赋予

Do you think the meaning of a piece of art is given by the artificer or by the audience?

你认为艺术作品的意义是作者在创作时赋予的还是欣赏艺术作品的人在试图理解和欣赏的过程中赋予的？

Of such evolution, it has well reflected the progress of times as official must not only be a magistrate of the locality – working to administer humane policy, take good care of the people, and inculcate the people – they also have to work in commensurable to government demands as they must implement the responsibility government as a managing executive endowed to them.

而这似乎也呼应到随著时代的演进，官员不仅要作一位好的父母官：要行仁政、照顾好老百姓，教化老百姓；官员更要达到朝廷的要求，执行国家赋予的责任，扮演一位管理者；所以自然一位好的官员不仅要有好的道德，还要有能力完成国家赋予的任务。

The society endues us the mission, and the clients endue us the responsibility!

社会赋予我们使命，客户赋予我们责任！

As to the new theories about the kind of thing sacraments are, the canons[21] condemn those who say: that there are more or less than seven sacraments instituted by Christ our Lord--baptism, confirmation, the Eucharist, penance, extreme unction, order, marriage--or that any one of these is not truly a sacrament in the full sense of the word; that these sacraments only differ from the sacraments of the Jewish dispensation as one ritual from another; that the sacraments are not a necessity of salvation, but that through faith alone, and without the sacraments at all, man can obtain from God the grace of Justification; that the sacraments were instituted for the purpose of nourishing only faith; that the sacraments do not contain and confer the grace which they signify--as though they were but outward signs of the grace or justice received through faith, badges of Christian profession that mark off the believer from the infidel; that the sacraments do not themselves confer grace by the very activity of the sacrament, but that only faith in the divine promises is sufficient to obtain grace; that all Christians have the power to administer all the sacraments; that any pastor of the Church can change the received and approved rites used by the Church in the solemn administration of the sacraments.

至於新的理论对这种事圣礼是，该炮[ 21 ]谴责那些谁说：有多於或少於7圣礼所建立基督我们的上帝-洗礼，确认，圣体，忏悔，临终，秩序，婚姻-或任何其中之一是没有一个真正的圣礼在充分意义上的；这些圣礼只有不同於圣礼犹太分配作为一个仪式从另一个；的圣礼没有必要救赎，但仅通过信仰，并没有在所有的事，男人可以得到上帝的恩典的理由；的圣礼被提起，目的是滋养只有信仰；的圣礼不包含并赋予它的恩典他们象徵-就像他们的迹象，但外向的恩典或司法收到通过信仰，徽章的基督教界人士说，马克从信徒从异教徒；的圣礼本身并不赋予宽限期的非常活动圣礼（当然opere operato ），但只有信仰的神圣承诺足以获得宽限期；所有基督教徒有权力来管理所有的圣礼；，任何教会牧师可以改变收到并批准使用的仪式在庄严的教堂行政管理圣礼。

Only by endowing life with dream can it give the act of thinking and get into the act in its diverse splendor, and, in this case, life is worth while to consider, document and break new ground.

只因为——梦想！被赋予了梦想的生命才会思考并行动，被赋予了梦想的生命才会如此多元精彩，值得被关注被记录被创新！

Of all these lines the most splendid is clearly the hendecasyllable, both for its measured movement and for the scope it offers for subject matter, constructions, and vocabulary; and the beauty of all these features is most greatly magnified by this metre, as will be readily apparent: for whenever things of value are magnified, their value itself is magnified also.

在所有这些诗行中最华美的无疑是11音节诗，既是因为它有节律的动感，也是因为它为主题材料、结构和词汇提供的空间；所有这些要素的美被这一格律以最华美的方式呈现出来，正如我们已经证明了的：无论何时只要有价值的事物被赋予了荣光，那赋予荣光的事物本身也拥有了华美。

Under the various circumstances which give peculiar solemnity to the existing period, I feel that both the honor and the responsibility allotted to me are inexpressibly enhanced.

在赋予当前时期特别严肃性的各种条件下，我感到赋予给我的荣耀和责任都无法表达地被加强了。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

In attempting to construct such machines we should not be irreverently usurping His power of creating souls, any more than we are in the procreation of children: rather we are, in either case, instruments of His will providing mansions for the souls that He creates.

时机的问题我们会在本文其他地方再讨论，但是就尝试制造这种机器的过程本身来说，既然我们自己一直具有着繁衍后代的能力，我们就不应该如此不逊地篡夺上帝创造灵魂的能力（或者说，既然我们自己具有将生命赋予后代的能力，上帝就具有将灵魂赋予动物或是机器的能力）——事实上，不管做什么，不管是尝试繁衍后代还是尝试篡夺上帝的权力，我们都只不过是一群肉体工具，被上帝用来承载他所创造的灵魂而已。

Instead of withdrawing him from his fellow men and inducing moroseness and pride, it bestows on him joy and humility, inspires him with the greatest love for humanity, and cultivate that spirit of self-sacrifice which has, by its works of benevolence and charity, conferred countless benefits on the humance race.

而不是撤回他从男同胞和诱导moroseness和自豪感，它赋予他的喜悦和谦卑，激发他最大的爱人类，培养这种精神，自我牺牲，其中已通过其工程仁和慈善事业，赋予了无数的好处就humance军备竞赛。

On closer examination, though, this is not a vote for multilateralism but just the opposite.

仔细审视后我们发现，这并非是对多边主义投出的赞成票，而是恰好相反。

Uncovering their weak spots, so I can defeat them.

揭露出他们的弱点，这样我就可以打败他们了。