艺术的

Based on the above analysis, I reinvestigated and studied in this paper the ideological infiltration into art production in the past research with the attempt to uncover how it does. Meanwhile I also explored the material conditions neglected in pure theoretical studies such as techniques, subsidies and media.

作者不仅探讨了以往研究中已经注意到的意识形态的因素对艺术生产的渗透，并且试图回答它是怎样或通过什么途径渗透到艺术生产中的这一延伸问题，因此，在第二、第三、第四章中分别研究了技术、资助、媒介等在艺术生产中所产生的复杂影响，对以往在艺术的纯理论研究中所忽视的物质条件的影响进行了专门的探讨。

It looked for the direct performance or metaphor of drama in daily life or the political symbols of country. After 1980's, based on ""thick-descriptive"" ethnographies on art, it called for renegotiating the relationship between art and anthropology in order to the further development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

It looked for the direct performance ormetaphor of drama in daily life or the political symbols ofcountry. After 1980"s, based on "thick-descriptiveethnographies on art, it called for renegotiating therelationship between art and anthropology in order to thefurther development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

But, the combination of the pragmatism and the post-colony world is eating the conscience of the art. The narrow twisted and unbalanced folk culture definitely gives birth of a strange baby of the culture; it uglifies the modern art that represents the voice of the modern time. Neither does it brings the Chinese good wishes to a bright future, nor does it lead the Chinese modern art to a brilliant future, yet, it does pushes the clean world into an endless dark world.

然而，艺术领域的实用主义与后殖民的结合，蚕食着了艺术的良知；江湖文化的狭窄、扭曲和失衡，必然催生一种文化的怪胎，因而使得作为时代心声的当代艺术丑陋不堪、问题多多，它既没有把中国人的美好意愿引向光明，也不可能使中国的当代艺术走向辉煌，而是，将一个至纯之地推向一个遥遥无期的晦暗之境。

But, the combination of the pragmatism and the post-colony world is eating the conscience of the art. The narrow twisted and unbalanced folk culture definitely gives birth of a strange baby of the culture; it uglifies the modern art that represents the voice of the modern time. Neither does it brings the Chinese good wishes to a bright future, nor does it lead the Chinese modern art to a brilliant future, yet, it does pushes the clean world into an endless dark world.

然而，艺术领域的实用主义与后殖民文化的结合，蚕食着了艺术的良知；江湖文化的狭窄、扭曲和失衡，必然催生一种文化的怪胎，因而使得作为时代心声的当代艺术丑陋不堪、问题多多，它既没有把中国人的美好意愿引向光明，也不可能使中国的当代艺术走向辉煌，而是，将一个至纯之地推向一个遥遥无期的晦暗之境。

Photoluminescent art picture makes use of the artistic which company holds,and manifests the high tech method and traditional drawing art perfect union.

发光艺术画，是采用本公司高科技自发光材料研制而成的艺术奇葩，体现了高科技手段与传统绘画艺术的完美结合。

Cave art is therefore not typical of Paleolithic art in general; caves are merely the places where most art has survived.

洞窟艺术，因此没有典型的旧石器时代艺术的一般；洞窟只是大多数地方艺术幸免于难。

Being as temperate as jade is an aesthetic principle of celadon culture. When manufacturing celadon, craftsmen focused on the shape and glaze color, advocating natural beauty. Some scholars hold that natural jade stone represents the first level of art, the semi-natural porcelain is the second level of art, calligraphy, painting, and bronze constitute the third level of art, and celadon with green glaze baked in fire is the highest state of Chinese ceramics.

青瓷追求造型和釉色的文人情趣，崇尚&天然去雕琢&的自然美，有学者认为，天然玉石器为艺术的第一境界，半人半天然的瓷器为艺术的第二境界，人为的书画、青铜器为艺术的第三境界，人与火共同创造的青瓷釉水艺术是中国陶瓷的最高境界。

But a revival of Nazi art, following the revivals of Art Nouveau, Pre-Raphaelite painting, and Art Deco, is most unlikely .

但在继对&新艺术&，拉斐尔前派绘画和装饰派艺术的复活之后，纳粹艺术的复活未必可行。

However,at the beginning of the 1960s,with the Minimalism,Pop Art,Op Art and other streams of novel art appearing in succession,Greenberg\'s Formalism is challenged.

但是，60年代伊始，随着美国极少主义、波普艺术、欧普艺术等新艺术的相继出现，格林伯格倡导的形式主义批评遭遇到了严峻地挑战。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。