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There are 6 chapters inside of the thesis:(1) Interpretation of the motivation of research.(2) Analyzing of correlation documents and starting to construct a framework of criticize and analyze of "public art".(3) Discussing the forming of creation ideas.(4) Analyzing the influence results of public from the exposition of society.(5) Discussing the interactive relationship of artist, works, commonalty and art criticism from the installation process of works. Point out the meaning of society and the possibility of communication in the criticism of public art.(6) Reference, review and the propositions for further studies.

本论文共分六章,第一章说明本研究的动机、目的、范围、内容、方法与流程;第二章针对相关文献分析并初步建立公共艺术的评析架构;第三章则就公共艺术的创作意念生成进行探讨;第四章则就公共艺术的社会解读来分析影响大众观赏公共艺术的因素;第五章从公共艺术设置过程对社会的影响,探讨创作者、作品、大众与艺评的互动关系,并尝试提出公共艺术评论对社会的意义与沟通的可能;第六章为本研究的结论与检讨,并对后续研究提出建议。

By insisting on "art for art"s sake," Oscar Wilde demonstrated to believe in the art being self-contained entity. Contradictorily, his belief in "life imitating art proved that art had utilitarianism, at least, had something to do with something else.

王尔德坚信"艺术艺术",坚持艺术的自足;但他对"生活模仿艺术"信条的宣扬却又是对艺术自足的矛盾,至少说明艺术与其它事务相关。

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林,HAU2剧场/迂回中国艺术节,柏林,HAU2剧场/现实的重量,玛蕊乐画廊,北京酒仙桥路4号798艺术区/ 2006 再生,海口,当代艺术馆/边界线国际影像艺术展,北京,站台-中国/ 2005 自由与限制——夏市,武汉,美术文献艺术中心/ 920公斤,上海,多伦美术馆/ WHS+8,西门子公司艺术部项目,武汉/ 2004 涌动——来自中国的录像艺术,柏林,Zehdenickerstrasse 12A /慢,武汉,美术文献艺术中心/即插即用,武汉,拜占庭小区/ 2003 电解质,南京,圣划艺术中心/少数服从多数,上海,比翼艺术中心/ 2002 蘑菇云或者乌托邦,上海,外滩艺术馆/日常态度,中国图片艺术特别展,平遥国际摄影节/新都市主义,广州,广东美术馆/ 2001 现在,武汉,湖北美术馆/ WELCOME,武汉,金沙苑

This is not only because we all started our art career from traditional Chinese art. We find it regrettable that traditional art forms are in their muteness in contemporary culture. In our respective artistic practice, we have formed a common understanding about contemporaneity of Chinese Painting: Chinese Painting needs to be explored and reformed from the legacy of tradition; Chinese Painting needs to obtain its contemporary cultural significance.

这不但是因为我们都是从学习传统的中国绘画艺术开始我们的艺术之旅的,更因为我们对传统艺术方式在当代文化中无所作为的失语状态有切肤之感,在各自的艺术实践中对中国艺术的当代性有一个共同认知:中国艺术需要从传统中发掘和更新、中国艺术要努力具有当代文化的意义。

Kui Wu Dong, founder of the art Guild has become the capital of a beautiful scenic art, from last year as a free public service to the public opening of the Art Guild has received some workers, artists, students, military personnel, public and the community to visit and related arts organizations, Dong Wu Kui first the first visit to the central leaders on Arts Guild, said:"After decades of our time and energy on building the arts Guild Hall is to use the brand to a cultural platform. architecture for building" a harmonious society "and" harmonious economy,"" a harmonious community "played a lead role of Arts Guild is the main arts, painting circles for greater returns, so that more artists can display their works of art out so that they can revive the traditional Chinese culture, Chinese culture and history of several thousand years orderly inheritance, more brilliant spectacular!"

吴东魁先生创办的艺术会馆目前已成为京城一道亮丽的美术风景线,从去年作为一个免费向公众开放的公益性艺术会馆已接待了有工人、艺术家,学生、军人、市民等社会各界的参观人员及相关艺术机构,吴东魁先生一次给中央领导人参观艺术会馆介绍时说:&我们历经数十年的时间及精力建这个艺术会馆就是想用会馆这个品牌来构架一种文化平台,为构建&和谐社会&、&和谐经济&、&和谐社区&起到一牵头作用,艺术会馆主要是对艺术界、绘画界抛砖引玉,让更多的艺术家能够把自己的艺术作品展现出来,这样才能够振兴中国的传统文化,让中国几千年的文化历史有序地传承,更加辉煌壮观&!

With endless wonder and reverence to the 5000 years historic Indus Valley Civilization which is one of the four oldest civilizations of humanity, with deep loves to the people generationally working hard in this mysterious land and in fact with great contribution to civilization of humanity, and with much loves to the arts like oriental hand-knotted carpets created by the people in this land, we think that oriental carpets art should now return to the orient, particular China, where they actually belonging, and become a delicious taste to the emerging high class people over there, after European rich families who have enjoyed the arts of oriental carpets, china and oil painting since past hundreds years, so we decide to present this brochure to Chinese public.

缘于对人类著名的四大文明之一,已有5000多年历史的印度河流域文明的无限遐思和敬仰;缘于对这块神秘土地上世代勤劳耕作,为人类文明做出了极大贡献的人们的热爱;缘于对这块土地上的人们以其勤劳和智慧创造出的包括东方手织地毯艺术在内的诸多文化艺术的喜欢;缘于对东方手织地毯这种特殊的千百年来铺陈于大地母亲之肌,承接人类立足之本的高贵的脚下艺术品的特殊情怀,在西方富裕家庭充分享受东方手织地毯艺术、瓷器艺术和西方绘画艺术的熏陶几百年之后的今天,我们认为,东方手织地毯艺术应当回到她本来就属于的美丽的东方,特别是中国,成为这里快速崛起的新兴阶层的艺术之飨。

Then we should re-explain art.

文章把现代主义艺术的抽象化进程作为第一部分:印象主义的崛起,后印象主义,现代主义的发展,这是一个艺术逐渐抽象的过程;杜尚以后的艺术作为第二部分:杜尚与达达主义,超现实主义,装置与新达达主义,波普艺术,从极少艺术到观念艺术,新具象艺术,这是一个以具象形式对抽象主义的反拨。

Visitors can give photograph dissatisfactions or proposals owing to these are too nasty and erotic. But All of those insult, slander or disrespectful remarks will be despised, even isn't welcomed, and who are simultaneously condemned by all the arts-loving colleagues, Because they are not for me or you, but it belongs to everyone who is fond the body art in the world.

但是所有对这些艺术相片的凌辱、毁谤或不敬的言谈将被小望鄙视,甚至不受欢迎,人体艺术图片与淫秽图片的区别;并同时受到所有酷爱人体艺术的同仁们的谴责,因为她们不是属于你的或我的,而是属于世界上暖爱女性人体艺术的人;如果面对女性人体艺术,你怀着不是一颗赤诚的心,请马上分开本空间,至少请务必尊敬艺术,尊敬他人,更尊敬你自己,台州黄岩人体艺术摄影。

Visitors can give photograph dissatisfactions or proposals owing to these are too nasty and erotic. But All of those insult, slander or disrespectful remarks will be despised, even isn't welcomed, and who are simultaneously condemned by all the arts-loving colleagues, Because they are not for me or you, but it belongs to everyone who is fond the body art in the world.

但是所有对于这些个艺术照片的欺凌、诋毁或不敬的言谈将被小望藐视,甚或不受接待,人的身体艺术图片与淫猥图片的区分;并同时遭到所有酷好人的身体艺术的同仁们的谴责,由于他们不是归属你的或我的,而是归属世界上暖爱女孩人的身体艺术的人;如果面临女孩人的身体艺术,你怀着不是一颗羞辱的心,请顿时分隔本空间,至少请务必尊重艺术,尊重他人,更尊重你本身,台州黄岩人的身体艺术取景。

Some of the best paintings in Japanese art can be found on sliding doors and folding screens. Famous artists, such as Hokusai or Hiroshige, made woodblock prints for the public. Distinctions between notions such as fine art and applied art, or high art and low art, do not exist. These distinctions appeared and became standards in Western art history. In Japan, with its different social and cultural background, these classifications were not made. Although the Japanese art system has been westernized over the past one hundred years, there still exists a cultural tradition that encourages artists and the audience to share artistic experiences outside art venues.

艺术跟相同领域的之於西方并不是那麼绝对,因为艺术本身的目的不同这是众所皆知,一些日本最好的图画可以在传统木门或是屏风上发现,有名的艺术家像是Hokusai 或是 Hiroshige他们在公开场合做版画,若要区别纯艺术和传统艺术,或高等和低等艺术的看法是不存在的,这些区分在西方艺术史上成为规范,而日本不同的社会文化背景这种区别根本不适用,虽然日本的艺术系统在近百年来已被西化,但是他们仍保有鼓励艺术家和观众在艺术馆外面分享艺术的文化传统。

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