绘画作品

The second chapter "literature discussion", discussion of affiliation watercolor painting unique esthetic sense and value and the light shade description, analysis water color landscape painting connotation and performance pattern, and by China and the West landscape painting famous expert's work, analysis discussion localization esthetic sense special characteristic, Again separately from the date according to the time and the early days of the restoration Taiwan water color artist work's style, the theme, the artistic vocabulary and so on with the scenery drawing related subject, explores the ponder direction which the author creates, and analyzes romanticism water colorist Tyner, understood that its creation style and the skill, take advantage of this define clearly the author the image which must transmit in the drawing, and because of artistic creation's practice, the idea and the skill fusion, the time can display the self-style the work.

第贰章「文献探讨」，藉水彩画独特的美感与价值与光影描写之探讨，分析水彩风景画的内涵与表现型式，并以中西风景画名家的作品，分析探讨本土化的美感特质，再分别从日据时期及光复初期台湾水彩艺术家作品的风格、题材、艺术语汇等与风景绘画相关的议题，探索笔者创作的思考方向，并分析浪漫主义水彩画家泰纳，了解其创作风格与技巧，藉此厘清笔者在绘画中所要传达的意象，并藉由艺术创作的实践，将理念与技巧融合，期能表现出自我风格的作品。

The features of the "Red Fillet On Earth" is summarized to six unites of the opposites as follows:(1) the unity of the historic authenticity based on the documents and the art authenticity based on the unique painting skills;(2) the unity of the continuity of the development of the works as a whole and the independent appreciation of each single work;(3) the unity of the construction of the stories in the paintings and the clue of it;(4) the unity of the content of the stories and the style of the paintings;(5) the unity of the positiveness of the people depicted in the work and the negativeness of the environment in it;(6) the unity of the modesty of aesthetic pursuing and the enrichment of the painting.

笔者将该作品概括为6大特点：(1)基于文献的历史真实性与基于独特绘画技巧的艺术真实性之间的辩证统一；(2)宏观的整体线索上的连续性与微观的单幅作品的独立欣赏性之间的辩证统一；(3)复杂的外在叙事结构与有机的内在情节联系之间的辩证统一；(4)全面庞杂的故事内容与多样统一的绘画形式之间的辩证统一；(5)坚毅乐观的人物形象与严峻恶劣的环境态势之间的辩证统一：(6)质朴无华的美学追求与繁复丰茂的绘画本体之间的辩证统一。该作品的教育价值主要在于：不仅是一种难能可贵的绘画鉴赏的视觉教材，更是一个对青少年进行革命历史传统教育的经典视觉范本。

The second part is the key of this paper. The author focuses on making an induction of expressive skills, cognitive process and beauty appreciation changes on color language in western painting in different periods, from primitive society to the ancient Greece, from Middle Ages to Renaissance, from the 17~ and 19~ century to the 20~ century. At the same time, the author makes a comparison between the typical works of typical artists and analyses the typical color language and its expressive approach. In addition, the author brushes the evolution relationship contained in color, such as symbolism, decoration, mitation, abstract and expressiveness of language, with the purpose of displaying the main features of color language in different periods and discovering the evolution relationship , its necessity and sequence.

其次，本文重点归纳总结了西方美术史各阶段，包括原始社会、古希腊到中世纪、文艺复兴、十七至十九世纪直至二十世纪绘画色彩语言的表现技巧和认知过程及审美嬗变，在此基础上纵向比较了以上各阶段典型画家的典型作品中的色彩语言和表现方法，并对西方绘画中具有象征性、装饰性、模仿性、抽象性和表现性的色彩语言及其演进关系也进行了纵向逻辑梳理，从而归纳出各个时期绘画色彩语言的基本特点及其历史演进的必然性和秩序性。

A new painting way evading Chinese traditional ones may start here, the trial. Through these conceptual works, we can find that Chinese artists gradually step further and further from the fondness for portrait and plot, get rid of the embarrassed state of traditional paintings and separate from the acuminous and logic visional experience.

这样的尝试可能会为中国逃避传统的绘画方式拉开序幕，那么，透过这些概念化的作品，我们可以窥见中国艺术家在最近的几十年中，已逐渐地游离开传统绘画对物象和情节的迷恋，并摆脱了常规绘画的尴尬处境，从中分离出敏锐的、逻辑的视觉体验。

I visited his studio once and found all sorts of little visual treasures: from sketchbooks and painting journals to collages, calendars, and books. The journals did not seem to be thematic experiments, but sincere and humble explorations of an inner self. While these quiet paintings speak volumes about Cao's introverted character, they also betray the psychological mystery of his persistence in painting insects.

我曾经在他的工作室里看到大批他未发表的作品，那些作品是一种绘画日记，用报纸、日历、文字的碎片随意拼贴起来，并加以感性的图绘，那些绘画日记不是一种主题式的表达，而是一种发自内心的叙述，我认为它们十分真实地表现了曹静萍内倾的性格，也多少透露出曹静萍持续地描绘昆虫世界的心理奥秘。

I visited his studio once and found all sorts of little visual treasures: from sketchbooks and painting journals to collages, calendars, and books. The journals did not seem to be thematic experiments, but sincere and humble explorations of an inner self. While these quiet paintings speak volumes about Cao's introverted character, they also betray the psychological mystery of his persistence in painting insects.

我曾经在他的工作室里看到大批他未发表的作品，那些作品是一种绘画日记，用报纸、日历、文字的碎片随意拼贴起来，幷加以感性的图绘，那些绘画日记不是一种主题式的表达，而是一种发自内心的叙述，我认为它们十分真实地表现了曹静萍内倾的性格，也多少透露出曹静萍持续地描绘昆虫世界的心理奥秘。

In 2003, Huang moved his workstation to Beijing. This is a timely move. He describes this state as "Huang Mingche in Beijing". I did not have the chance to hold an indepth discussion with him when he first started working on his abstract art, but I do believe that his work at that time was influenced by American abstract art maestro William De Kooning (1904-1997). That was an important transformation from concrete to abstract art.

2003年黄铭哲把绘画的基地转移到北京，这是一个与时俱进的举动，他本人也把这种状态叫做&黄铭哲人在北京&。80年代黄铭哲开始从事抽象绘画，我没有和他做过详细的交流，但是我确信，他那时期的作品一定受到美国抽象主义大师德库宁(William De Kooning，1904-1997)的影响，那是一次从具象绘画到抽象绘画的重要变革。

"The term was coined by Jean Dubuffet, who regarded such works as the pure st form of expression."

该词是法国画家迪比费所创。他的绘画作品表现出他称之为真正涩艺术的那种真挚和质朴。

Rothko's work is characterized by rigorous attention to formal elements such as color, shape, balance, depth, composition, and scale; yet, he refused to consider his paintings solely in these terms.

罗思科的工作特点是严格注意正式要素，如颜色，形状，平衡，深入，组成和规模；但是，他拒绝考虑他的绘画作品仅在这些条款。

The play is inspired by Sir John Everett Millais's 1852 painting entitled "Ophelia," depicting the character from William Shakespeare's play "Hamlet."

这一表演的灵感来源于约翰·埃弗雷特·米雷斯爵士1852年创作的名为《奥菲利亚》的绘画作品，画作描绘了莎士比亚戏剧《哈姆雷特》中奥菲利亚一角。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。