音乐技巧

Not only is displays regarding the piano performance study in the performer plays a stringed musical instrument in skill adeptness,more importantly the understanding thus displays through its innermost feelings to the work in the music,here both has in physiological the phenomenon and to have in phychological the phenomenon.

摘要对于钢琴演奏的学习不仅是表现在演奏者弹奏技巧上的娴熟，更重要的是通过他内心对作品的理解从而在音乐上表现出来，这里既有生理上的现象又有心理上的现象。

The twelve-tone technique itself was later adapted by other composers to control aspects of music other than the pitch of the notes, such as dynamics and methods of attack, creating completely serialised music.

十二音序的技巧也被其他的作曲家所改变，为了控制音乐的其他层面，而非原本意图的控制音高，例如音符的强弱或是起奏的方法，借以创造完全序列化的音乐。

The second part explains the present situation and the problems of music learning, The result of research shoals that the difficulty of music learning of kindergartener's training school students is mainly the difficulty of perception, the difficulty of music learning skills, and the difficulty of motive.

研究结果表明，省幼师学生学习音乐方面的困难，其主要是认知方面的困难，音乐技能技巧学习的困难和学习动机方面的困难。

As often seen at the end of any musical era , the end of medieval era ia marked by a highly manneristic style known as Ars subtilior.

像通常所见到的任何晚期音乐时期一样，中世纪晚期的音乐以高度追求技巧的Ars subtilior为特点。

He started playing piano when he was three and trumpet at five, performing in a dance band when he was 13. Towner studied classical guitar in Vienna and played with classical chamber groups in the mid-60s. After moving to New York in 1969, Towner worked with Jimmy Garrison, Jeremy Steig, and Paul Winters Winter Consort (1970-1971). In the latter group, Towner first met up with Collin Walcott, Glen Moore, and Paul McCandless, and in 1971 they broke away to form Oregon, a highly versatile group that ranges from jazz and free improvisations to folk music.

Ralph Towner是爵士乐手中少数完全专注于空心吉他演奏的当代杰出吉他手之一，他的角色位置就像是就如同另一位大师Joe Pass一般，持续不断专注于演奏技巧与特色，致力于探索空心吉他声音发展的各种可能性，其演奏特色总是带有一股十分特出的气质，既融入了爵士乐与古典音乐，时而也有世界音乐的元素在里头，但是表现出来的结果常常是干净、细腻而充满想像的。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍；第二章是&中国最初的手风琴艺术传播&，本人挖掘出大量的相关史料，从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究，真实地再现了1949年以前的中国手风琴艺术发展；第三章是&新中国成立以来的手风琴艺术发展&，分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述，全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果；第四章是&中国手风琴音乐创作的发展&，论文将手风琴音乐创作分为四个时期进行了历史的回顾，并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

The maid Adele was one of the classical images in the Western operettas, the research and grasp of the characteristics of the musical image of Adele naturally are necessary, the acquaintance and practice with her skill of duet singing and aria singing, processing of language, image performing on stage, analyzing of classical versions are also indispensable. Meanwhile, with deeper understanding of the temporal social situation, we can fully understand the careful use of musical elements on the character Adele by Strauss.

女仆阿黛莉是西方轻歌剧中经典的形象之一，我们对阿黛莉音乐形象特征的研究与把握自然是十分必要的，对其重唱、咏叹调的演唱技巧，以及语言的处理，舞台形体表演、经典版本的分析等方面的认识与实践也是十分必要的，同时我们也只有对当时的社会现状有更深刻的了解，才能充分理解斯特劳斯对阿黛莉这个人物的音乐元素的精心使用。

From the late nineteenth to the early twentieth century, Isaac Alb?niz, Enrique Granados, Manuel de Falla and other Nationalistic composers fused their works with characteristics such as Flamenco, Cante jondo, together with guitar skills. Furthermore, with the influence of the French music, the Spanish music went into its' most magnificent golden period.

十九世纪末、二十世纪初阿尔贝尼士、葛拉纳多斯与法雅等国民乐派作曲家以佛朗明哥艺术与西班牙舞蹈、深沉歌及吉他技巧等丰富的文化特质融入其作品中，加上法国音乐的推波助澜，更将西班牙钢琴音乐推向最绚丽的黄金时期。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Scholars were invited to participate in the 31th International Summer Academy and Festival of Chamber Music Niedersachsen (Nordhorn, September 2007) where they had lessons with renowned teachers as Ilan Gronich, who invited them to visit him in Berlin to perfect their repertoire.

作为擅长不同类型音乐演奏的艺术者，他十分致力于自身多元化的发展，在乐队，室内乐和独奏方面都有其不凡建树，曾作为西班牙国家青年交响乐团成员，图兰根青年爱乐成员，马勒青年交响乐团成员，荷兰弦乐四重奏组成员等随访在西班牙，德国，奥地利，意大利等欧洲各主要音乐都市进行演出，在小提琴作为第一乐器的同时，他还擅长于中提琴演奏，并在室内乐团中学习演奏技巧，跟随过如同世界著名ALBANBERG四重奏进行大师班学习，而小提琴方面则在Shirly Laub， Maighread McCrann， Olga Martinova， Hagai Shaham等享有盛名的教授的指导下，艺术造诣得到深入发展。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。