艺术装饰

Chapter 2 introduces the background of the research mainly including the geographical environment, the history and the culture, the living consuetude, the relationship between the economy and the decoration art of the traditional dwellings, the progress of the decoration art of the traditional dwellings of Qing Dynasty.

第二章介绍了江西九江地区清代民居建筑装饰艺术背景，主要包括地理环境，历史文化，生活习俗，经济与民居装饰以及清代民居建筑装饰艺术的发展。

This article, using history background as a reference, introduces forms and contents of door ornaments such as shop signs, tablets and festoon lightings, etc. and makes a brief review of the development history of artistic designs of door ornaments.

本文以历史背景为依据，介绍了幌子、牌匾、灯饰等门头装饰的形式和内容，并具体例举了门头艺术设计中一些常见的装饰用字，以及常用的装饰灯具，概略回顾了门头艺术设计的发展历程。

Celadon is a melting texture, shape, glaze decoration integrated art, porcelain decorative arts in ceramics occupy its special status, because Longquan celadon green tire has a unique and jade green glaze decoration realize the artistic sublimation the key.

青瓷固然是一门融材质、造型、釉色装饰於一体的综合艺术，青瓷装饰在陶瓷艺术中佔有其特殊的地位，这是因为龙泉青瓷有独特的坯胎和青翠如玉的釉色装饰实现艺术升华的关键所在。

Subtle hand-painted ceiling motifs mirror the geometric shapes of the fabrics below, while handcrafted 'Hiref' mirrors and lithographs representative of Turkish and Ottoman art adorn the walls.

微妙的手工绘制的上限，图案一面镜子，几何形状的织物下面，而手工'海瑞弗'的反光镜和版画的代表和土耳其奥斯曼帝国的艺术装饰墙壁。

Our pertinent products conclude exquisite embossment, line plate, roman pillar, fountain flower pot, home furniture, fireplace, desk, figure sculpture and so on.

我们相关产品有：砂岩砖墙，砂岩壁画，艺术装饰线条，以及壁炉、喷水池、花钵、居家饰品、桌台，人物雕塑等其它各类造型。

I will collect a variety of new environmental protection and decorative arts have the effect of sound-absorbing | acoustic | isolation materials, works with all types of reference.

我公司收集了各种新型环保并具备艺术装饰效果的吸音|隔声|隔震材料，对各类工程具备借鉴作用。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远而巨大的影响。

Bristol, Virginia and Bristol, Tennessee face each other across State Street, six blocks with a restored art deco theatre and 14 empty shopfronts.

Bristol市沿主街在弗吉尼亚和田纳西两州之间一分两半，它有6条街区，一座修复后的艺术装饰风格剧院和14个空店面。

Asmara became an Art Deco laboratory during the 1930s for designs that seemed, well, just too out there for mainland Italy.

阿斯马拉在三十年代成为艺术装饰风格的实验室，可能是因为那些设计在意大利本土太出位了。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。