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Bohemian Rhapsody 歌手:Queen Artist: Queen Album : A Night At The Opera1975 Song : Bohemian Rhapsody Is this the real life - Is this just fantasy - Caught in a landslide - No escape from reality - Open your eyes Look up to the skies and see - I'm just a poor boy, I need no sympathy - Because I'm easy come, easy go, A little high, little low, Anyway the wind blows, doesn't really matter to me,- to me -, Mama, just killed a man, Put a gun against his head, Pulled my trigger, now he's dead, Mama, life had just begun, But now I've gone and thrown it all away - Mama, ooo, Didn't mean to make you cry - If I'm not back again this time tomorrow - Carry on, carry on, as if nothing really matters - Too late, my time has come, Sends shivers down my spine, Body's aching all the time, Goodbye everybody - I've got to go - Gotta leave you all behind and face the truth - Mama, ooo - I don't want to die, I sometimes wish I'd never been born at all - I see a little silhouetto of a man, Scaramouche, scaramouche will you do the Fandango - Thunderbolt and lightning - very very frightening me - Galileo, Galileo, Galileo, Galileo Galileo figaro - Magnifico - But I'm just a poor boy and nobody loves me - He's just a poor boy from a poor family - Spare him his life from this monstrosity - Easy come easy go -, will you let me go - Bismillah!

可能不太准确艺术家:女王影集:在歌剧1975的夜晚歌:波希米亚的狂想曲是这现实生活--仅仅是这么幻想--在一次山崩中抓住--从现实的没有逃跑--打开你的眼睛看并且看见到天空--我仅仅是一个贫穷的男孩,我不必同情心--因为我容易来,容易我去,小高,少量向下,无论如何,风吹,对我确实不有关系,--对于我--, Mama,刚刚杀死一个人,放一门枪支对着他的头,被拉我的触发器,他现在死亡, Mama,生活刚刚曾经开始,但是,现在我已去并且投掷它所有-- Mama,ooo,不想要使你喊叫--如果我再一次明天这一次不是回来--继续,继续,似乎没有任何东西确实有关系--太晚,我的时间已来,沿着我的脊椎发送颤抖,身体疼痛始终,告别每个人--我已去-- Gotta留你们大家并且面临真理-- Mama,ooo --我不想要死去,我有时希望我根本从不出生--我看见一个人的小silhouetto, Scaramouche,scaramouche你将做西班牙舞-- Thunderbolt和闪电--十分十分惊吓我--伽利略,伽利略,伽利略,伽利略伽利略figaro --高官--但是,我' m仅仅一个贫穷的男孩和没有任何人爱我--他仅仅从一个贫穷的家庭是一个贫穷的男孩--从这畸形节省他他的生活--容易来容易去--,你将让我去-- Bismillah!

For that reason,Marx did not content to changecertain form of"ontological philosophy",just as other philosophers(such as Schopenhauer and Nietzsche)did,he otherwise radically rejected the"absolutized"basic thinking mode on which the traditional ontology based.Thus he brought philosophy back to the real human being who had dual life in nature and the actual world in which human being lived.

对此,马克思没有采取与他同时代的其他哲学家仅仅改变&本体论哲学&的某种理论形态的做法,而是从根本上否定了传统本体论借以立论的那种&绝对化&的基本思想原则和思维方式,使哲学找回了具有双重生命本性的现实的人和由人参与开拓的现实生活世界。

As part of the study of social administration of Nanjing in the Republic of China, the thesis consists of 7 chapters: Chapter one explains the basic concepts of social administration and the development of modernization of Nanjing before 1927. It stresses the importance of social administration in city development through the depiction of social characteristics and problems of Nanjing. Chapter 2 introduced the theory of social administration of the Republic of China, under which the municipal institutions are structured. It focuses on the social theory of Sun Yat-sen and correlative comments of Jiang Kai-shi, which reflect the theoretic level and subjective intention of social reform of the Republic of China. Chapter 3 discusses the local autonomy of Nanjing of the Republic of China. The origin of democratic local autonomy theory and its influence over social administration are expatriated. The advantages and disadvantages of local autonomy are analyzed in detail. Chapter 4 focuses its discussion upon social rescue work, an important part of social administration, with general description of social rescue work in Nanjing and concludes the characteristics of social rescue work in the transition from the traditional to the modern society. Focusing on the prominent problem of the large flows and inflation of population of Nanjing, chapter 5 discusses the population and population management of Nanjing and outlines the population situation through analysis of the population problem, management methods and the current situation. Chapter 6 describes the unprecedentedly active citizen organizations and parties. The transform and changes of these organizations occurring under the new circumstances and their functions in social administration are analyzed to reveal the interactive function between government and social organizations in social administration. Chapter 7, the epilogue, makes theoretic evaluation of the characteristics of social administration and its revelation to the current society of Nanjing, hoping this research serves as a reference to the current time.

本文是民国南京社会管理研究的一个部分,由七个章节组成:第一章介绍了社会管理的基本概念和1927年以前南京社会近代化的变迁过程,通过对南京社会特点和社会问题的描述,阐明了社会管理在城市发展中的重要作用;第二章介绍了民国社会管理思想的基本内容和在此指导下的南京市政府有关机构的设置,着重阐述了孙中山的社会管理思想和蒋介石的有关论述,反映了国民政府的社会管理的认识水平及其实行社会改造的主观意图;第三章专题讨论了民国南京地方自治,对具有近代民主意义的地方自治思想的由来及其社会管理意义进行了阐述,具体分析了南京推行地方自治的利弊得失;第四章将社会救济事业作为社会管理的一项重要内容进行了讨论,描述了南京社会救济事业的基本概况并对从传统向近代过渡社会救济事业的若干特点进行了总结;第五章针对南京城市人口的大量流动和急剧膨胀这一突出的社会问题,集中讨论了南京的人口与人口管理,通过对南京人口问题、管理手段以及人口状况的分析,展示了南京人口构成的基本面貌;第六章描述了南京空前活跃的市民组织和社会团体,着意反映这些社会组织在新的条件下的转型和变化,分析其在社会管理中所发挥的作用,企望由此揭示政府与社会组织在社会管理中的互动作用;第七章为结语,对南京社会管理的特点及其对现实的启示进行了理论评价,力求本研究更能具有现实借鉴意义。

Looking back the history of documentary film, we find the idea of documentary film has changed greatly with the statement of "fictionalizing reality" growing. documentary film has more functions to explain the reality, so its nature is the whole of three elements,which are recording, realizing and fictionalizing.

纵观纪录片发展的历史,&对现实的虚构&观点的提出,纪录片的理念发生了巨大的变化,它更多的是对现实世界的诠释,纪录片的本性其实是纪录、真实与虚构的三元合一。

Firstly,capitalist system and highly industrialized societyhas human survival been confronted with fearful challenge,globally ecological crisisconstituted the realistic condition of the engendering and development of"Eco-socialism";Secondly,it is a theory modality and practice format which is more than one century sinceworld socialist movement in developed countries carried through considering andexceeding;Lastly,human being has been stepping"Eco-civilization",natural science andliteral humanities has intercrossed,the synthesizing of ecology and socialist theory becamethe scientific and technological background of the engendering of"Eco-socialism","greenpolitics"and ecological movement became a necessary and realistic condition.

首先,资本主义制度和高度工业化的社会使人类自身的生存面临着严重的挑战,全球性的生态危机构成了生态社会主义产生与发展的最为现实的历史条件;其次,它是一个多世纪以来世界社会主义运动在二十世纪末期这个特定的历史时刻出现的一种理论形态和实践形式,它是发达国家社会主义运动进行自我反思和超越的理论结果;再次,人类正在步入&生态文明&,自然科学和人文科学的交叉、生态科学和社会主义思想的结合成为生态社会主义产生的科技和人文背景,&绿色政治&和生态运动又成为生态社会主义产生和发展的一个必要的现实条件。

In experience analysis, giving actual rural-urban inequality as the jumping-off place, points out that our country have clear dual-economic and social struction characteristic, and analyze the reasons for which dual-economic and social struction is formed and retained; rural modernization is key to our countrys modernization for the following aspects,on the one hand, the problem of the farmer and rural and agriculture have strategic position and role, on the other hand, rural is the focus of a series of realistic problems; I closely grasp three mainlines of rural modernization, namely agriculture modernization and rural industrialization and rural-to-urban population migrants , we could make them united organically and make a research for them relatedly and discriminatingly, then some policy recommendations are offered.

在实证分析方面,以我国农村经济为研究对象,从现实的城乡差别入手,指出我国具有鲜明的二元经济社会特征,分析二元经济社会得以形成并维持的原因;从&三农&问题的地位与作用以及农村是一系列现实问题的焦点两个方面,论述农村经济现代化是中国现代化的关键;紧紧抓住农村经济现代化的三条主线,即农业现代化、农村工业化和农村人口城镇化,把三者内在、有机地结合起来,既有联系又有区别地进行研究,提出有针对性的对策建议。

This action which is later perceived as spoiling the realistic illusion of the cinema, is action which is later perceived as spoiling the realistic illusion of the cinema, is here undertaken with brio, establishing contact with the audience From comedians smirking at the camera, to the constant bowing and gesturing of the conjurors in magic films, this is a cinema that displays its visibility, willing to rupture a self-enclosed fictional world for a chance to solicit the attention of the spectator

这个 行动是后来溺爱的电影现实的幻想被认为是行动是后来溺爱的电影现实的幻想被认为是这里开展的快板,建立与警方在相机面带笑容的喜剧演员观众接触,以不断鞠躬,并在魔术电影conjurors手势,这是一个电影,显示其知名度,愿意破裂自我封闭的虚构世界的机会,争取到注意旁观者

It's no wonder that only people with rich aesthetic appreciation experiences have a physiological or psychological demand for tachisme, because in their eyes, what they expect most is a kind of pleasant sensation on aesthetic appreciation. They have seen too many delicate paintings, so their eyes are very particular and slashing. Especially, they can't bear ordinary paintings without mien. It has become impossible for those quotidian and easy descriptions about the reality without sound and colors to catch their eyes, to say nothing of touching their heartstrings. In their eyes, a good artwork "shall not get separated from the thought course of the reality to make an immediate response to various experiences and feelings in the life, and express them in a surprising manner with a breath-taking vigor, even make a crazy demonstration."

朱健甫:这也难怪,只有有着丰富的审美经验者,他才会对抽象绘画有一种生理和心理的需求,因为在他们眼睛里最为期盼的是一种审美快感,他们看了太多的精美绘画,因而眼睛是十分挑剔与苛刻的,尤其不能容忍平凡,没有声色的存在,对于那些司空见惯的对现实简单的描述,已不能打动他们的眼球,更无法触动他们的心灵,在他们看来,好的艺术品:&既不能脱离现实的思维进程,将生活中的种种经验与感受即刻的作出反应,并将它以出乎意料的方式表达出来,用一种摄人心魄的气势,做甚至是癫狂的展示。&

It is true that no theory explains everything there is to know about a topic. It is true that all theories are incomplete explanations or oversimplifications of reality. It is true that there are often competing theories for any given phenomenon and that each one will explain certain facts better than the other.

毫无疑问,针对任何问题并没有放之四海而皆准的理论;所有的理论对现实的解释都不是尽善尽美的,都是对现实的高度简单概况;对任何既定的现象总有对立的理论,各自在对某些事实的解释上比其他的理论更贴切。

Through a systematic outlining and description of the phenomenon that most characters in the narrative works of Musil are without full names, the paper considers that names in the literary works of Musil are of striking implication and the incomplete form of names suggests the demonstration of the mental crisis of characters. In his creations in the late stage, Musil highlighted spiritual exploration, strongly advocated criticizing reality and thought of the possibility to replace the then reality.

通过对穆齐尔的叙事作品里人物多数没有完整的姓名这一不被关注的现象的系统梳理,认为人名在穆齐尔的文学作品里有着非同寻常的意义,而姓名的残缺意味着人物心灵危机的凸现;穆齐尔在其后期创作中着重于精神探索,力主批判现实,并省思取代当下现实的可能性。

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