2] Yeah, yeah, uh, yo, blow half your head off, leave you with brain damage He got his shit rocked cause he didn't pay homage It's the Don of this rap shit, go on with that wack shit Heard you walked the dorm in a thong on your last bid Joey Crack is, the most official Toke the pistol for those who appose the issue I hope I convinced you to back up, really you acted up, believe me I could EASILY GET YOUR ASS TOUCHED And that sucks, ain't nobody could fuck with this Bullet shook could make you take a bucket of piss For runnin' your lips Got the fifth stuck in your ribs, don't make me...

我见过一些好的男人得到吹超过国包在布朗士区,它在已知听到热拍住niggaz得到它同为d -科技股, shit的,我的一生的传奇如果我写下来的一本书,这将是非常可怕的你知道16 missin ' benzes 绳链,以我的迪克,牛肉看起来巨大我和我的niggaz倒装孔犬当年,当我甚至不构成对犬-顿,你可以要求dapadan谁是男子早在88 ,每隔一周骗30大甚至我的犬穿着诺特美联社11 我的peeps已经在人群中寻找groupies以螺丝我退出俱乐部,即将邮轮了,现在座与泰姬陵,逗留frontin '由上而下见我在这件新鲜事,我的未婚妻群丛,使脂肪,使你说& muchos重创&不要怪我,责怪他们,白民歌给我10 mil , possessin '紧迫流 whoa [合唱:重复2倍速] ya'll想住我的生活方式从未见过砖,从未见过crackhouse 想要战争与顿河有你的科技股列使之对,我敢表明您gangsta [韵文2 ] 嗯,嗯,嗯,协青社,打击了一半,你的脑袋过,留给你的脑损伤他得到了shit的轰动的原因,他不来顶礼膜拜它的顿河的此次rap shit的,继续与wack shit的听到你走到公寓在一个通对你的最后一个申办乔伊裂纹,最正式 toke手枪对于那些appose问题我希望我确信你回来了,真是你们的行动了,请相信我我可以轻易获得您的依次为感动并且吸收,是不是任何人都无法他妈的这子弹震撼了,可以使你的一桶独立私校为runnin '你的嘴唇获得第五停留在你的肋骨,不要让我。。。

Which, with the exception of the Deuteronomistic framework (verses 12-15 and 30), is a uniform story, based doubtless on ancient tradition.

12月30日,其中,除该deuteronomistic框架(韵文12月15日和30日),是一个统一的故事,毫无疑问,基于对古老的传统。

Dori指出,But a good rhyming story can be difficult to write. And that's what this article is about—the layers that go into writing good rhyming stories—and they are STORY RHYTHM RHYME.

一个好的诗化韵文很难写,有三个因素,它们的重要性可排列如下:STORY RHYTHM RHYME,故事第一,音韵第二,然后是压韵。

It is to be noted that the age of periphrase in verse was the age of crudities in prose.

值得注意的是,韵文晦涩的时代也就是散文粗劣的时代。

As the translation "song lyric" suggests, tz'u (or ch'-tzu-tz'u ,"words to songs") are verses in irregular line-lengths, often stanzaic, written—or, literally,"filled in"—so that they could be sung to existing melodies.

就宋词的译语而言,&词&,也称&曲子词&(ch'-tzu-tz'u),是一种句式参差不齐的韵文。它由不同的节填制而成,所以它是可以被用来演唱出悦耳的音调的。

Praises to Sir Zhang on His Divine Stele ends with a "song" or "poem", which is 'variant' of the 'standard style'in Han Stelae.

《张公神碑歌》在四言韵文之后再附以&歌&或&诗&以作结,是汉碑&常体&中的&变体&。

There are no marks of punctuation, but the skilled reader was guided into the sense by stichometric, or verse-like, arrangement into coda and commata, which correspond roughly to the principal and dependent clauses of a sentence.

有没有标志的标点符号,但熟练的读者被引导到意识,由stichometric ,或韵文样,安排到尾波和commata ,对应大致本金并依赖第一个句子。

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