漆器

Pingyao push light Lacquer has exquisite skill sets, and its production process mainly includes the following steps:(1) with special formulations, techniques and facilities for refining large paint;(2) to large lacquer and natural tung oil refining mask paint;( 3) fetal Phi Mu Ma linked to ash gray lacquer have to bei cloth, gray pig have to wear hemp, yellow glue should bei paper;(4) Human hair, Port Chatham suppository production;(5) Ad Hoc Yam lacquer dry room;(6) outline in gold paint, including Ping Kim opened the black, sand drum cover paint, hooks gold masks and traditional techniques, such as eggshell mosaics;(7) with sandpaper, charcoal, hair, brick ash, oil and other successive push light, so bright as a mirror lacquer;(8) the use of mosaic, carve, covering gold, gray, such as carved for decorative art.

平遥推光漆艺有精湛的成套技艺，其制作过程主要包括以下步骤：（1）用特殊配方、技艺及设施炼制大漆；（2）以大漆和天然桐油炼制罩漆；（3）木胎披麻挂灰，生漆灰须褙布，猪血灰须披麻，黄土胶则需褙纸；（4）以人发、牛尾制作漆栓；（5）在特设的阴房内阴干漆器；（6）描金彩绘，包括平金开黑、堆鼓罩漆、勾金、罩金和蛋壳镶嵌等传统技法；（7）用砂纸、木炭、头发、砖灰、麻油等逐次推光，使漆器光亮如镜；（8）采用镶嵌、镂刻、罩金、刻灰等技艺进行装饰。

The original wares in Chu Kingdom were those coated with black and red lacquers. As original lacquer has been developed to dehydration refined lacquer and modulated colorful pain, the red, yellow, green, blue, gold, silver and other colors makes the Chu lacquer wares in bright gay colors during the Warring States period.

楚国漆器虽以黑、红二色为主，但到了战国时期已不仅仅局限于黑、红二色，调漆技术得到极大的发展，从使用原生漆已发展到脱水精制漆和加油调制彩漆，能调出红、黄、绿、蓝、金、银等多种色彩，使得战国时期的楚国漆器色彩斑斓，艳丽如新，如雨台山楚墓出士272个漆耳杯中，绝大多数是彩绘耳杯，耳杯上的纹饰颜色有金、黄、红等。

The degeneration and resorption of one or more ovarian follicles before a state of maturity has been reached.

汉代是漆器的鼎盛时期。漆器的品种又增加了

This DVD will contain BYJ making Korean costume with a famous designer Lee Hyo Jae; BYJ learning lacquering from Mr. Jeon Yong Bok, who is running a lacquer museum in Iwate province, Japan; experiencing ceramic art; and making Kimchi.

该DVD还会收录勇俊向韩国非常有名的韩服设计者Lee Hyo Jae学习制作韩服的场景，向著名的漆器工匠Jeon Yong Bok学习漆器工艺的场景，以及他学习陶瓷艺和制作泡菜的场面。

Therefore, it is necessary that we develop more ways to better preserve ancient Han lacquers so that they could present themselves to people with their unique beauties.

我们得加强对古代漆器的保护，并研究总结出更多更好的保护方法，让这精美独特的古代漆器，呈现在人们的面前。

However, in terms of preserving ancient lacquers, we are now facing a conflict between traditional culture and modern culture, especially in the process of modernization.

第三章阐述古代漆器的腐蚀特性，如何科学保护漆器的方法，目前首选的修复及保护方法的操作过程，以及伴随着我国现代化的进程中，面临传统文化与现代文化的问题。

Therefore, this study has begun with the origin of lacquer-ware in Han Dynasty, and then proceeding with the exploration of epigraphs, craftsmanship, and vessel shapes of lacquer-ware in Han Dynasty, so as to understand the production process of veined decoration of lacquer-ware in Han Dynasty.

因此，本文由汉代漆器的渊源探究起，再进行汉代漆器铭文、工艺制作、器形的探讨，以了解汉代漆器纹饰制作过程。

The technique was copied in Europe, where it was known as "japanning," but European lacquerwork lacks the hardness and brilliance of Asian lacquer.

被称做「涂漆」的技术后来传入欧洲，但欧洲的漆器缺乏亚洲漆器的硬度和光亮度。

China is the first country to invent the craft of lacquer ware, which was used in the palaces in Qin and Han dynasty.

中国是世界上最早发明漆器的国家，漆器工艺，在秦汉时期为宫廷御用。明清时期漆器已在民间广为流传。

Yangzhou Lacquer Ware is the most precious treasure of all kinds of lacquer, with a history of more than 2000 years.

扬州漆器：扬州漆器迄今已有2000多年历史，为漆器中之珍品。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。