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The basic types of symbol rhetoric methods and the characteristics of each type were introduced based on semiotic theory. The practical applications of rhetorical methods were analyzed with cases. The functions of rhetorical methods in product design were discussed.

符号学理论的修辞方法出发,详细介绍了符号修辞方法的基本类型以及各类型的特征;通过案例分析符号修辞方法的具体应用,阐述符号修辞方法在产品设计中的作用。

Music has three clefs , the C , F and G clofe .

乐谱有三种首音符号,C符号、F符号和G符号

The thesis is concise and systematic to introduce some concepts and induce the vocabulary of Ming dynasty and Qing dynasty. It researches into the furniture of Ming dynasty and Qing dynasty from syntactics, semantics and pragmatics.

论文简明、系统地介绍了符号学的一些概念和符号学理论体系,结合了明清家具的符号特性对明清家具的符号语言词汇进行了归纳,从而基于符号学理论中的符构学、符义学、符用学三个层面对明清家具进行研究。

Design of kiosk regarded as sign system is proposed. The method of newspaper kiosk design based on the theory of syntagma and paradigm in semiotic and the theory of segment and syntax regulation, is set up.

提出了将报刊亭作为符号系统进行设计的思想,分别给出了符号"分节"理论,符号"组合/聚类"理论及符号语法、语义规则在报刊亭设计中的应用方法,总结出了基于符号学理论的报刊亭设计新方法的优势。

It discussed the composition law and creation design of modern product symbol,and creatively put forward that the product symbol was composed of the visual symbol,tactual symbol and phonetics symbol.

对现代产品符号的组成规律和创新设计方法进行探讨和总结,创新性的提出产品符号由视觉符号、触觉符号、语音符号组成。

Abstract]This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角,以动漫节为研究对象,对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后,可以发现:在审美经济的时代,以符号意义为主的符号产品不再是超验的表象,而是日常生活的实在;以文化创意内容为核心的动漫产业已经成为新兴产业;其中,作为符号生产与传统商品集中展示的动漫节,更侧重于深入开发动漫及其衍生产品的审美价值,使动漫节不仅仅流于纯粹的小商品集市,而在于创造更多的符号意义,丰富动漫节的多种内涵;动漫节举办地的地点重构适应了空间经济发展的内在要求,动漫赋予不少城镇以全新的符号内涵,创造了各种形态的地点神话,从而促进空间经济的城市发展。

Founder of American practicalism and semiotics, C.S Pierce identifies three categories of signs: icon, index and symbol.

美国现实主义和符号学的创立者皮尔斯,把符号分了三种:象似符号、标记符号和象征符号,他认为能指和所指之间所存在的自然关系叫做象似性。

According to Newell and Simon, a physical symbol system is a machine, like a digital computer,that is capable of manipulating symbolic data-adding numbers, rearranging lists of symbols (such as alphabetizing a list of names), replacing some symbols by others, and so on.

按纽厄尔和西蒙的想法,物理符号系统是这样一种机器,就象数字计算机,它能处理符号数据,累加数字,重排符号表(如按字母顺序排列一个名称表),用一些符号替换另一些符号等等。

As a system of symbols, language legitimates itself by means of external communication on the one hand, and creates a cultural semeotic world of its own on the other.

一 网络语言符号的交际形式语言作为一种符号系统它一方面向外部沟通,从而使语言符号自身的合法性得以确立,另一方面作为符号本身创造了属于自己的符号文化世界。

It is different from American descriptive linguists who analyze the language into device of low level and high level, Glossematics School differentiate content form, content meaning, express form and express meaning.

语符学的符号结构模型的理论价值是彻底打破了词法和句法的区分,用接换分析法区别变体和常体、语言和非语言、符号和非符号。认为凡是同形的就是非符号,不同形的就是符号

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