远方

We might as well get a feel for the fringes and hollows in which life is lived, for the Amazon basin, which covers half a continent, and for the life that -- there, like anywhere else -- is always and necessarily lived in detail: on the tributaries, in the riverside villages, sucking this particular white-fleshed guava in this particular pattern of shade.

我们不妨去感受一下有生命生活其间的远方水乡山谷，去感受覆盖了半个大陆的亚马逊河流域，去感受那样一种生活――在那里，一如在别的地方――那种必定总是琐碎的生活：在各条支流上，在临水的村落里，在有着独特形状的阴凉处吮吸着有白色浆果的独特的番石榴。

We might as well get a feel for the fringes and hollows in which life is lived, for the Amazon basin, which covers half a continent, and for the life that there, like anywhere else is always and necessarily lived in detail: on the tributaries, in the riverside villages, sucking this particular white-fleshed guava in this particular pattern of shade.

我们不妨去感受一下有生命其间的远方水乡山谷，去感受覆盖了半个大陆的亚马逊河流域，去感受那样一种生活-------在那里，一如在别的地方----那种必定总是琐碎的生活：在各条支流上，在临水的村落里，在有着独特形状的阴凉处吸着有白色浆果的独特的番石榴。

How wonderful it is to see the evening sky bright with stars and full moon, to catch the glow of the rising sun at dawn, or linger with gorgeous sunsets at day's end. To see my neighbor's well-planned flower garden with it' riot of color and bloom, or to look across my valley to the hills beyond and the well-plowed land that later will become a waving sea of golden wheat.

那是何等的美妙–遥看夜空被星星和圆月点亮、偶见黎明时分鲜亮夺目的旭日、贪赏傍晚时分落日的壮美、看着邻居家错落有致的花园，鲜花盛开，姹紫嫣红、或者，当目光越过山谷，投向远方层层叠叠的山峦，还有那不久将翻滚起金色麦浪的精耕细作的原野

I have lost themselves in the weak-kneed Rui streamer long course and become a Meixinmofei of dry reed leaves, he was alone, drifting without purpose from afar.

我已经把自己丢在荏芮流光的长河里，变成了一片没心没肺的枯苇落叶，任独自飘向没有目的的远方。

The moon shines from the gloom to the fog which rise up with the moon shining afar singing love songs to the people guiding the setting moon unexpected sorrow for this Singing the night feel sad Spring River Tiber, who lifts as Reed transpiration of water vapor in the search for tomorrow's dinner one person dinner only accompanied by an eating moon's bed watching for the moon also could not help feeling so sometimes on the road we can see the moon and talk I youth under short-term impact on the beautiful quiet now because it is lonely depressed mood, I often like the moon phases as turbulent as Tide or I may be bleak moon children....

月亮闪亮著从沉沉的雾气中升起来月亮闪亮著为远方唱著情歌的人指路残月生出的忧伤让今晚歌唱的人备感伤心月夜泛舟的人撩开芦苇在水气蒸腾中找寻明天的晚餐一个人的晚餐只有陪著月亮吃了一个人的床让月亮看著也有些惋惜所以禁不住有时就对著月亮倾诉心事可知我的青春短暂月影下美好的宁静现在因孤单却令人惆怅我的情绪常如月亮的圆缺如潮汐般汹涌或暗淡我也许是月亮的孩子。。。。

Austrian law is likely to be staggered on the opposite time of the outbreak, at the same time must not be exposed to their own 3 FS before the foundation keep silent in the CD, when read carefully, the faster the first time a big fireball will be to come out, and then run around the pillars to the distance, after all, are the opposite of the skills of flight time, one is able to escape for a while, there can be up and down the terrain map is the best, courage would be more dangerous, but there are Two-base, but also about you, probably is this way, RP is not the risk of poor or less basic.

我还见过3奥法，贼法法，法法骑，贼法骑，这些里面最惧怕的还是贼法骑吧。3奥法很容易就可以错开对面的爆发时间，一定不要把自己同时暴露在3个FS面前，留着根基CD在被沉默的时候，谨慎读条，迅捷在中第一个大火球的时候就要给出来，然后围绕柱子向远方跑，毕竟对面的技能都是有飞行时间的，能躲开一会就是一会，有能上上下下地形的地图是最好的，勇气会比较危险，不过有双根基，也差不多吧，大概就是这个样子，RP不差的话基本危险还是不大的。

Only the fragrance of drink residues, in the glass of the dark speaking out flirting words as soft as cheese In her mouth, a crow holds a slice of cheese, on a tree A fox is flattering, below the tree The crow smiles happily, the cheese falls into fox's mouth The story spreads out and come down to us It is the story about you and me For a beautiful word we walk up to cliff, and dash ahead regardless of our life until our black hair is burned up by the fire of time we turn around and look at the fox and the crow the man and the woman those similar loving words and eye's expression La Fontaine we are here listening to ancient chime in the dark to whispering sound of guitar to flicker of well water in moonlight to flower boldly blooming arms to moist footstep of night traveler Perhaps the sunshine is burning far But we are growing up in the dark We grown up in Plato's allegory of the cave

只有酒香沉淀下来，在黑暗的杯底说出奶酪一样柔软的情话乌鸦在树上衔一片奶酪狐狸在树下谄媚乌鸦嘻笑，奶酪落进狐狸嘴里故事无翼而飞，就这样流传下来这是关于你和我的故事为了一句美丽的言辞我们走向悬崖奋不顾身直到青丝被岁月的流火燃尽才顾得上分辨狐狸和乌鸦男人和女人，那些相仿的情话，貌似的眼神拉封丹我们在这里在黑暗中听古老的的钟声听若有若无的吉它声听井水在月光下颤动听花朵大胆地张开臂膀听夜行者潮湿的脚步也许阳光在远方燃烧但我们是在黑暗中长大我们成长于柏拉图的洞穴比喻

So, a vivid picture like a story will be displayed in your imagination: In sight of the beautiful scenery with withered vine, old tree, crow returning home at dusk, small bridge, river and households, a man, accompanied by west wind and a thin horse on the ancient road, is suffering from homesickness.

前两句&枯藤&、&老树&、&昏鸦&、&小桥&、&流水&、&人家&构成了一幅田园风光的图画，而在&古道&、&西风&、&瘦马&大背景下的远方游子睹物生情，在为飘零的命运而哀伤。

It is high in pitch and long in tone, with free rhythm.

苗族飞歌《站在高高的山上》该曲目是流行于中国贵州雷山苗疆腹地的一种山歌形式，飞歌，苗语称为&恰央&，高亢悠长、节奏自由，表达了苗族人民对大自然的无限热爱和对远方朋友的深情召唤。

It is high in pitch and long in tone, with free rhythm.

苗族飞歌《站在高高的山上》该曲目是流行於中国贵州雷山苗疆腹地的一种山歌形式，飞歌，苗语称为&恰央&，高亢悠长、节奏自由，表达了苗族人民对大自然的无限热爱和对远方朋友的深情召唤。

With the development of highway construction, the speed of cars has been gradually increased.

随着公路的发展，汽车的车速也在不断提高。

So we basically had to develop a bond with the animal in terms of socializing with it.

所以我们就主要想通过跟它沟通的方式来建立一种良好的关系。