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The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

Everyman more is economically, and wealthy person is spirit those who go up.

普通人更多是经济上的,而富人是精神上的

As symbol of anxiety, Feiming novels reflect his ontic, moral and spiritual anxiety.

作为焦虑的象征,废名的小说反映了他在本体上、道德上、精神上的焦虑。

Both physical as well as psychological, psychosomatic fears.

身体上的,心理上的,精神上的恐惧。

Careful analysis on selecting-beauty though the way of traditional literature theory to study the new society phenomena, is the active responses of the literature theory when facing the realistic living. Using the pure-hearted and turn- over- to- think attitude to recognition the changing aesthetics palate, its aim is to guarding on the spirit illth and preventing from the lost of the humanism spirit.

细读选美,以一种传统的文论方式去解读社会的新现象,这是文艺理论应对现实生活作出的积极回响,用一种真诚、反思的态度来重新认识长期以来的渐变中的审美观念,警惕精神上的贫乏,防止人文精神的失落。

To me that's like saying the source of motivation is whatever motivates you.

这些影响你的因素可能是身体上的,感情上的,心理上的,甚至是精神上的

You have so any wonderful little films in your head that you keep replaying.

这种获得当然不限于物质上的,也包括精神上的,感情上的。

The chant of the Divine Order is more solemn than in other convents; more time is devoted to mental prayer; the fast is extremely strict, the silence all but uninterrupted; only once a fortnight the hermits after the manner of the ancient anchorites, assemble for a conference on some spiritual subject; many volumes of such conferences are still preserved and some have been printed.

呼喊声的神圣秩序,是更为严肃的,比其他修道院;更多的时间用于精神祈祷;快,是极为严格的,所有的沉默,但不间断的,只有一次,双周的隐士后地的古代anchorites ,组装为会议就一些精神上的问题;不少卷这样的会议仍然保留,并与其中一些人已被加印。

The chant of the Divine Order is more solemn than in other convents; more time is devoted to mental prayer; the fast is extremely strict, the silence all but uninterrupted; only once a fortnight the hermits after the manner of the ancient anchorites, assemble for a conference on some spiritual subject; many volumes of such conferences are still preserved and some have been printed.

呼喊声的神圣秩序,是更为严肃的,比其他修道院;更多的时间用於精神祈祷;快,是极为严格的,所有的沉默,但不间断的,只有一次,双周的隐士后地的古代anchorites ,组装为会议就一些精神上的问题;不少卷这样的会议仍然保留,并与其中一些人已被加印。

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