艺术

The primary character of vulgar sociology is that the art should serve the politics as a propagandistic tool;the research on art is mainly oriented to the relationship between art and society,art and politics,art and classes.

庸俗社会学长时间占据了中国的学术界，其基本特点是强调艺术为政治服务的，艺术简单地充当宣传的工具，对艺术的研究主要围绕艺术与社会、艺术与政治、艺术与阶级的关系。

In this light the art we see is a reciprocally generating process between art and those entities.

从艺术和艺术之外的其它存在之间的关系来看，我们看到的艺术是艺术与社会其它存在之间的相互生成的过程，现今的艺术呈现为三种力量相互制衡的复杂面目，这三种力量分别是：首先，艺术领域本身的形式规范。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年，以辩证唯物主义认识论为指针，反思文学艺术的特性，对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发，并就艺术典型提出了精辟的见解；从1985年到1992年，他逐渐意识到认识论文艺学无法解释一切文艺现象，于是转而研究人类本体论文艺学，从人类本体论哲学出发去解释文艺现象，强调"审美是人的生命活动主要方式之一"，"艺术在本质上是审美的"；1992年前后，他再度转换研究视角，从价值论哲学出发去解释审美和艺术，认为美就是一种价值形态。

Whereas, this article will adopt the autology of New Media Art to discuss its meanings of ontology. The newness of New Media Art will be highlighted. That is, how we orientate and interpret the core of"new", how we distinguish and classify the impact caused by the application of new technologies and mixed media, how to explain and analyse the contradictive as well as unitive relations among image, time and space in New Media Art. This article argues about some controversial academic notions and defines aesthetic scopes logically, in a hope to provide the study of New Media Art with tangible aims and stands.

有鉴于此，本文从媒体艺术的媒体属性入手，对新媒体艺术的本体论意义进行阐释，特别突出了新媒体艺术&新&的本质(即我们怎样定位和解读其&新的内核&)；对现代技术和混合媒体的应用给当代艺术带来的影响与冲击进行甄别与归类；对新媒体艺术中的影像、时间与空间因素之间内在的既矛盾又统一的复杂关系加以分析，以期对争议已久的学术概念和美学范畴进行合理的界定，为我们对新媒体艺术发展趋势的研究与实践确立明确的目标和立足点。

After the antique, Wolfflin had gone through the cover review of the characteristic of classicality art and the Baroco art, come into the research of the whole reappearance art, taken the entire occident art phylogeny, especially the reappearance art of enjoin in the period of Revival of Learning into a uniform concept system. The opposite style drawing of classicality art and the Baroco art is the basic of this concept system.

沃尔夫林在认识到这个问题的基础上，由现代科学思想的发展和现代艺术运动的历史背景为他创造的独特可能性出发，经过对古典艺术、巴洛克艺术特征的全面考察，进而进入整个再现艺术历史的研究，将整个西方艺术发展史，尤其是文艺复兴以降的再现艺术发展史，纳入一个统一的概念体系。

The aberrance itself is a kind of active research, which not only lengthways reviews the developing state of television art but also breadthwise compare the aberrant relationships between traditional arts and television arts, in order to find out aesthetic rules. The comparative method I adopt accord with the subject, appropriate revealing the active research characteristic.

电视研究是一种动态的研究，国家政策、经济发展、技术革新等因素都影响着电视的传播，电视艺术生态在呈动态发展，电视艺术美学也如此，&变异&问题本身就是一种动态的研究，它从纵向考察电视艺术的发展状态，同时还通过横向比较各传统艺术与电视艺术之间的变异关系，最终寻找出电视艺术的美学规律，而我所采用的比较的方法与影响研究是很符合这个选题的，这恰恰显示出了动态研究的特性。

The swift and violent development of the modern science and technology makes western societies generally enter consumption society, The consumption society supports the goods going to aesthetic and aesthetic going to goods at the same time,all of this has created unprecedented democratic era of arts and aesthetics, on the other hand even enable the most important aesthetic target --Art ,suffering all kinds of economical bulling and losing elite characters and self-disciplining,especially because consumerism stresses the artistic works whether having symbol value ,whether using marketing technology,and whether concerning to economy reciprocate.The pop art have became the mainstream of the art form of our time.

现代科学技术的迅猛发展使西方社会普遍进入消费社会，消费社会同时支持商品的审美化与审美的商品化，这一方面创造了前所未有的艺术、审美之民主时代，另一方面也使最重要的审美对象——艺术，受尽经济霸权主义的欺凌而丧失了精英性与自律性，特别是消费主义讲究艺术商品对符号价值的追求、对营销技术的使用、对经济回报的关注，使得流行艺术成为时代艺术形式之主流，从前那个只关心艺术作品之艺术性的美学传统已经被既关注艺术性又关注消费性的&新美学原则&代替。

Different from the primitive commune, Henan Shifo Art Commune is open and emanative. It establishes effective resources, based on returned overseas artists and international art institutions, to have a direct contact with the international contemporary art. Its art atmosphere, art content and artistic communication have been international ever since its birth. Many artists from U.S., Italy, Germany and North Korea have been invited here for art intercommunication.

与原始社会公社不同的是，河南石佛艺术公社对外是开放的、发散的，公社依托归国艺术家与国际艺术机构建立的有效资源直接与国际当代艺术接轨，其艺术氛围、艺术内容、艺术交流形式从诞生之日起就具有国际性，先后邀请了美国、意大利、德国，韩国的众多艺术家到石佛村进行交流。

Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuality of the group, and explores the characteristics and the development of their individuality. Chapter 4, from the angle of feminie study, discusses the feminie quality and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

论文的第一章介绍了女雕塑家群体的概况，分析了群体形成的原因，并概括了群体的总体特征；第二章主要研究女雕塑家群体的艺术创作共性，分析了影响她们艺术创作共性的必然因素，由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径；第三章主要分析女雕塑家群体的艺术创作个性，探讨了她们艺术创作个性的特征和创作个性发展的多方面途径；第四章是从女性的角度来考察，讨论了她们艺术作品中的女性品质和女性精神；最后，本文总结了女雕塑家群体研究的意义和价值。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。