神话作者

But how did the author of Being and Nothingness respond to The Myth of Sisyphus?

那么，《存在与虚无》的作者又是如何回应《西西弗斯神话》的呢？

Other authors have argued that there is no archaeological or linguistic evidence for a later influx of Tahitian settlers, and that Paao must be regarded as a myth.

其他作者认为，没有任何考古或语言上的证据，后来定居者涌入的大溪地，而且Paao必须被视为一个神话。

She's never shown a tendency to portray herself as a virginal fairy-tale sort, anyway; quite the opposite. She's the kind of person, at least in her presentation, who is the author of her own story, not merely an actor in it.

无论如何，她从未把自己定位为纯洁的神话故事类型，她是这样一类人，至少从她的表达来看，她是她自己故事的作者，而不仅仅是其中的演员。

The anfractuous characters, plots and space-time structure of "Master and Magaritte" reflect the author's thinking on religious philosophy. Its deconstruction upon biblical stories and mythological romantic plots are based on the background of western Christian culture. The mysticism and profound logical nexus give readers and researchers reasons to see the art essence from various aspects.

大师和玛格丽特》错综复杂的人物情节和时空结构体现出作者的宗教哲学探索精神；它对《圣经》故事的演义和神话式的浪漫情节建立在西方基督教文化背景之上；其中的神秘主义因素以及玄奥的逻辑关系又使阅读者和研究者有理由对作品的艺术内涵做多种角度的理解和领会。

We are now beginning to let ourselves be fooled no longer by the arrogant antiphrastical recriminations of good society in favour of the very thing it sets aside, ignores, smothers, or destroys; we know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author.

我们今天已经开始不再让自己被那些自以为是的对美好社会的控诉所愚弄。具有讽刺意味的是这些控诉所支持的正是它所不屑一顾、所忽略、所掩盖，或者所摧毁的；我们知道要给写作一个未来，就有必要推翻这个神话，因为读者的诞生是以作者的死亡为代价的。

And by means of this some mis-understanding on myths are clarified, such as the legends of Buddha were not composed by specific authors, but were narratives about the sacred history symbolizing connotative meanings behind the literal senses of the words. Then work on analysis along topics such as, the symbolised connotation, the assistance from supernatural power, the structure of sacred time and space, and the transformation to cosmic events from historical events. Finally, concluding culture, religious language, and behavioristic effects are the three points that should be held as principle on hermeneutics of myths.

并以此对佛传神话做一些澄清，分别的点出佛传神话是&没有一个固定的作者&，它所&述说的是神圣的历史&，并&以象征的方式，传达深层的蕴含&；接着，抽离出&象征的蕴含&、&超自然的力量的帮助&、&神圣时间与空间的建构&与&从历史事件转变为宇宙事件&等主题，对佛传神话做分析；最后，以&文化&、&宗教语言&与&行果&三方面，来作为信仰者在诠释神话时所应掌握的原则。

Chili often uses the citizenly angle of view to solve the myth of the love , as well as the obviously romantic legendary tendency , from these Chili 's special narrative strategy can be seen .

作者常常以小市民的视角解构爱情的神话，并表现出明显的浪漫传奇化倾向，显示了独特的叙事策略。

On "Desert Dream," the unusual fretless bass underpinning gives way beautifully to gliss guitar held together by Egyptian percussion -- a far cry from what's usually considered new age music.

Phil Thornton 的幻影已经给了我们，作者编曲的玄秘，营造神秘和缥缈的氛围的深厚功力，而在 Immortal Egypt 不朽的埃及中，更充分利用了他的这种能力和作风来展现了迷人的埃及的神话和远古的色彩。

The writer feigns many a myth .

作者想象出许多神话。

In the shallowest level, it rephrases the existing myth through her words. In this way, the author expresses the country life of herself.

它在最浅层次上表现为作品中对既有神话的转述，作者借此对自我乡村生活经验进行文学性地表达。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。