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This kind of effect is possessed of a complex symbolic meaning to symbolize and make real this ever-growing consumer scene of our society through this group of women, so that this visual image can move from an unreal level to a realistic level to express his profound concern for this society and its personal apprehensiveness.

这种效果具有复杂的象征意义,把我们现今社会日益膨胀的物质消费的情景,通过这组女性的形象符号化和现实化了,于是视觉的图像从非现实的层面进入到一个现实的层面,以此来表达他对当下现实社会以及自我内心焦虑的深刻关注。

We meet in this game This is still infatuated with a network Let me be your friends one by one to leave the game To the pursuit of real-life time Then there is a fishes persist in the conviction Let me come to the so-called final Finally, we have a full class to We also become a game of a husband and wife Together to chat together to fight together to see the scenery Appear together in front of friends I have told you several times whether I would like to leave the game But do not know what I come back time and again the Now, I once again decided to leave the game I do not know how long this can leave I do not dare In fact, said to leave the game say that the discussion was not as good as you After the full level because I slowly began to weary of the game Do you have is a day I insist on the belief line Recently, I go to bed every night before you would like to But not like before, like the game's equipment But in reality you imagine how a person What kind of character, and so there We will occasionally illusion of reality can come together The game took a quarter of my college life time Reform is the time to leave As in real life too cruel I felt pressure brought about by the reality Whether in life or learning I really like this now become a regular university, said the University graduate unemployment is equivalent to That is not what I want I am not worried that I can not find a job after graduation Not because of the need to Go on like this I do not even know that after I graduated I can do what I do Looking for a job on it is an impossible dream of Do you still remember I remember a long time ago I asked you I ask you to do what - the sun - the stars - the moon I have become a game where you have the sun I hope I can become your reality stars I would also like to leave after you I hope you will be able to chat with me in the past I hope we can do Haojuhaosan The way the election is himself Life must continue

我们在这场比赛中相遇这是与网路仍痴心让我成为你的朋友们一个接一个,去游戏现实生活时间的追求然后有一个鱼类坚持信念让我谈谈所谓的决赛。最后,我们必须以一个完整的类我们也变成了一个游戏的丈夫与妻子一起,一起聊天,争取一起看风景前面的朋友在一起显示我已经告诉你几次是否我想离开游戏但不知道什麼我回来一次又一次,现在,我又一次决定离开游戏我也不知道多久这可以离开我不敢其实,说要离开讨论不是与你的一样好的游戏说后全部级别因为我慢慢开始厌倦游戏你是我坚持的信念行的一天最近,我去睡觉每天晚上之前您想要但不是象以前,像游戏装置但在现实中你就可以想像如何一人什麼样的字元,并因此有我们偶尔会现实的幻想可以走在一起这场比赛拿了我的大学生活时间的四分之一改革是离开的时候在太残酷的现实生活中的作为我觉得压力带来的现实无论是在生活或学习我真的这样现在成为一个说的正规大学,大学毕业生失业等於这是不是我想要的我不忧虑我不能毕业后找到一份工作不因为的需要这样下去我甚至不知道,我毕业后我可以做我做些什麼找一份工作就是一个不可能的梦想的你还记得吗我记得很久以前我就问你我问你做了什麼--星星-太阳月亮我已经变成一场游戏,在有阳光的地方我希望我可以成为你的现实星星我亦想在此之后你离开我希望您将能够在过去与我聊天我希望我们可以做 Haojuhaosan 选举方式是自己必须继续生活

If we thinkcarefully, we understand that we often encounter such velocity inour everyday lives. The problem is that the logicof reality restricts our ability to feel it. Inbreaking through pre-existing relations of logic, Dante allows usto see that literary reality is sometimes more real than thereality of our lives.

仔细一想,这样的速度也是我们经常在现实生活中可以感受到的,问题是现实的逻辑常常制止我们的感受能力,但丁打破了原有的逻辑关系后,让我们感到有时候文学中的现实会比生活中的现实更加真实。

The process of Lu Xun's literary creation is guided by a prodent mind accompanied by subjectivity. Since the reality lost its validity and substantiality in his view, it turned to be an absurd and grotesque world. So he rejected this reality with the very reality in which he lived. Lu Xun also employed various ironies in his works; so both in spiritual essence and creative practice, Lu Xun was an ironist.

鲁迅的创作过程是审慎的过程,创作主体意识时刻在场,因而其作品呈现出高度的创作者的主体性;鲁迅身处的现实在他眼中已经完全丧失了有效性、实体性,现实对他而言已成为一个荒谬怪诞的世界,鲁迅以他所身处的现实来反抗这个现实本身,因而他对现实的否定是彻底而绝对的,这正是反讽的人生态度;鲁迅在作品中大量地使用了各种反讽手法,所以无论从精神本质还是从创作实践来看,鲁迅都是一个反讽者。

If we think carefully, we understand that we often encounter such velocity in our everyday lives. The problem is that the logic of reality restricts our ability to feel it. In breaking through pre-existing relations of logic, Dante allows us to see that literary reality is sometimes more real than the reality of our lives.

仔细一想,这样的度也是我们经常在现实生活中可以感受到的,问题是现实的逻辑常常制止我们的感受能力,但丁打破了原有的逻辑关系后,让我们感到有时文学中的现实会比生活中的现实更加真实?

But Camillus Chiemela马蹄莲的花语, a Nigerian living in Germany, feels it will help to improve the education system. Students' expectations will be much higher.

来自巴西的Sergio Fernandes表示付费给学生的做法是不现实的蓝色马蹄莲,但生活在德国的尼日利亚人Camillus Chiemela认为这将有助于教育体系的改进,学生的期望值将会增长。

In the future,network virtual community become more and more variously , more and more like reality.even better than reality for its excitiment and amusement.what realty have exist in fictity.what can not realise in realty is easy to do in fictity.you can marrige with your lover,you do business with your cooperation,you can speculation on stocks,you can make friends,you can do every thing you want unless some thing not allowed in law,which make the bound become more and more fuzzy betwen fictity and reality.people will mist easily between them for a long time.it is scareful to face such blurred phenomenon.so for those who have not enough ability to distinguish ,especiely youth and children,it is easy to lost themselves.

不久的将来网络虚拟社区会越来越全面。跟现实几乎一模一样,甚至比现实的东西还要全面刺激。现实中有的虚拟空间里都有,现实中无法实现的可以在社区里得到满足和实现。可以在虚拟社区里结婚生子,做生意,炒股票,交朋友等等。这样虚拟和现实的界限会越来越模糊,时间久了人们就会在两者之间迷离了,形成虚拟和现实的交错现象。有时候想想也挺可怕的。所以对于没有做够判断和分辨能力的人来说,特别是青少年和儿童,真的容易迷失自己。

William Schimmel is good at using "Musical Reality" carrying out the work conception and creating practice,"Music reality " is one philosophy theory but does not create a technical skill. It requires that the composer gains new creation inspiration behind the external implication taking work seriously more much,but really not that the inherent implication basis in some volume work goes up carrying out treating and adapts. Therefore, guided by "real music" thought theory work all is new work, but be not arrangement. This work the main body of a book is analysed , the work it is a volume to have real thought of music.

威廉·史迈尔善用&音乐现实&的思想进行作品的构思与创作实践,&音乐现实&是一门哲学理论而并非创作技法,它要求作曲家在更多的重视作品的外在涵义之后获得新的创作灵感,并不是在某一部作品的内在涵义基础上去进行加工与改编,因此,在&音乐现实&思想理论指导下的作品都是新作,而非改编曲,本文分析的这部作品,就是一部具有音乐现实思想的作品。

Bury one's head in the sand 逃避现实;拒绝承认现实例句:He had suspected for some months that his son was taking drugs, but he had buried his head in the sand and refused to admit it, even to himself.

几个月来,他一直怀疑自己的儿子在吸毒,但他却采取鸵鸟政策,拒绝承认现实。本句来源:鸵鸟遇到危险时,总是把头埋在沙里,自己看不见敌人就认为敌人也看不见自己,由此产生这一成

He subverts those various symbolic images he intentionally selects in order to verify the detached relationship between image and reality that image is not the one of reality, and reality is not the one in image.

一是他有意识地选择各类象征性图片对之进行颠覆,意在确证图像与现实的梳离关系,图像并非现实的图像,而现实也非图像中的现实。

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If Pentium 4 used to be the master of all games built on Quake3 engine, now the situation has changed completely.

如果奔腾4使用的是掌握所有游戏建立在求苛刻的发动机,现在的情况已完全改变。

No, this is not what we mean by framing, although the principle is the same.

不,这不是我们所讲的框架的含义,尽管法则是一样的。

As we walked up a steep, rocky trail, he fell and uttered a mild expletive.

当我们走上一面陡峭的岩石小径时,他跌倒了,随口说了一句温和的感叹词。