装饰性的

Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie Antoinette, amid devices of rose-buds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hot-house flowers; fantastical caskets of Indian filigree work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Vallière, and Jeannne Marie du Barry; cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the moaning of the shrill March wind and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

黄金和象牙的酒杯，都是本文纳托·切利尼③雕刻的；镶嵌金、银、鳖甲的布尔柜子和瓷器，在玫瑰花苞、真情同心结、飞鸟与蝴蝶、爱神与收女、女神与廷臣、村民与挤奶女等所构成的装饰性图案之中，还有着奥斯特里安·玛莉·昂朵涅特④的花押；用帕洛岛的大理石制作的小雕像和本色瓷器；盛放着暖房花卉的镀金花篮；妙想天开的用金银丝编织的印度首饰匣；薄而脆的青瓷茶杯，杯子上还雕着微型雕像，伟大的路易⑤啦，受人爱戴的路易啦，瓦里埃的路易啦，让娜·玛莉·迪·巴列⑥啦；六时大小的图画和镶着镀金框子的镜子，微微闪光的锦缎和半透明的花边；一切金钱买得到、艺术设计得出的东西，都收集拢来美化这安静的房间；爵士夫人便坐在这房间里，谛听着料峭的三月风的呜咽以及长春藤叶子在窗扉上飘飘拂拂的声音，凝望着熊熊燃烧的煤块之间殷红的空隙。

He is handsome with wild oats and world-weariness and is living in scene of debauchery, but this doesn't influence his most works during his short life at all. He not only takes in early renaissance drawer Botticelli's accessorized lines and morbidezza female tinge, but also gets the inspiration(replanting the lateral nose to the frontal portraiture) from cubism, introjects the exaggeration way of ancient African woodcutting and brings the Pre-Raphaelite melancholy temperament into play fully so that forms his own extraordinary style from inspiration based on representation. Particularly, his special representation for female nude is noticeable.

他英俊潇洒、放荡不羁，厌世忌俗，终日流连于灯红酒绿之间，然而这丝毫不影响他在短暂的生命中留下大量的画作，他吸取了文艺复兴早期画家波提切利的装饰性线条和柔美女性气息，又从立体主义的建构手法上获得灵感（将侧面的鼻子移植到正面的肖像画中），糅合了远古非洲木雕的夸张方式，又将拉斐尔前派的忧郁气质发挥到了极致，从而形成了自己的以灵感为源以表现为本的独特唯美画风，尤为引人注目的是他对女性裸体画的另类表现。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression_r, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expression_rs to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

Cultural celebrations of Christmas include glittering light displays,the ever-present jolly old Santa Claus,group celebrations and singing called carolling,baked holiday cookies and cakes,decorations of mistletoe and pine wreaths,lighted,ornamented Christmas trees with wrapped presents displayed underneath.

圣诞传统的庆祝活动和内容有很多，如闪闪发光的圣诞灯饰、喜气洋洋的圣诞老人、集体庆祝活动、圣诞颂歌、节日甜点、用槲寄生(一种装饰性植物——译者注)和松针做成的花环装饰、挂有各种亮闪闪的饰物的圣诞树以及树下包装好的精美的圣诞礼物。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。