理想的事物

Matter and antimatter are perfect opposites; for each of the basic particles of matter, there exists an antiparticle, in which properties such as the electric charge are reversed.

物质和反物质是理想的对立事物；对于每一种基本物质粒子而言，存在一种反粒子，它具有象电荷颠倒那样的特性。

Hence we might speak, among men, of a true Bible complex: Babel was supposed to serve to communicate with God, and yet Bible is a dream which touches much greater depths than that of the theological project; and just as this great ascensional dream, released from its utilitarian prop, is finally what remains in the countless Bibles represented by the painters, as if the function of art were to reveal the profound uselessness of objects, just so the Tower, almost immediately disengaged from the scientific considerations which had authorized its birth (it matters very little here that the Tower should be in fact useful), has arisen from a great human dream in which movable and infinite meanings are mingled: it has reconquered the basic uselessness which makes it live in men』s imagination.

但实用确是有意义的。因此我们会在人群中诉说1个真正的圣经情结：圣经是连接上帝的纽带。然而「圣经」也是1个可以触及灵魂深处的理想，绝不仅仅是神学上的宗教工作项目而已。正是这个古老而神圣的理想，正是这个摆脱了所谓技巧支撑的理想，最终产生了无数的刻画圣经的经典作品，似乎艺术的功用就是去揭示1些深奥但却无用的事物。就像这艾菲尔铁塔，几乎立刻就脱离了那些能使她得以存在的科学性考虑（就是铁塔必须具备实用性这1事实）。她就从人类无穷变幻的理想中呱呱坠地：艾菲尔铁塔体现了1种信心，这种没有任何实用性的信心就是要让艾菲尔铁塔永远耸立在人类的想像空间中。

The work seems to have been popular, if misunderstood, with the introduction of More's Epigrams of 1518 mentioning a certain fathead who did not regard More as a good writer as he was just repeating someone else.

广义的乌托邦可以是理想的或实际的，但一般来说这个词更强调乐观的、理想的和不可能的完美事物。为何我不能只用一种表情，来面对全世界

Idealizing, tendency to idealize, representation of things in ideal form.

理想化，理想化的倾向，以理想的形式来再现事物。

The area is an ideal nature reserve because it provides food and shelter for them.

这个地区是个理想的野生环境区，因为它为野生动物提供了事物和庇护的场所。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

Cause and effect, real affinities, the longing for harmony between the soul and the circumstance, the progressive, idealizing instinct, predominate later, and the step backward from the higher to the lower relations is impossible.

然而事物聚集总是依据更高或更深的内部准则：因与果，求，追求进一步发展和理想的本能，然后占主导地位，一旦彼此进入更深一层的关系，决无可能退回到低一层的关系。

But things are ever grouping themselves according to higher or more interior laws. Cause and effect, real affinities, the longing for harmony between the soul and the circumstance, the progressive, idealizing instinct, predominate later, and the step backward from the higher to the lower relations is impossible.

然而事物聚集总是依据更高或更深的内部准则：因与果，求，追求进一步发展和理想的本能，然后占主导地位，一旦彼此进入更深一层的关系，决无可能退回到低一层的关系。

In this case, think of creative ways to say normal things. Appeal to common histories. Reference situationally ironic ideals. Speak to universal values and truths.

既然这样，想一些创新的方法来描述那些普通的事物，回归真实的历史，参考显示的不实际理想，说出普遍理解的价值观和真相。

On closer examination, though, this is not a vote for multilateralism but just the opposite.

仔细审视后我们发现，这并非是对多边主义投出的赞成票，而是恰好相反。

Uncovering their weak spots, so I can defeat them.

揭露出他们的弱点，这样我就可以打败他们了。