色彩

The printer's color management system for the adoption of two ways, one is a professional color management software phase, and color management software entirely up to the party, the printer just do simple output; the other option would be to the printer itself integrates color management system, color management is accomplished by the printer.

打印机的色彩处置编制的引进有两栽办法，一栽是与副业的色彩处置软件相绑缚，色彩处置分座由软件方来达不败，打印机只是怠工单一的不不不不不不不不不不不输入；另一栽办法是打印机本身集不败了色彩处置编制，色彩处置是由打印机来达不败的。

Also appraise to the color of the engineering goods separately in terms of designer, relation between the color of the products and people, esthesia color , main purpose , appraisal , products of color that color appraise of people is it is it analyse different color bring to somebody different psychology feel promptly to come to demand, have played such respects as there.

还从设计者的角度分别对机械产品的色彩进行评价、产品色彩与人之间的关系、人的感知色彩、色彩评价的主要目的。产品色彩的评价要求从分析不同色彩给人带来不同的心理感觉等方面进行论述。嗯，可能觉得中文摘要还不够过瘾，那还有Summary呢

How does the color word get its name Is there a semantic shift or meaningful focus among the similar color words What is the function of the Chinese homonymous color words and the contrast between the color words The relevant cultural influence and word formation will be analyzed and studied.

在跨文化语境下，色彩词是怎样命名的相近意义的色彩词有没有语义流变或焦点同音异字的汉语色彩词组与色彩词的语义比较是怎样的本文将探讨色彩词的构成和文化影响，使人们在不同文化语境下理解和领悟瓷器釉色的深层含义及特殊场合下的应用。

Color difference research is important for industrial applications such as tolerance control, assessment of metamerism and color constancy, color fidelity evaluation of different color reproduction systems and a uniform color space for industrial design.

色差研究在工业界应用是非常重要的，诸如色彩容许误差控制、色彩恒常及条件等色评价、不同色彩复制系统之色彩逼真性评估及提供工业设计界一个均匀色彩空间。

First of all, from the design of the contemporary environment of the color change of thinking and starting to study the color in the new concept of performance, from a new sense of color and character changes in the use of summed up the new characteristics of color, such as color-hyun, reflecting the color, Self-luminous color and display aesthetics, graffiti and the new material on the impact of color, and interesting in a modern aesthetic with a new understanding on.

首先，从当代环境设计中对色彩的思考和观念的转变出发，研究色彩在新观念下的表现，从色彩的新感觉与性格的转变总结出色彩运用的新特点，诸如炫色、反射色、自发光色与显示屏美学、涂鸦及新材质对色彩的影响，并对其在现代审美与趣味上进行新的理解。

Never undermine the physical body to change; never fuzzy structure to penetrate the structure; the disposal of construction, subordinate, supplementary to the dominant, the impact of cross-architecture; on the expression of emotion, metaphor, symbol of the spirit and substance of the fragments, integration and dislocation from the use of these color changes in the law to find the contemporary art environment in the use of color and form of expression results: break the construction solid-state image, fuzzy indoor and outdoor space environment; for static and dynamic space of deconstruction, reorganization, penetration and extend the ; mix, overlay the traditional color and new color, color external color and heart; the use of the aesthetic characteristics of the new color to create realistic, non-realistic, ultra-realistic environment.

从不破坏形体到变化形体；从不模糊结构到穿透结构；对建筑的支配、从属、补充到主导、冲击、跨越建筑；对情感的表达、隐喻、象征到精神及物质的片段、整合和错位，从这些色彩运用规律的转变来找到当代环境艺术中色彩的运用的表达方式与形成的结果：打破建筑固态形象，模糊室内外空间环境；进行静态与动态空间的解构、重组、渗透与延展；混搭、叠加传统色与新色彩、外部色彩与内心色彩；利用新色彩的美学特性创造现实、非现实、超现实的环境。

From the important status of the hue in the woodprint to the effects caused to the tableau by the subjective thoughts of the artists, then to the study of the hue in the balanced impact on the tableau and the use of hue in the traditional woodprint, and last to the analysis of the difference between the hue of the woodprint and the hue of the other paintings, all these are for our better use of these elements of the hue language, and to enable us not to completely lose it which has been part essence of the traditional culture because of our confusion.

从色彩在木版画中的重要地位，到艺术家主观色调对画面的作用，再到研究色彩在画面中的平衡关系和传统木版画中的色彩运用，最后到分析木版画色彩和其它绘画色彩的区别，这一切都是为了我们在今天的木版画创作中能更好的运用这些语言元素；使这些作为传统文化精髓中的一份子，不因我们这一代人的迷茫而遗失殆尽；也希望我们这一代人在利欲薰心的社会转型期，能够从历史的根源性上挖掘深层次的本原，而不被潮流所左右。

The theories of the quantified representation of color vision, the color space, the color reproduction and the color vision model, all of which are the foundations of color management, are studied. The dimension of color space and the problem of current uniform color space are discussed. A survey of the techniques related to print color reproduction is given.

本文研究了色彩管理的基础理论，包括颜色视觉的量化表示、色彩空间、色彩再现、颜色视觉模型，讨论了目前均匀色彩空间的问题和色彩空间的维数，对现有的打印色彩再现算法进行了综述。

Product color intelligent design and optimization techniques based on genetic andimmunity theory This paper introduces genetic and immunity theory into PCID study, establishes a genecoding principle based on product subassembly, constructs a fitness function of colorschemes according to SCCA model, applies genetic and immunity algorithm to simulate theradiation and convergence process of MT, at last it builds a product color design model.Experiments prove that this method can design and optimize color schemes on its own.

5基于遗传与免疫理论的产品色彩方案生成与优化技术把基因遗传和生物免疫理论引入产品色彩智能设计中，提出以产品组件为基本进化单元的基因编码方法，根据形色耦合美度模型构造了色彩方案适应度函数，综合应用遗传算法与免疫算法模拟色彩设计复合思维的发散和聚敛过程并构建了色彩创新模型，算例表明该模型能解决产品色彩方案的自动生成与优化问题。

Structure from the color film color tone, the characters dress clothing color, color characteristics of the space environment, space scenes color composition, the special atmosphere of landscape color, lens color screen and docking between the conversion and so on with the research and exploration.

从色彩结构、影片色彩基调、人物化装服装色彩、空间环境色调特征、场景空间色彩构成、特殊景观色彩气氛、镜头画面之间的色彩对接与转换等多方面进行研究与探索。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。