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But, unnoticed by India and the other circus performers, the crowds are slowly dwindling and Barney the Ringmaster is left with no choice but to take drastic action to keep the show alive.

但是,印度象和其他马戏团员忽略了来看表演的观众渐渐减少,而这让团长巴尼不得不采取激烈的手段让马戏团继续生存他打电话给伟大的欧斯瓦多,这只犀牛答应巴尼教动物们新把戏,并吸引新观众

But as the programs went on ,we learnt to walk the parade step and the route step which you need physical coordination ,or you'll look strange when you ara walking ,not very bad except not in tune with others walking around you And we were going to take part in review before the general ,however only 50%of us could have the chance to attend it as a square matrix ,the others will only be the spectators ,to tell the truth I was almost one of the spectators ,but as a guy who lack of compatibility 'cause my muscles were too nervous which made the drillmasters hesitate ,my drillmaster told the other one that that guy was the most hardworking one .

但是随着训练的进行,我们又学习了走便步和正步,这都需要身体的协调性,否则你会看起来有一点奇怪,不能算错,就是和周围的人不协调,而我们要去参加阅兵式接受首长的检验,然而只有一半的人可以作为一个方阵参加,其他的人就只能作为观众了,说实在的我几乎已经是观众中的一个了,但是作为一个所谓的身体不协调者,主要是因为我的肌肉太过于紧张导致的,我让教官们感觉到很犹豫不决,但是我的教官对另外一个说,这个孩子训练是最刻苦的,对方说,是的,我知道,你说呢?

In the meantime, the research of CTR makes clear, athenian Olympic Games is sessional 2004, TV and newspaper are the first selection media of the audience, and Beijing Olympic Games is sessional 2008, the first selection media of Chinese audience is TV and Internet.

同时,CTR的研究表明,2004年雅典奥运会期间,电视和报纸是观众的首选媒体,而2008年北京奥运会期间,中国观众的首选媒体是电视和互联网。

This small scale point to point shock action between traditional and Guerrilla Movie should lead to a big scale revolution.

06年夏天在台北策办"美丽的马来西亚影展",串连马来西亚与台湾的独立制片与小众市场资源,以互动式情境让观众体验异国文化;07年於台北正式创办"游击电影",打破对电影的型态与定义,将电影与观众从电影院中解放出来,在城市中各个角落、扩大串连各种不同的产业资源进行游击放映,对传统电影通路与主流体制进行小规模点对点突击,最后必集结成大规模的革命运动。

During summer 2006, he organized the "Beautiful Malaysia Film Festival" in Taipei, which combined the independent movie and limited market resources of the Taiwanese and Malaysian together to let the audience experience the foreign culture in an interactive way. In 2007, he found the "Guerrilla Movie". It breaks the shape and definition of traditional "movie", and liberates the movies and audiences from cinema. This enlarges and combines different industry resources to show the movie everywhere in the city. This small scale point to point shock action between traditional and Guerrilla Movie should lead to a big scale revolution.

06年夏天在台北策办"美丽的马来西亚影展",串连马来西亚与台湾的独立制片与小众市场资源,以互动式情境让观众体验异国文化;07年於台北正式创办"游击电影",打破对电影的型态与定义,将电影与观众从电影院中解放出来,在城市中各个角落、扩大串连各种不同的产业资源进行游击放映,对传统电影通路与主流体制进行小规模点对点突击,最后必集结成大规模的革命运动。

During summer 2006, he organized the "Beautiful Malaysia Film Festival" in Taipei, which combined the independent movie and limited market resources of the Taiwanese and Malaysian together to let the audience experience the foreign culture in an interactive way. In 2007, he found the "Guerrilla Movie". It breaks the shape and definition of traditional "movie", and liberates the movies and audiences from cinema. This enlarges and combines different industry resources to show the movie everywhere in the city. This small scale point to point shock action between traditional and Guerrilla Movie should lead to a big scale revolution. http://www.guerrillamovie.blogspot.com

06年夏天在台北策办"美丽的马来西亚影展",串连马来西亚与台湾的独立制片与小众市场资源,以互动式情境让观众体验异国文化;07年於台北正式创办"游击电影",打破对电影的型态与定义,将电影与观众从电影院中解放出来,在城市中各个角落、扩大串连各种不同的产业资源进行游击放映,对传统电影通路与主流体制进行小规模点对点突击,最后必集结成大规模的革命运动。

"Eagle Eye" seeks to disturb us with the notion that our paranoia is justified, but its ideas turn out to be pedestrian , and reality, which needs to be at least in shouting distance in these kinds of things, gets left behind.

影片的主旨在于提醒人们与日俱增的偏执心理,以此带来心灵的震撼。而观众却只觉得无聊。而且本该保持在观众理解范围之内的真相也被远远地抛在了后面。

But what is the origin of this enigmatic trait that the suffering and the fate of the hero, the most painful triumphs, the most agonizing oppositions of motives, in short, the exemplification of this wisdom of Silenus, or, to put it aesthetically, that which is ugly and disharmonic, is represented ever anew in such countless forms and with such a distinct preference--and precisely in the most fruitful and youthful period of a people?

真正的审美观众会证实我的话;我认为,在悲剧的特殊效果中,只有这种并存现象最值得注意。现在,如果把观众的审美现象转化为悲剧艺术家的审美过程,您不难明白悲剧神话的起源了。悲剧神话,具有梦境艺术那种对假象和静观的快感。但同时它又否定这快感,而在这鲜明的假象世界之毁灭中,得到更高的满足。悲剧神话的内容,首先是歌颂战斗英雄的史诗事件。

Throughout the exhibition hall is divided into four display, sophisticated paper-cutting to life, a wide variety of kite-making sophisticated, large occupy an entire wall with a dragon-shaped kites, small enough to only use a magnifying glass to see if a nail-like size of the kite, no let come to visit the European audience with amazement; Zhuiman silver and embroidery, lace and delicate hand-Miao clothing, Meng Jiangnu prints out to show the way through the comics do not have some taste, even the walls is also a big carved wooden window frames painted red paper-cut shape, so that the audience can feel more Chinese New Year's joy.

整个展览馆共分四层展出,精妙的剪纸栩栩如生、各式各样的风筝制作精良,大到有占据一整面墙的龙形风筝,小到只能用放大镜才能看清的如指甲般大小的风筝,无不让前来参观的欧洲观众啧啧称奇;缀满银饰和刺绣、花边的苗族服装手工及其细腻,孟姜女的版画通过连环画的方式展现出来别有一番味道,就连墙上的窗棂也是漆成大红色的剪纸造型,让观众更加能感受到中国新年的喜庆气氛。

Throughout the exhibition hall is divided into four display,sophisticated paper-cutting to life, a wide variety of kite-makingsophisticated, large occupy an entire wall with a dragon-shapedkites, small enough to only use a magnifying glass to see if anail-like size of the kite, no let come to visit the Europeanaudience with amazement; Zhuiman silver and embroidery, lace anddelicate hand-Miao clothing, Meng Jiangnu prints out to show theway through the comics do not have some taste, even the walls isalso a big carved wooden window frames painted red paper-cut shape,so that the audience can feel more Chinese New Year's joy.

整个展览馆共分四层展出,精妙的剪纸栩栩如生、各式各样的风筝制作精良,大到有占据一整面墙的龙形风筝,小到只能用放大镜才能看清的如指甲般大小的风筝,无不让前来参观的欧洲观众啧啧称奇;缀满银饰和刺绣、花边的苗族服装手工及其细腻,孟姜女的版画通过连环画的方式展现出来别有一番味道,就连墙上的窗棂也是漆成大红色的剪纸造型,让观众更加能感受到中国新年的喜庆气氛。

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