狂欢

Loneliness is a person's carnival, the carnival is a group of people alone!

孤单是一个人的狂欢，狂欢是一群人的孤单！

Dialogism is a basic existing mode of dramatis personae in his works.

从宏观的存在的双重性到微观的个体的双重人格，双重性，是巴赫金关于狂欢文化与狂欢化文学研究的基本价值尺度。

Therefore, the self-image of dramatis personae is divided into two parts,"person in body" and my self are closely linked and co-existing and thus comes the double personality.

从这样的哲学立场出发，中世纪的狂欢就是巴赫金所面对的存在即事件，他对狂欢节和狂欢文化的研究则是对历史的存在即事件的揭示。

The revel had lasted since four o'clock, and, at length...the frolicsome company had begun to pract... The revel had lasted since four o'clock, and, at length…the frolicsome company had begun to practi.

英语有哪些单词到过来写也行 man -- nam 全国制造商协会 revel 欢宴，纵酒狂欢，闹饮狂欢，作乐；洋洋得意非常爱好，着迷 revel in a book 十分爱好读书 lever 杆；杠杆，类似杠杆的物体手段；途径；。

This thesis attempts to analyze the essence of carnivalization in Ivanhoe from the perspective of the Civil Humoresque Culture, with Bakhtin's Carnival Theory, to fill the gaps in the theoretical perspective, with a view to further promoting the research of Scott.

本文就尝试从民间诙谐文化角度切入，并运用巴赫金"狂欢化诗学"来分析《艾凡赫》民间狂欢化的实质，以填补这一理论视角的空白，以期进一步推动司各特的研究。

To make a new interpretation of As I Lay Dying by Faulkner, and reveal the carvelesque features of the novel in terms of narration, structure and genre, in the perspective of Bakthins carnivalesque theory, the carvelesque features of the novel can be generalized in three aspectsduality, polyphony and alteration.

从狂欢化视角对《我弥留之际》做新的解读，分析其叙事、结构和体裁上呈现出的狂欢化特征，可以将《我弥留之际》的狂欢化特征归纳为复调、两重性和死生交替。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&、&文字学&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

Do not gum up the work by telling mother what we are going to do .

别告诉母亲我们要干的事，那会把事情搞糟的。

In recent years, application of the partial prestressed concrete beam s is developed.

近年来，随着部分预应力砼梁应用的推广，发现我国规范所采用的名义拉应力法的计算结果不稳定。